As much as I agree with your points, I'm going to side with GMB here in saying that swears are useful in achieving certain things. I see both sides of the story: I'm a writer (and more than that, a stylist) by choice, but I'm also foulmouthed to a fault. There's a time and a place for each.
Jason Scott, the writer in question, is known for using lots of swears to achieve an emotional effect, but he's excused for that by working really fucking hard on the projects he's chosen to care about. So for me, the context of who he is justifies his swearing, because I know where he's coming from.
As for discarding audience: absolutely get rid of them if you want to! That's the choice of the writer. Maybe I don't want the sort of audience that still gets childjitters when I say the word shit in front of them. I had a professor last semester who told me he didn't approve of my describing another student's project idea as "fucked-up", because it conveyed a lack of respect for the idea. Fact was, the idea was disrespectable—but if I'd used that word, I'd have implied in my politeness some respect for the idea, when in fact I had none.
Jason Scott isn't writing to give constructive criticism. He's writing because he thinks the idea of BluRay needs demolition. In the past, when he's critiqued things, he's shown a restraint of language; this deserved none. (I'll also respond to your manner of responding by saying that I find snarky sarcasm as much of a turn-off as you find my crude mouth, and that I'm much less likely to respect snark than I am swears.)