Leading Architects Defend Hated Buildings
nytimes.com
nytimes.com
I can't help but mentally find & replace Paris -> San Francisco.
For most of history, architects sought a graceful balance between art and practical considerations. It seems to be a recent development that they have split into separate groups, one of which focuses solely on cutting costs, and the other of which focuses solely on building monuments to their own genius.
He then followed up by back-pedaling of course, but I've always remembered that as a moment when my cynicism about "modern" architecture felt validated.
I don't recall ever using software where I thought the creator intentionally made things difficult.
On the one side, an architect who believes in designing buildings largely as a means of communicating artistic messages—even, and perhaps especially, designing the building to make people uncomfortable[2], because to make a building that comforts and reassures is a bit like lying about the state of the world, or doing a broader disservice by reinforcing the status quo. Buildings as statements, buildings as jokes[3], even.
On the other, an architect who finds this view practically psychopathic, since, after all, people will live their lives in these places. Buildings, in his view, should serve people over communicating a message and, above all, should please the humans who will look at them and crawl around in them.
[1] http://www.katarxis3.com/Alexander_Eisenman_Debate.htm
[2] http://socks-studio.com/img/blog/eisenman-alexander-01-800x6...
[3] http://en.wikipedia.org/wiki/Peter_Eisenman#/media/File:Grea...
Yeah, that's pretty much the premise of brutalism [1]. Actually I think there's a place for that kind of thing and some of the best examples in London are really awe-inspiring and interesting places to hang out (e.g. the National Theatre, the Barbican). But of course there are some 'concrete monstrosities' as well.
I get what you mean, but La Défense is more or less the opposite of that. The people responsible should be shot, as it taints the ideals of what you mentioned. Tour Montparnasse should be loaded from cellar to attic with excessive amounts of explosives and be put out of its misery.
Paris is very dense. All of the places in the top 30 mentioned below are actually neighborhoods of Paris:
http://en.wikipedia.org/wiki/List_of_cities_proper_by_popula...
"Because they exiled all future high rises to some far neighborhood like La Défense, they were segregating growth."
London: 13,614,409 people in 8,382.00 km2
Paris: 12,161,542 people in 17,174.4 km2A more informative 1-dimensional 1-variable consideration, though imperfect, might be to take every person in the municipality and ask 'How many other people live within 1km of this person?', and take the median of that distribution.
Also relevant: http://www.buzzfeed.com/bennyjohnson/the-7-most-heinously-ug... ("There are many gorgeous buildings in D.C. Unfortunately for us, in the ’60s and ’70s, the federal government only hired architects with early onset glaucoma.")
http://fuckyeahbrutalism.tumblr.com/post/5667743710/campbell...
http://fuckyeahbrutalism.tumblr.com/post/8260917974/prentice...
http://fuckyeahbrutalism.tumblr.com/post/2935927750/laborato...
http://fuckyeahbrutalism.tumblr.com/post/8300999834/raymond-...
That's correct, it's only 40 years old.
Actually, it was determined the building was already in a dreadful state 15 years ago, when the building was only 25 years old, and it was literally starting to fall apart by 2006. The review that came after that determined that the cost to repair the building and get it back up to usable was not justifiable.
In 2008 the building was appraised and it was determined that even if all $660 million in repairs and renovations were made, the quality of the original building was so poor it would still not be classified as "Class A" space.
By 2011, the renovation estimate increased to $1.7 billion. It would be cheaper, at $850m to simply demolish the building and put up a new one.
I think it's one thing to experiment a bit with architecture, it's totally another to keep building poorly designed ugly garbage piles. The world will be a slightly better place when that building is demolished. Even if it was replaced with an empty lot.
People actively dislike these kinds of urban spaces. They don't visit them, photograph them, enjoy them. They avoid them. But that isn't the only hideous building in D.C. [2]
Here's one of the best talks on this issue [3]
1 - https://en.wikipedia.org/wiki/J._Edgar_Hoover_Building
2 - http://www.buzzfeed.com/bennyjohnson/the-7-most-heinously-ug...
