New algorithm could transfer acclaimed photographers’ styles to cellphone photos
newsoffice.mit.edu
newsoffice.mit.edu
low-res pdf - http://www.connellybarnes.com/work/publications/2014_portrai...
hi-res pdf - http://www.connellybarnes.com/work/publications/2014_portrai...
(Another of Frédo Durand’s grad students who graduated a while back, http://people.csail.mit.edu/soonmin/photolook/)
Do you have any plans for future improvements which might reduce the really distracting color ringing artifacts you get in this current work?
Are there any photographers whose style doesn’t transfer as well? (The ones you chose all use very high contrast and harsh lighting, with an emphasis on fine structure detail.)
quantum computing breakthrough ==> scientists invent lightsaber
new photograph analysis algorithm ==> MIT turns selfies into art
These people must have the best imaginations ever.
Also, artists tend to evolve over time. Few artists like to remain stuck in one style for fear of being thought as unimaginative or lazy (you could look into all the flak Ansel Adams gets). Also some like Kinkade made their style into a business and people expected a certain style so he could not get away from that.
Most successful photographers evolve their style over time --Winogrand, Friedlander, Eggleston, Atget, Frank, Moriyama, etc.
http://en.wikipedia.org/wiki/Leibovitz_v._Paramount_Pictures....
[edit] that apparently HN lops off. I haven't found a way around it.
It doesn't do based-on-image-X matchy-matching but it does good film emulation.
Celebrated photographers "styles" can be two things:
a) a way of seeing (composition, sense of space, etc, etc)
b) a specific look, based on favorite film stock, preferred lighting schemes, post-processing etc.
This can immitate the second. Which you can also get, with a more manual process, from global filter/film emulation, like VSCO.
The local vs global application of the filter doesn't have as much impact in the final output. It's just a slightly more accurate (b).
That said, to the grand-parent poster: I realize that it isn't the same thing as described in the paper! However, it is available now, and I was using phrases such as "not entirely unlike" which shouldn't exactly inspire a sense of precise equivalence...
You'd might see something in Gimp long before there's any imagemagick implementation.
And usually those come from proprietary sources first.