Also, I guess I'm increasingly in the minority, but I really enjoy reading liner notes.
Fortunately, I haven't had to rerip in a while. And if I really wanted to throw in the towel, services like Murfie exist that will take your collection and rip for you in a variety of formats. But, having physical CDs really doesn't bother me either.
Amazon will sell me a CD at the same price you pay, plus shipping.
Apple will sell me audio files, at a 30% premium over what they charge you.
However, if I want an album, I always buy and rip the CD to WAV/PCM. It's the real, unprocessed, uncompressed (lossy or lossless) bits of the CD, and I know of no other way to get those.
In my opinion, unless you have the PCM of the cd track, you will buy or rip that song again. This way you have it for good.
By the way, there's no reason to keep stuff around as WAV/PCM, it'll be just as lossless as FLACs (and thus can be further transcoded with no issue whatsoever) and you can actually tag the stuff like that too.
However, there are other ways to get those as well. Bandcamp offers downloads in flac, mp3, ogg, and others. If the album isn't on bandcamp, or some other site that offers flac copies, then you can illegally pirate flac content from some-of-a-few audiophile websites.
I'm quite a fan of bandcamp and I'd highly recommend seeing if you can find good music there.
Again, having the WAV file means I never have to touch that music again. Ever.
While just about any device can play .wav, many devices have so little storage that I find myself ripping on flac, the re-encoding to something lossy and lower bit rate to get a reasonable amount onto a mobile device.
Why would that be? libFLAC has IRIX support since ~2002, and computational power certainly isn't the issue, there used to be (and may still be) devices with <100MHz ARM chips doing real-time FLAC decoding in software (using just libFLAC).
The answer is 3 years of music enjoyment.
Honestly, this seems like a terrible example - I don't think anybody pays for spotify on the basis that they will have the music forever, it's very explicitly a rental service. Instead, people pay because it's the most convenient (including being cheap) way to access the music they want.
> While I'm not a CD junkie, I find myself clinging to the model you mention, because I am not eager to hand over control to a company that continually required me to pay
This doesn't really make sense either. If you don't like rental services, don't pay for them, buy the albums just like you always did - it's easy to buy DRM free mp3s nowadays.
> but it certainly isn't cheap
I'll admit, I was speaking more from the perspective of listening to a lot of music. For instance, the combined purchase value of all the albums in my spotify playlists far exceeds the total amount I ever spent on spotify, though I haven't used it for a while. I'm sure there are many people for whom this is true, even if they aren't a large proportion of the whole population.
In general you're right of course, 'cheap' is a matter of perspective. Spotify is not cheap for everyone, but it is potentially cheap for plenty of people. I still don't see the problem with this.
And, too, the collaborative experience that Spotify brings. I neglected to consider that. While very little money goes to the artists, the "sharing" aspect of Spotify is something that many people value and gladly pay for. Personally, I find that aspect too involved (I'm an albums person, not a playlist person) but from a marketing perspective this might be better for artists than physical media. I'm still too possessive for the rent-a-song method. What happened when I sign on and the music I like it out of license? Much better for me to have it as near to me as possible.
What prevents someone from doing the same thing with Spotify? Play music on one device, record it on another using audio patch cables if needed. Or maybe it isn't even that hard, just record the audio signal right out of the audio card in your PC. Is this prevented somehow?