Pied Piper
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But I like the characters, and the plot is pretty fun - it's a show that's easy to watch and enjoy for those of us that don't take much too seriously.
My biggest complaint with the show is that it still presents all software developers as socially awkward imbeciles who can't talk to a girl or stand up for themselves. But there is some truth in that statement.
They do have the `bullies` at their office who are also engineers and definitely fit the `cool kid` stereotype. I think they purposefully want to position the protagonists as being walked on and socially inept even within a group already considered to be socially inept by the general public.
that's because you're who they're making fun of. this entire show is satire.
Often (not always, though) shows with laugh tracks are an entirely different level of "not funny". It's bad when the show creators have to rely on cheap psychological gags to trick you into enjoying yourself. Silicon Valley operated at a higher level than that, although I still found a lot of its humor just referential and not too humorous or too easy. Honestly, just reading hacker news every day provides you with way more satire than the show does... I didn't watch anything past the first episode, so I can't speak to the story which you seem to like - I was just looking for a comedy show.
But tastes do differ. Especially when it comes to comedy. I'm glad you liked the show. I wouldn't compare it to Big Bang Theory, but I wasn't a fan.
Compared to that, SV is much much better in my opinion. I can't even watch BBT because the laugh track is so grating and don't get me started about "Bazinga", the most trite manufactured catch-phrase ever created.
The three camera and laugh track are usually indicators that the show probably isn't "smart funny", but it's not always true. I can watch Seinfeld reruns and pick out the camera cuts, laugh tracks and joke timings, but the show is still pretty clever.
But most people capable of making shows of Seinfeld-quality aren't going to go do a CBS sitcom. Seinfeld's set up was mostly a relic of its era. Today, you can get a single-camera comedy greenlit thanks to the cable channels. Even networks took some chances. I don't watch too many network shows anymore, but I know Scrubs and Arrested Development were single camera shows without laugh tracks and they were on NBC/ABC and Fox, respectively.
As for Silicon Valley, I was expecting more from it. It's a Mike Judge show and the reviews were very positive. I've only seen the first two episodes, but they were at least good enough to make me want to watch more. It sometimes takes these shows a while to build the characters and build enough background for more jokes to connect, but at this point, I'm more worried about the story lines being thin than the comedy. That's what ultimately lost my interest in Entourage. That show started out as being a fun 30 minutes, but it was very superficial and once you realized that the plots were ridiculous and the characters didn't make that much sense, it became tedious to watch. Since both Entourage and Silicon Valley are both based on specific, unique cultures, I think they're fairly comparable.
I think you have it backwards. Big Bang Theory these days is primarily a sitcom with some geek humor* thrown in.
* I use the term geek humor loosely. I don't consider superhero outfits or comparing someone to $nobelLaureate to be proper jokes (especially if I mentally edit out the laugh track).
I feel now that the basic premise of the show has been established (which may be pretty obvious to us, but probably not to the average Joe) and you have an idea of who the characters are Mike Judge's true strengths can start to shine.
I do agree that there are more than a few cringe moments if you have some knowledge of the tech and startup scene (the more you have, the worse it gets), but if you can see past that and they keep the momentum from the last episode I think we're in for a pretty nice show that is treating a topic that hasn't gotten all that much attention from main stream media so far and to be perfectly honest, could use a little bit of poking fun at.
I find the supporting characters much more funny and enjoyable.
I already checked http://www.canistream.it/search/tv/silicon%20valley but I don't have access HBO GO.
http://static.squarespace.com/static/531f2c4ee4b002f5b011bf0...
Then some of the technical rants from the 'staff' in ep 2 won me over. There is a striking balance/hover around real and humor/farce in the show I'm starting to really like.
Pretty sure I saw one guy using the Windows Phone emulator, which made me do a silent fist pump.
But hey, it's TV :-)
Edit: and http://www.savewalterwhite.com/
They create real world meetings by setting up places for people to congregate to.
And there are theoretical limits to what you can do with lossless compression and I suspect that the algorithm in the show breaks those.
The premise that people are interested in the underlying technology of a product rather than the product itself is also a common theme in the valley. I personally am impressed with the show thus far.
At one point these complaints stop being "this is too much to suspend my disbelief" and become "yes an opportunity to thinly veil my desire to seem smarter than everyone by pointing out every single insignificant mistake!".
Compression schemes achieve better results the more they're tailored to the data you're compressing. The theoretical limits are not the issue.
For example, here's my compression algorithm for popular movies: You take the most popular 255 movies of all time as of a particular date and include an uncompressed copy of all of them within the compression algorithm itself. Then the compression scheme works as follows: If the first byte is not a zero, the decompression code will emit one of the 255 most popular movies, and the 255 possible non-zero values for the first byte identify which one. If the first byte is a zero, what follows is an uncompressed copy of a movie that is not one of the 255 most popular movies, and the decompression code merely strips the first byte.
Using that algorithm I can compress each of the 255 most popular movies into a single byte. That's basically the theoretical limit. You could create a compression algorithm that could compress every film ever released into maybe three or four bytes. The problem is naturally that such an algorithm is a) completely useless for all the films that haven't been released before the algorithm is created, and b) completely impractical because the compression algorithm itself is far too large to be distributed or stored efficiently. Because it's a trade off, and achieving the theoretical limit for data size takes the trade off too far in the direction of specializing the algorithm to the data.
But that doesn't mean there can't exist algorithms that make a more interesting trade-off than the existing ones do. Suppose you specifically design a compression algorithm for music. It's pre-programmed with the sounds made by common musical instruments and that are common in human singing. If the recording contains a guitar playing a G#, the algorithm identifies it as a guitar playing a G# and calculates the difference in pitch, volume, tempo, etc. between the recording and the idealized note built into the algorithm. That would be a significantly more complicated compression algorithm than most of those currently used, and it probably wouldn't get very good compression ratios for recordings of things other than music, but you would have something that could conceivably compress most music better than existing compression algorithms.