Good tips! For monitoring, I love the Beyerdynamic DT 100 headphones. Being closed-back, you can be acoustically separated from your recording space, allowing you to hear its acoustical characteristics (which is the reason why engineers in studios sit in separate spaces from the musicians). You’ll be able to hear the effects of your experiments with duvets :)
Like the parent says compression is also quite important. It’s a big part of what makes radio voices sound radio, for example. Seeing it simplistically it is basically about lowering the dynamics of your sound—make the loud parts softer, so you can make the whole thing louder.
Any audio editing software comes with basic compression plugins. It takes some exercise to get right. Also, as you are making parts of your recording louder, any bad acoustics, noises artefacts are amplified.
Some recording software allows you to monitor effects while you are recording—this can help in finding the right acoustics. Of course there will always be a slight delay—a dedicated hardware compressor solves this problem.