3 - http://www.ted.com/talks/james_howard_kunstler_dissects_subu...
I had no idea. I absolutely adore the Pompidou. I've only visited once, a few years back, but I remember it vividly. Colourful and full of joy.
I can't understand why anyone would hate this building, I would love to visit it. But beyond personal preference, the success of the building is not merely about beauty but in how it functions both practically and phenomenologically. Judging architecture on looks alone is like judging, i don't know, twitter for its logo.. The pompidou centre made a large plaza based on classical proportions ie.the same size as the façade—in an area of paris without public space. And with the symbolism of the inner workings being exposed—transparency was a strong political statement to which the public responded.
Rogers:"The whole idea of Pompidou was that it is a place for the meeting of all people. And the success of it was that the French took it over and it became the most visited building in Europe."
But then they wanted to knock it down, and out came a media campaign where all the newspapers were talking about how ugly it was and what a blight, and suddenly people were ferociously hateful towards it. "Don't you just hate that building?" Well, no. And neither did you until you read about it in the paper. The weird thing was that the campaign was unnecessary (IMO) because people didn't care one way or another. It's not like people treasured the aesthetics or it had some historical tie...
They replaced it with a building that looks like a pile of glass at the recyclers [2]. Admittedly it's not boring, but neither is it attractive.
[1]http://www.walkingmelbourne.com/building465_gas-and-fuel-cor... [2]http://upload.wikimedia.org/wikipedia/commons/5/5d/Federatio... [2a]http://www.loftoncollins.com.au/images/gallery/800px-Federat...
I've lived in places where old houses were moved to get around opposition to their being demolished. On their new locations they were allowed to rot, and no one cared. Preventing building anything new is interesting and fun for the kind of Puritan mind that lives in mortal fear that someone, somewhere, is building something new. Once you take away the locus of prevention--in this case the "love" of the old building that activists would have discovered had it not been preempted--they get bored and move on to something else.
Also, I wonder if there wasn't a high-level political interest in keeping the buildings around, and drumming up public discord over them might have helped seal the backroom deals?
I wish I could understand the mindset of the original architect or, better yet, the local bureaucrats back in the day who thought it was a great idea to build something so large seemingly modeled on a random stack of toddler's play toys.
Now it just serves to suck the county coffers dry due to ludicrously exorbitant maintenance costs (I mean, come on, "80 roofs?"). A soon-to-be-demolished, barely-used monument to bad government decisions and a complete lack of foresight of the late 1960's and early 1970's.
(http://www.washington.edu/alumni/columns/june07/content/view...)
It was awful, actually several "wings" in one building. It was possible to get locked out of the building on a walkway between two wings, with no other exits. You would sometimes have to go through one person's office to get to another office.
The theory when I was a student there was that university construction in the late 60s was obsessed with dealing with civil unrest - psych buildings with riot-proof windows, admin buildings with confusing layouts, an open square covered in bricks that get slippery when hosed down, etc.
> I somehow think that if you could populate the Plaza with more gardens, and make it feel more part of everyday life — which they’ve tried to do with farmers’ markets and using the basin for ice skating — then it wouldn’t feel so hostile.
Seems eerily familiar to the sentiment surrounding the plaza by the city hall in Boston.
I would be highly surprised if even 10% of brutalist era buildings survive their first 50 years without being torn down.
They're almost universally poorly designed and built, feeling more like a parking garage or a public restroom, with interior floor layouts based on mental hospitals or mazes.
There are beautiful brutalist buildings. But I'd argue that even only a small percentage of those on the fuckyeahbrutalism blog would be considered so by the public. FYB even calls out City Hall in Boston as an example of great architecture, but it's pretty much reviled by anybody who's even come in cursory contact with it and the surrounding square. There's lots of terrible public spaces on that blog to be honest, clever photography is what makes most of them passable.
I would much more expect to see Boston's Government Center on the list.