Why we should all learn from the ancient Greeks
theguardian.com
theguardian.com
Once you understand that, you understand that you can trace ideas through history and sometimes view their genesis and evolution — it adds a lot of perspective.
That's a very valuable lesson and one that can be learned from relatively little reading — after that, one may read or not read according to one's taste. Not everyone is cut out to go straight through Aristotle, or Livy, or what have you. You can get their ideas second hand (or third, or fourth, or five hundredth) - the important part, I think, is learning that intelligence, insight, humor, and wisdom are by no means modern contrivances (and may even have suffered a little over time).
The understatement of the century, or you are too nice.
I think people should read enough from the classics to understand how few new ideas there are
Apparently the idea that ancient Europeans, "Oldest Dead White European Males", had a massive contribution to culture is somehow considered wrong and offensive today.
I hope that the author is overreacting and not responding to a real intellectual retardation prevalent in academia.
What knowledge was lost then, that made the past 'better' (for a morally neutral meaning of that word)? (please don't say 'damascus steel')
Also, that's a pretty Europe centric view. Have you looked at eg China?
Culturally damaging events can be restricted to (relatively) small areas of the world. Conversely, Mao’s “Cultural Revolution” was also a culturally very damaging event in human history, despite being restricted to one (other) area.
The idea that nothing that happened in Europe is relevant because there are other parts of the world, too and that considering an event in Europe to be potentially world-changing is “pretty Europe centric” is one of the reasons that few people outside humanities consider the field any more relevant to reality than, say, string theory.
So, yes, stuff happened in China, too. Doesn’t mean that stuff didn’t also happen in Europe and that both stuff happening in China and stuff happening in Europe can affect the course of history.
Then Homer. Opinions vary on which translation of the Iliad is best (and it makes a huge difference). I'd stay away from Pope which is more of a remake than a translation. Lombardo is very modern. Lattimore is typically used for academic purposes. I would recommend Fagles.
After that, it depends on what you're into.
Philosophy? Pre-Socratics -> Plato -> Aristotle. What you choose here again depends on what you're into. There's politics, metaphysics, ethics, aesthetics, etc.
History? Herodotus -> Thucydides -> Xenophon (The Landmark series for all 3)
Theater? Oresteia, Medea, the Theban Cycle.
Mythology? Hesiod.
It covers the unity of the Greeks, their heroic outlook, the gods, the city and the individual, the good man and the good life, myth and symbol, imagination and reality, the plastic vision, and the place of reason.
https://www.youtube.com/playlist?list=PLHxtyCq_WDLXzT_CgYPtj...
Unfortunately, it would be easier to consume as audio files as the video adds little. The lectures to date have been on the Greeks but the course is ongoing and will come up to more modern times, ending with Martin Luther King.
I would recommend it to anyone who wants to trace the thoughts of the Greeks forward to WW2 era-ish, thoroughly enjoyable read.
Ie, they form a club based on talking dead languages no-one else understands and use Greek/Latin as a qualification for being included in the club, as well as where you were educated.
Class is very much a thing in the UK in certain circles. I have known people to succeed where others were forced to fail because of where they were educated.
I guess what I'm saying is I'd prefer to see the fruits of the ancient world to be used to enhance a broad range of subjects, to help us contrast them with ideas throughout our history, rather than treating it as a single subject.
The Iliad and The Odyssey are two of the most thrilling pieces of literature available to a reader today, and they both pose difficult moral questions. I just can't imagine a sociology textbook writer formulating a "What do you think: Glory, or Contentedness?" segment as compelling as the entire arc of Achilles' role in the battle for Troy.
So yes, the lessons of the ancient world are applicable to a broad range of subjects, but the art is also valuable in and of itself.
True, but I did mention studying these works through Literature courses, would this not be a suitable way to approach The Iliad and The Odyssey?
