The Afterlife Is Expensive for Digital Movies
nytimes.com
nytimes.com
(I wonder if Pixar's costs are lower, and they can just store the bzipped rendering scripts and soundtrack.)
Incidentally, video understanding has been called the Inverse Hollywood problem, translating to scripts, and if you can just store the scripts that will generate the movie, you can do massively better video modeling and compression.
Today wins.
Man, I'd buy that in a second.
Basically, if it costs N dollars today, it will cost roughly 2N dollars over its lifetime.