I think it's the US networks putting pressure on writers to produce produce produce which ends up being the difference between the perfection of The Thick Of It and the greatness of Veep (in my opinion).
I think it's the US networks putting pressure on writers to produce produce produce which ends up being the difference between the perfection of The Thick Of It and the greatness of Veep (in my opinion).
Consider Spaced: the cast and the audience loved it, but the story had come to a conclusion after the second series and the circumstances that originally gave birth to the ideas had changed, so they refused to consider another series.
Contrast this with American shows which typically only end if they get cancelled and where success is measured in how often you can get a new series funded.
Stuff like Prison Break, Heroes. In fact Prison Break's season 1 had a very clear, obvious conclusion (they broke out) - so there was no clear path for the story to take after that. In Britain it would not have been picked up for a second series.
The US corporate pressure to produce is definitely the problem. There is little counterbalance in the US, whereas in the UK the BBC allows writers like Ianucci freedom to do what they feel is right.