It's not Spotify's fault that RJD2 is only as popular as obscure Swedish death metal or obscure 80's folk goth music.
It's not Spotify's fault that RJD2 is only as popular as obscure Swedish death metal or obscure 80's folk goth music.
If that's true, something is deeply and terribly wrong with the license agreements. These are not some amateurs, but pretty big acts with fans from all over, and while I despise saying they "deserve" this or that I would at least expect the sum to matter.
So RJD2 should be making significantly more than the bands you mentioned given that his number of streams should represent a larger portion of spotify's total streams.
[1]http://www.spotifyartists.com/spotify-explained/#royalties-i...
So assuming one follow ~= one view per month, that means Youtube is 600x more profitable than Spotify. Interesting since Youtube is free and Spotify has paid stuff.
I understand there are technicalities but 22 cents/month is what you'd expect your complete unknown "electronica in basement" neighbor to make off a major distribution outlet, not known artists, even if they are obscure (which I think is a ludicrously out-of-scale term considering these bands have international followings).
I'm sure someone in this equation is making money, thats why it rubs me the wrong way.... it is an extension of the industry rather than a correction of it.