Cinemas (and concert venues) do calibrate their sound, here's a sample link that touches on what's involved:
http://education.lenardaudio.com/en/17_cinema_7.html
I'm not sure a combined mic/speaker system makes much sense -- it would appear easier to just model what's important: how the sound sounds where the listener is -- which is typically anywhere other than on top of the speaker.
Model a human head w/ears, but mics in each -- and hook that up to a system that plays/records/compares audio. While dynamically adapting (noise-cancelling when there's construction next door, the garbage truck rolls by?) -- I'm not sure that makes much sense. We're used to acoustics changing a bit -- but having a half-decent base-line would probably be great.