Music piracy is down but still very much in play
latimes.com
latimes.com
So I went to Amazon.com found the track for $0.99 and went to pay, guess what "your credit card has to be issued by US bank" error, despite me having positive amazon.com gift balance with no need to use credit card. Fine so I went to amazon.co.uk, same track GBP 1.00 (notice the markup) and similar error once again despite me having credit on UK site and buying for years electronics and just about everything else for myself.
So in end I went to google and found what I wanted on mp3juices.is or something like that.
These music companies deserve to go extinct for wasting half an hour of a prospective customers time and putting up silly barriers.
You can't watch a TV show because you don't own a TV? /s sorry couldn't resist.
Let's face it, they don't want your type. Ownership is dying. It is much more profitable to renegotiate with the consumers that fear losing "their" music collection the price of a subscription service every once in a while.
Do you know why YouTube is so popular for listening to music? It's because of things like http://www.youtube-mp3.org/
Music is never going back to the cassette/CD golden age of sales, but streaming seems like the best way to salvage the few paying customers left.
It is remarkably difficult to just trade money in exchange for goods and services online. Between fraud, transaction costs, anti-"money laundering" requirements and general complexity the systems that actually exist are just not very good. If you fall outside the realm of a simple money-in-exchange-for-stuff paradigm, you are screwed.
Actual online retailers interfacing with customers need to make this mess as invisible as possible, but they are working with crappy inputs.
I increasingly suspect that the banking industry is the biggest economic bottleneck in advanced economies.
No, this is an issue with streams of bits being considered goods that have to be traded differently depending on the region, and that responsibility lies entirely with music distributors. If there was a single global license for selling a given piece of music, it wouldn't matter what you're buying, how you're buying it or where from.
3-4 year old amazon account with long history of purchases going into 6 digits, no chargebacks (not possible obviously) and my Irish debit card also on file with them.
The risk of fraud/charback to Amazon (either US or UK branch) was exactly zero with me.
Should I throw even more money on these unfair systems by buying music/media?
As the article mentions, there's a broadly accepted argument that fans have been ripped off for years before the internet came along. It's not about "Napster" coming along, it's about the internet arriving and giving us new ways to get media. CD-era comes to an end regardless of legal status of any particular online resource.
As more artists chose to upload their own music, the big-wig artists looked on, dwindling sales infringed upon by... what's this, indie bands previously only seen at local pubs? The horror!
Access > Granted is defined as "piracy" too often, but I'm not saying piracy isn't a thing, it's just not the whole picture.
I can't believe I'm paying for Netflix, but then again, no ads, HD quality. As for music.... hmmm. TO be honest I'd appreciate Netflix getting into music and offering me a good deal on their add-on music service. I'd prefer not to pay another whole $10-ish per month for music. I want package deals because my wallet wants that.
It's all about ease of access, surely? The introduction of Apple Music is good for music, but if it means that Spotify and Apple Music are going to further fragment accessible libraries of music then piracy will probably rise.
Well, she is still making her music available online against a fair price. If you mean restriction in the sense of any restriction, then, yes, it's restricted. But so is Spotify, because for every service there is another one you don't publish on.
Miss Swift was not happy with Spotify's negotiating terms. Her not playing ball with Spotify should not automatically be considered "restricting her fans from listening to her music legally," even though that's a side-effect.
I'm not privy to the details of the negotiation, I don't know who's being unreasonable, if anyone. But just saying that she restricts her fans from listening to it, that implies it's her own fault and that people are in the right for just pirating it then.
Not really.
Spotify works because you're safe in the knowledge that you can listen to pretty much anything you want. With Apple Music in the picture, piracy will almost definitely rise, should artists decide to lock themselves onto specific platforms like Swift has chosen to.
The devices limitation? Who the fuck came up with this idea thinking it will be good? Greedy kids I won't cry if they disappear, which probably won't happen anytime soon.
It's simple, people will go for the easiest solution. I barely know anyone illegally downloading videogames since Steam became the go to, and steam is like a big DRM but so easy to use, always download at max speed etc, people just use it, including myself.
As you wish. I won't ever listen to your music, I responded.
It's their choice and their loss, not mine.
From what I hear, a lot of music sharing has moved to sneakernet amongst friends. A palm-sized 2TB hard drive carries around 4 years worth of 192K mp3 audio.
FTA: But the music industry is still trying to recover from piracy's heyday. Last year, total music industry revenue was about $15 billion worldwide, well below the 1999 peak of $38 billion.
Ouch - think about that, seeing >60% of your industry revenue go up in smoke. And please don't give me the old line about labels ripping off artists - big labels did, somewhat, but they weren't nearly as bad as Courtney Love made out, and meantime tons of small labels went to the wall because they didn't have the revenue cushion that the big ones did. I was a DJ back in the 90s (and I was probably spending a couple of thousand $ a year on music at the time) and it was a much more economically diverse industry pre-Napster. I can't say I regard the commodification of music as an improvement, really.
As for the indie labels - it's a massive shame, I agree, although many adapted and survived. But I'd argue indie artists have it easier than before - you can record and distribute an album for basically the cost of your time these days. (Although, that in itself is both a good, and bad thing.)
https://support.spotify.com/is/problems/#!/article/I-m-an-ar...
The major labels (certainly), controlled the distribution channels (and I know a lot of indies used a major for distribution, when it was all physical media) - and they don't, so much, anymore. My point was they chose to fight the future rather than adapt to it, so other people came and stole the new business. There's what - 4 big labels? Had they come together they could have sewn up digital distribution before other companies (iTunes, then Spotify, etc etc) came and stole their revenues. Sure music industry profits may be down, but that money is probably just being made elsewhere.
I guess change is hard. The 50 something record exec behind the big desk in the year 1999 who's never sent an email, getting told by some 20 year old kid in a winamp t-shirt that 'MP3s are the future' is probably going to laugh him out the office. When he realises people are taking music for free, in bulk, his reaction is(/was??!) probably - that's stealing, not 'how can we monetize this?'
1970s and 1980s era record labels would sign an artist, throw development money at him or her, give them a fair try in the market with at least a couple of albums, and only drop them if they were going nowhere.
Then the emphasis shifted to the show-me-the-money insta-hit act, and manufactured waxwork acts like Justin Bieber. Music got a lot less interesting, and people found other things to do with their time. So sales crashed.
There's actually more good music being made than ever, but most of it lives on microlabels only hipsters know about, and the people making it all have day jobs. Even some of the better known names in dance/trance have day jobs.
This is bad, because some of them are very talented and would easily have made a career out of it 30 years ago.
Pop literally ate itself. The pirates just picked over the bones.
File-sharing isn't the problem!!