I guess I'd rather have a greater amount of flexibility in the education system for bringing together both old and new ideas. Whilst there's certainly plenty of material worthy of study from the activity of the ancient Greeks, what about other periods of time? If we have a separate course on the classics, should we have a course on the Renaissance as well (for example)?
I don't think everyone needs to read 'the classics', but some should.
No wonder you say you can find the Greek stuff "pretty boring." There's so much more to Greek literature than philosophy. Try
* Homer - the closest thing the Greeks had to the Bible, yet so different in spirit in that it raises unanswerable questions about the Greeks' beliefs, without affirming them
* Aristophanes - slapstick humor
* Sophocles, Euripides, Aeschylus - the great tragedians
* Herodotus, Thucydides, Xenophon - some of the greatest historians ever, although they fall somewhat short of our modern standards for historical rigor
* Lysias - mainly valuable as a record of the Greek legal process
* Lucian - for satire (if you don't like philosophers, you'll love Lucian)
That's because you're only reading the boring ones! Aristophanes is still funny and very worth reading today for a typical person, in my opinion.
I took Ancient Greek in college, and toward the end of the term was reading "The Clouds" in the original. And it was incredibly funny. But I've never found a non-boring translation.
Which led me to suspect that a lot of the modern rejection of classics comes more from the culture and norms of classical scholars' translations than from anything in the works themselves.
(a similar problem is known to have happened more recently with Dumas' "Three Musketeers", which suffered from English translators whose prudishness cut out a lot of fun bits from the original French)
For example, Japanese wordplay doesn't always translate very well to other languages. Since so much of the wordplay relies on similar pronunciation between two words.
私は「今は何時ですか?」ってネコに尋ねました。「ニャぁニャぁ」が返事しました。
"I asked the cat 'what time is it now?' The cat replied 'meow meow'."
Translators note: The Japanese pronunciation for 7 is "なな (nana)" which sounds like ニャアニャア (nyaa nyaa), which is the Japanese onomatopoeia for a cat's meow. I'm not sure if having the cat respond "meow meow" or "seven" is more funny for the English translation. The joke works better in it's original language as the cat could also be responding with "seven".
A simple example from pop culture would be the Miku Hatsune concerts "39 Giving Day" where '39' sounds like 'thank you' in English and they play 39 songs. In the credits for the MikuFlick iOS game it says at the end "39 for playing!". It's a simple example of what you mean, but j-pop is rife with this. Visual imagery too, the official video for Morning Misume's An Adolescent Boy is Crying Again on youtube has a fan's explanation of the imagery used, it's honestly a good read. (video https://www.youtube.com/watch?v=GtboKJ4D8zg but can't find the comment among the train-wreck that is YT comments). Posting MM video links on HN, what have I become? cries
So instead of forming Japanese words (proper 語呂合わせ ) I'll memorize a string of gibberish Japanese sounds.
I also came across this interesting article on Kurosawa's interpretation of Macbeth, http://www.academia.edu/3306558/Lost_in_Translation_Reconsid...
I suspect there is a lot lost in translation, which can be challenging when reading old texts.
https://en.wikipedia.org/wiki/Diogenes_of_Sinope
It was in Corinth that a meeting between Alexander the Great and Diogenes is supposed to have taken place.[30] The accounts of Plutarch and Diogenes Laërtius recount that they exchanged only a few words: while Diogenes was relaxing in the sunlight in the morning, Alexander, thrilled to meet the famous philosopher, asked if there was any favour he might do for him. Diogenes replied, "Yes, stand out of my sunlight". Alexander then declared, "If I were not Alexander, then I should wish to be Diogenes", to which Diogenes replied, "If I were not Diogenes, I should also wish to be Diogenes."[31] In another account of the conversation, Alexander found the philosopher looking attentively at a pile of human bones. Diogenes explained, "I am searching for the bones of your father but cannot distinguish them from those of a slave."[32]
Can you be clear about what DOES interest modern readers if it's not to understand human nature and the world around us? Or are you second guessing because of the prevalence of Twitter and Facebook?