PD: I just checked the numbers. I found this: https://www.uscis.gov/sites/default/files/document/data/h-1b.... Indians and Chinese make up to 90% of H-1B petitioners.
315 karma · joined August 27, 2012
PD: I just checked the numbers. I found this: https://www.uscis.gov/sites/default/files/document/data/h-1b.... Indians and Chinese make up to 90% of H-1B petitioners.
Why problematic?
On the slowness, I would agree that Ruby is slower than many languages, but as an interpreted language this is -up to a certain point- by design, or at least an accepted part of the trade-off one accepts when he takes a programming language. Moreover, Ruby's natural competitor is Python, not -say- Clojure; and I wouldn't that Ruby is significantly slower than Python.
This. Not sure if it's a system bug, or a feature: the system may have been designed for this to happen.
Really? It doesn't seem to be this way to me. The academic requirements are, I believe, the same: a degree. I think in the US you also need a job offer (for H1B), but that hasn't been hard to get for a software engineer in the last 10 years.
The real "bar" for US immigration is a hard limit on visas, which are resolved via lottery. Your "ability" on winning a lottery doesn't say much about your talent for engineering.
Note: I moved from Europe to the Bay Area, I'm a bit familiar with the process.
- Italy: 1 case per 3.996 inhabitants - Iceland: 1/4.285 - Norway: 1/6.710 - Denmark: 1/9.081 - Switzerland: 1/10.035 - Spain: 1/14.831 - France: 1/23.292 - Germany: 1/30.160
Come join us at Zendesk! Founded in 2007, we have revolutionized the way organizations support their customers. We currently employ 2000 people all over the world, and have an exciting engineering culture that will make you thrive. In our HQ in downtown San Francisco, you will work with one of the biggest Ruby on Rails applications in the world.
Our stack is built mainly on Ruby, but we also use Javascript and Scala.
Apply at https://jobs.lever.co/zendesk/19937639-b2ff-4463-a993-5fa71f...
Despite the fact that his best works are anime TV series, I always thought Anno was one of the best filmmakers alive. His works in the 90s are absolutely amazing, particularly Evangelion and Karekano. He is a complex artist on many sides; formally he is the first (and mainly only) modern anime director: he uses the long-shot substantially less in favor of close-ups, which are just harder to use (almost anything can be OK-explained by a long-shot, while close-ups are pretty limited semantically). Aesthetically he is very original, with how he plays with music (Haendel in Evangelion 22, Beethoven in Evangelion 24, Bach in the "sex scene" of Karekano) or my favorite aesthetical treat, the use of text.
Love and Pop, and then Shiki-jitsu were a very promising start for him as a live-action filmmaker... but unfortunately, it looks like personal issues got to him. In the 90s there was a trio of Japanese filmmakers with similar approaches and amazing talent: Hideaki Anno, Satoshi Kon and Shunji Iwai (who is also the main actor in Shiki-jitsu). For different reasons, none of them seems to have used their whole potentials.
Why? I'm in the US with a work visa and the idea of having a lottery to decide who is allowed to work in the US is absolutely insane for me. It just does not make sense.
That's... surprising. I lived a few years in Denmark, and what characterized the country for me was the extreme anti-immigrant tone of the media and the politics. Now I live in the US, and what is happening with the current POTUS seems pretty moderate to me in comparison.
Actually that's my five cents on the "reverse culture shock": now I empathize much more with the situation of the immigrants back home.
Which is the ethnic slur?