Creativity is Not Design - Design Test 2
andyrutledge.com
andyrutledge.com
While I do agree with the point of the piece to an extent, I can't say I agree with the delivery. I found myself on the defensive even though I've taken college courses on design. I don't think an aggressive, elitist stance really ends up helping anything in this case.
Design is not art, it is, however, problem-solving, and being a good problem-solver requires a capacity to think creatively. Creative design doesn't mean ignoring accepted principles of hierarchy, spacing, etc. Design goes deeper than that. For example, think about the way that Google has implemented it's own cross-browser CSS button style. The button doesn't look very different, but Google designers were smart enough to know that the variety of default browser buttons detracted from their brand. Google designers (very creatively) devised a solution that is lightweight, accessible, looks the same across browsers, etc.
His other point is that design can be obvious to some people, but not others.
I don't think people do it consciously, but I do know that there are a lot of people who use 'good design' and 'looks nice' interchangeably. If you want to see examples, go over to Smashing Magazine and take a look through a few of their lists of 'well-designed' pages. The vast majority of the things they feature are not particularly well-designed. What all of them are is visually attractive. Those are the kind of people I think Andy's talking about.
I think the author exaggerates the divide between creativity and design, although not by much. I couldn't make a web site to save my life, because my creativity is zero, but when someone else makes one I have enough of a sense of design to know what they did wrong. So creativity is still necessary in design work.
With more creativity come more possible solutions. Then it depends on your ability whether you find a better solution, or get lost in distractions.
Some mid-century rational design thrown in for good measure, swiss grid systems etc. which are under going something of a renaissance through their recent discovery by web designers, but they also aren't a universal panacea for design ills. You need only look as far as Jan Tschichold's (a prominent exponent of modern typography) return to traditional typographic forms in his later career for evidence of this.
I don't doubt his assertation that there are a lot of incompetent charlatans in graphic and web design, but I do think his view that modern design educators are failing their students is probably due to many of them having moved on from the Bauhaus/Swiss modernism touch points he seems so firmly attached to.