Ancient colour revealed on the Parthenon Sculptures
britishmuseum.org
britishmuseum.org
Really, British Museum?!
* British damage to Elgin marbles 'irreparable' - http://www.theguardian.com/uk/1999/nov/12/helenasmith
* Cleaning scandal at the British Museum - http://www.parthenon.newmentor.net/cleaning.htm
(there is even a whole section on the museum's website: http://www.britishmuseum.org/about_us/news_and_press/stateme...)
Also: http://www.ellopos.net/elpenor/greek-texts/ancient-greece/hi...
And while on the matter, I've yet to understand why the Parthenon marbles are still not returned where they belong: in Parthenon.
https://en.m.wikipedia.org/wiki/Gods_in_Color
https://en.m.wikipedia.org/wiki/Vinzenz_Brinkmann
https://www.youtube.com/watch?v=7UsYHo5iarM
http://www.in-greece.de/griechenland/foto/15445-stele-der-pa...
As to the Parthenon marbles, yeah, I agree with you. It would be good to see an Imperial theft redressed. Even a couple of centuries after Elgin did his deed, it matters.
It wasn't a theft, but a duly-authorised removal. What's more, had the Earl of Elgin not removed them, they might have bee destroyed along with so much else a few years later during the Greek Revolution.
Oddly neither WW2 nor the Greek Civil War caused any significant damage either. The main damage that has taken place is post-WW2 due to the rise of car-driven air pollution, especially acid rain. To protect them, the remaining 5 caryatids were moved indoors in 1979 (replaced by replicas), and the last 20-meter segment of frieze remaining on the Parthenon was moved indoors in 1993. These would probably have been in better condition if they had been removed earlier.
But however you want to spin it I guess.
https://news.ycombinator.com/newsguidelines.html
>"Please resist commenting about being downvoted. It never does any good, and it makes boring reading."
As for the the cause of the down-votes, it's most likely the snarky part, "Really, British Museum?!" It was unnecessary to make your case.
On the bright side, the links were interesting and appreciated. Thanks.
The museum is arranged with the intent to display the complete set of pieces, with blank space deliberately left for the missing items, so in terms of technical housing I don't think there's a problem (this was part of the political motivation for building the new museum, to have a credible facility for the sculptures to be returned to). The caryatids are currently arranged as a set of six, but with one spot empty, and the frieze is laid out as a full-sized display of the entire frieze, with the pieces that the museum possesses inserted into their correct place, and plaster casts used as placeholders for the missing parts.
Could someone help me understand why this matters? Why worry about events centuries past when there's so much to worry about in the future?
To answer your question straight, the reason the return of the Parthenon marbles matters, is morality. [4]
One cannot appreciate the significance of such creations to the fullest when they are taken out of context.
[1] http://www.parthenonuk.com/ [2] http://www.parthenoninternational.org/ [3] http://www.marblesreunited.org.uk/ [4] http://www.forbes.com/sites/realspin/2014/12/23/the-british-...
It's about making sure that our civilization's treasures are protected and not ruined.