Profile of Ted Chiang: The Perfectionist
stories.californiasunday.com
stories.californiasunday.com
To sum it up that is what he says : "There is this thing called ethnobiology, a sub-dicscipline of anthropology, that studies the way civilizations understand and represent the living things. Ethnobiology reveals a constant in History : we tend to compare our brain to the most complex technology we know. At the Renaissance, philosopher assimilated the brain to a very complex and subtle clockwork, Freud compared it to a steam engine, which pressure should be evacuated to avoid explosion. In the 40's, schoolboy and schoolgirls were told that brain was like a telephone exchange. Today, computers are the most advanced technology we know, so we tend to compare our brain to it. But like our predecessors, it's very likely that we are wrong. Let just think forward, and admit that we are totally biased by the fact that computer are now inherent part of our life. Let's admit that there is a chance that our brain may never be modeled by a computer."
Each metaphor was less wrong than the one before.
As I said when I reviewed that book on Goodreads, if I'd spent the £11.40 for the book and only received that story, it would have been more than worth it.
That was more than a decade ago, and I still think about it more often than most sci-fi stories I've read.
The news about the planned hollywood adaptation is both exciting and frightening. These are really not cinematic stories as far as I can tell, unless you're ready to transform a story that happens inside someone's mind, like "Understand", into a graphical adventure like "Lucy". But after all, why not. I'm not one to say that a bad movie adaptation can really hurt a book - the book doesn't care.
I don't know, I think some of them could be adapted to screen really quite well ("Tower of Babylon" and "Seventy-two Letters" spring to mind). But regardless, honestly I'm just grateful Hollywood is tackling more challenging material more than anything.
In fact, the best thing would probably be Ted Chiang getting similarly involved in the production!
I understand he's written several short stories available only online (freely available) rather than in print. If anyone knows of a Kindle version that collects his online stories I'd be very grateful!
[1] http://rationallyspeaking.blogspot.in/2012/10/rationally-spe...
I think this is how people felt in the 50s and 60s when "monster/alien of the week" type potboilers ruled sci-fi until a new generation of writers like Bester, Dick, Lem, Roddenberry, and others started to break away from selling trends that had a roadmap to nowhere and started taking chances with original concepts, engaging stories and characters, character development, moral ambiguity, relationship stories, etc.
Maybe its just me, but my god, is "hard" or "not soft/fantasy" sci-fi hard to read nowadays. There's very little soul or characterization or creative breakthroughs. Its like we all decided a near futurish singularity/robots/space-ships scenario is all we can handle. That said, I really did enjoy Stephenson's Anathem. I think we're going to look back at this period and wonder why we didn't demand more from sci-fi. Somewhat ironically, the best sci-fi writing I've been seeing in the last decade is in video games and not in novels, film, or short-stories. I guess that industry, at least in parts, still has an appetite for chance-taking and a young-ish fanbase that appreciates such things. I'd rather, say, play Mass Effect or Bioshock Infinite than read what's popular today or play Alien: Isolation than watch Prometheus.
Perhaps I'm too critical, but when I ask for recommendations I get the same 20 or so novels, all of which way beyond their fresh date. /r/printsf just seems like a bunch of old guys recommending Dune over and over, or the same six or seven old Stross, Watts, or Banks novels.