Spotify CEO Responds to Taylor Swift
spotifyartists.com
spotifyartists.com
I think this might be the way that more artists start to go: use Spotify while you're gaining an audience, so people can find you and listen to your stuff at no extra cost to them. Then, when (and if) you've become "indispensable", pull your catalog (or at least new release) and sell it separately.
I think Spotify should embrace this model by having a "paid catalog" for your music library, so you don't have to leave the Spotify app to play music from the artists who chose to go the "paid album" route. As it is, I would have to open the Amazon Music app to play Taylor's album, which is an unnecessary bit of extra friction.
I'm happy to pay for good music occasionally, even on top of the $10/month I already give Spotify.
He should probably listen to Neil Gaiman's story on how piracy can, indeed, make artists money:
1. I think that the analogy between spotify and radio is too flawed to be useful
"If a song has been listened to 500 thousand times on Spotify, that’s the same as it having been played one time on a U.S. radio station with a moderate sized audience of 500 thousand people. Which would pay the recording artist precisely … nothing at all. But the equivalent of that one play and its 500 thousand listens on Spotify would pay out between three and four thousand dollars."
Huge difference between a play on spotify and a play on radio. Radio you take what you get. If you think "hey, I'd like to listen to that new Taylor Swift song", you can scan through the channels and I suppose you may eventually, after 30 minutes of scanning, come up with it. No guarantees, though. If you want to listen to that song exactly when and where you want, you can't get it from the radio. So I don't think this is a reasonable comparison. Spotify doesn't replace radio plays, it replaces purchased or pirated music.
2. I think that Mr Ek relies too much on the piracy argument
Yes, it's better to be paid something than nothing. But I'm not 100% sure this is a good reason for a recording artist to agree to legal terms that result in poor royalties. Taylor Swift's agent (I think it was the agent) described it this way - a fan pays $15 for the album, and her friend says "why did you pay for that? you could have just gotten it off <pirate site>." Contrast that with "why did you pay for that? you could have gotten it legally for free off <legitimate site>." There's a difference in kind here.
That's not how it works for many. I have friends who pay for Spotify and download (illegally) any content not available on the service. Ultimately, this move will not only harm her discoverability but will also harm her reputation by withholding her music (from fans) for greater profit.
Grooveshark made the first move in that space. IMO all credit goes to them. They created the business model where Spotify now thrives. The only difference I see between the two of them is Spotify raising $500M vs almost non-existant funding to Grooveshark, who knows what made one triumph and the other fail, perhaps just sucking the right cocks.
Also Daniel could have, more accurately, said "To say nothing of the fans who will just turn back to pirate services like uTorrent."; a company that was once headed by him and whose only purpose of existence is to enable piracy.