Netflix and the Napoleon Dynamite Problem (2008)
nytimes.com
nytimes.com
They already have the recommendation engine built and they need every differentiation they can get to compete with the crowd of streaming providers.
Right now, I don't know of anyone who has limited spare time who would risk trying something unknown just because it shows up in their Netflix recommendations. If Netflix got those right frequently, people would rely on it more and probably enjoy it more. A 10% increase in accuracy has a decent chance to push beyond the invisible "good enough to trust" threshold and create an experience other streaming services just don't have.
When Netflix users only decide what movies to watch based only on the titles they recognize from marketing campaigns, their disappointment with Netflix's selection will be higher.
Their optimal strategy is to have a recommendation engine that routes users to good, but unknown movies that they know people end up enjoying if they just take the dive to start watching them.
Heck, if it did that I'd be happy. I don't even know why I still have my Netflix subscription. The selection is basically as good (bad) as Hulu and Crackle, the price is higher and the recommendations are laughable (right now they're pushing: Velvet, a TV series about a Spanish fashion house; Sense 8, the latest lameness from the Wachowski brothers; Elsa & Fred, aimed at old people, a Robert Pattinson vehicle, Orange is the New Black, The Butler and piles of other stuff I would never watch if you tied me to a chair).
Frankly, I don't believe they have a recommendation engine anymore: I think they just suggest whatever is cheapest for them to play.
This simple but more accurate model would have been a useful foundation for Netflix to build its own internal models on, and highlight the flaws in the assumption of the Cinermark algo.
One of the problems I find in music algorithms is they can't know how I've changed - suggesting music based on what I play or input - but that's stuff I liked in mid-2000s when I was in peak music consumption mode. Most suggestions then get picked from the same pool.
I'd love these algorithms to take my age into consideration: "If you liked X when you were 25, you're going to love Y now that you're 35!"
I don't use Pandora very much any more but when I did I'd just create a station based on a single artist and then usually listen to it without further interaction. All my stations would converge on Radiohead within ten - twenty tracks regardless of starting point: Joy Division? You must like Radiohead. Passion Pit? Radiohead. Billy Holiday? Radiohead. It was amusing but also more than a little bit annoying, and part of the reason I moved on from Pandora.
The are 14 year olds who are obsessed with jazz and blues, while some 70 year olds only listen to hardcore punk and deathgrind
Sometimes the things we miss are the most obvious.
What's wrong with vertical lists with relevant information next to the picture? Something like every shopping interface ever? Using Netflix is like going to a grocery store, deciding that you want some canned corn, and having to walk up to a conveyer belt and wait while canned beans, turnips, tomatoes, mushrooms, etc... slide by before the corn comes around. And it is like this for every single item.
I probably watch netflix once or twice a month, I'd cancel but I'm not the only user.
The performance is abysmal though, lots of CSS3 hover transitions that seem to slow things to a crawl on scroll
Eventually I did figure out that on the website you can say you aren't interested in particular items, but Android/Roku etc do not have that option. Of course those Netflix employees who work on this stuff deal with the PC/web based interface all the time, but apparently don't realise that not everyone does that.
Android/Roku etc do let you set ratings on items, but to me there is a big difference between "I am not interested in this item" and "I have watched it and give it one star".
Movies.objects.filter(tags__in=['anime', 'sci-fi', 'robots', 'cyberpunk']).exclude(tags__in=['nuns', 'schoolgirls', 'demons', 'demon-hunting-nun-schoolgirls'])
or even just see all of the tags that they tag things with, and allow searching by those.
Of course, I also would love to be able to blacklist films that I know I'm never going to watch (some horror films, some of aforementioned anime :)), and have them hidden from browsing or search results (or even just sequester them at the end of the list, or dim them out?).
That's exactly how I use it and their "Watch it again" section is very helpful.
I didn't know you could do this. Looking forward to telling Netflix that no, I do not want to watch The Interview.
The list was “I Heart Huckabees,” “Lost in Translation,” “Fahrenheit 9/11,” “The Life Aquatic With Steve Zissou,” “Kill Bill: Volume 1” and “Sideways.”
Personally, the common thread I see across those is that the viewer would be more likely to enjoy the movie if they had the right context.
Kill Bill, for example, is far easier to enjoy if you've seen (not necessarily liked...but have seen) cheesy old Kung Fu / Karate movies.
Napoleon Dynamite is easier to appreciate if you were socially awkward yourself in high school. There's also some humor in there that's more relevant if you were a kid in the 80's, as well as some humor that might make more sense if you lived somewhere rural, or even more specifically, rural Idaho/Utah/Wisconsin.
All that to say that Netflix may not have enough data at their disposal to know if you have the right context to enjoy movies that almost require it.
Just watching a movie at different times of day can significantly alter your opinion of a movie.
Being interested in video games, I've thought a lot about rating systems. Older magazines used to use 10 (or even 100) point scales, and you quickly realize all the rating ends up taking place in the top 30-40 percent of your scale anyway... so why not limit the gradations. For my money, 5 stars makes sense... you've got a middle of the road "average" 3 star movie, and then two stars above and below.
The stars are also just a snapshot of feeling, and don't account for any context like expectations, identity, mood etc. Maybe I'd give Black Swan five stars because it was impressive and won awards, but it doesn't mean I necessarily enjoyed it or would recommend it to others. Perhaps a system based loosely on Net Promoter Score ideas could be more helpful
In my case I didn't bother rating it because it A) didn't seem fair, and B) rating stuff with any more precision than "like/didn't like" seems really pointless to me.
Anyway there's this assumption that they'd want to present results that encourage you to watch as much as possible, yet they have a financial incentive to present results that are just barely good enough that you won't cancel and/or sign up for a minor competitor.
This is NOT like a public library card catalog where next years funding depends on increasing circulation counts.
In some ways I think my proposed search result criteria are more difficult than presenting result I'd actually want.
"Even though Netflix has a good deal of demographic information about its users, the company does not currently use it much to generate movie recommendations; merely knowing who people are, paradoxically, isn’t very predictive of their movie tastes."
"Targeted" advertising suffers from that model. Demographics matter only a little. What you've bought (which Amazon knows) matters far more.
The biggest manifestation of this issue is that I tend to order new movies, but I seem to get a lot of recommendations for older movies. Netflix should see that I've ordered maybe 2 out of 200 movies that are older than the year 2000.
I'm sure there are reasons for this. Nonetheless, it continues to strike me that, in that context, their own, internal information on product offerings is restricted to a two sentence blurb and an unqualified single five start rating metric.
“What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage...
The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything...
One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice.
Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy?
I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know?
You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!”
I think it comes down to authenticity. Humans can predict the actions of humans, so long as humans act by and large as they think they're supposed to act or like the things they think they're supposed to like. The moment an individual walks in, an individual who does what they truly want to do when they want to do it, all correlations and inferences and predictors fall to waste.
The Underground Man goes on to say, “I agree that two times two makes four is an excellent thing; but if we are dispensing praise, then two times two makes five is sometimes a most charming little thing as well.”
Would two times two makes five be included in a set of high-quality choices?
There is no alternative to curation. If you display all the possible options, there is still the order -- humans, being humans, will not thoroughly read and equally consider even a list of a thousand options, so the order will affect their choice. Choosing to display the results in random order, or in alphabetical order, or in chronological order, is still a decision which affects the choice of the user.
Curation cannot be avoided, as long as we are men.
I am reminded of Stanislaw Lem's Demon of the Second Kind.