Why did the camera, props, lighting and other workers contribute to the movie, if they weren't getting paid? How could they afford to?
In reality, of course, only the movie companies, some writers and a few big stars rely on percentages - the rest work for wages or get up-front money.
So your argument comes down to the special case where A puts out a recorded work, counting on royalties to pay for it, then B makes unauthorized copies - then A suffers, in some sense, a loss of the hypothetical revenue.
But wait, did B agree to pay? If there was no contract between A and B, then the supposed moral/ethical case for making B pay is reduced to "because the legislators said so". And if tomorrow the legislators grant a private monopoly on air to Monsanto, then by your reasoning we all suddenly become thieves.
There is a natural-rights case for copyright, but it extends only to the actual creators, and covers basically only correct attribution (as per some European laws [1]).
Can I get into any show I want?
Is there social backlash?
Are there security concerns?
Is the experience the same whether I pay or not? How better or worse?
What's the price of the show, not in dollars, but in work I do for the rest of society?
Do the artists aggregate to my life?
How much does it cost them to be there performing?
If the wouldn't do it, would someone else?
Basically I think your example gets a bit overcomplicated because the current market is heavily distorted by giant recording companies. It is an area that is almost fringe economics because it involves feelings and quasi-irrational judgment of value. Should you ask me if I would steal a computer (not for necessity) or if I would sneak into the bus instead of walking I'd ask mostly the same questions, but the thinking process of the decision maker would be a lot more rational and, therefore, adherent to the models that shape our economy.
Someone who downloads a pirated copy of a work is not similar to someone who mugs someone or lifts a wallet on the street because it requires a lot more to visualize the one's from who you are stealing.
That being said I would like you to retract your statement about me, not because I'm not a pirate or a thief, but because you offended me.
P.S.: This is a place for the discussion of ideas, not for personal attacks. Come up with an argument and I'd be happy to debate the issue with you. Insult me and you will be breaking (again) the two first guidelines for comments on HN
First, you're confusing the cost of distribution with the total cost of creating media. While digitization has driven down distribution costs, it doesn't affect the tens or hundreds of millions of dollars that a typical movie costs to produce. Just because you can download a movie from a server to your laptop for free, does the cost suddenly cost nothing to produce? Of course not.
Second, the scenario we're discussing does not reflect traditional free markets. Conventionally, a seller offers a product or service, and if the seller and a buyer agree on a price, there's an exchange. Basic supply and demand.
Technology now allows buyers to set the price of certain services to zero against the wishes of the seller, and the seller is powerless to stop the transaction. Clearly, this is not a conventional free market scenario, and we may need new principles.
1. You hijack the taxi and demand the driver take you to your destination for free. This creates an equivalent or better experience for the consumer at zero or near-zero cost.
2. Instead of clicking a button and watching 12 Years a Slave, you get a crudely animated version pieced together by drawings crowdsourced from 1st grade students around the nation, and voiced entirely by Gilbert Gottfried.
Sure the cameraman already got paid for the film you just pirated, but if said film doesn't earn enough then the studio will decide to make fewer films or go bankrupt, either of which could cost the cameraman their job and significantly reduce future earning potential.
Not to say those changes aren't currently necessary, only that if everyone chose to pirate rather than pay then all of Hollywood would likely just shut down rather than keep throwing $100+m AAA blockbusters into a financial abyss.
If only one person thinks that way, and pirates a movie, your statement holds true.
If 1,000 people think that way, it probably still holds true.
Extending this, however, you reach an obvious tipping point, where a critical mass of people pirate the movie and the production costs are not recouped (and the cameraman is out of work and his children starve in the street).
It's the logical conclusion of your line of thinking. What if everybody believed pirating the movies they want to watch will not affect the cameramen. What if nobody paid for the movies they're watching? Obviously, high-budget movies would no longer be possible, and we'd all be reduced to watching shoe-string-budget art house shlock (I know, I know... Primer).
Obviously, that is not sustainable. So what makes you special? Why should you not pay for the movie you're watching, while other people should foot the bill?
For completeness, this is true only if the consumer prefers the taxi ride over walking and considers it to be a better experience.
> 2. Instead of clicking a button and watching 12 Years a Slave, you get a crudely animated version pieced together by drawings crowdsourced from 1st grade students around the nation, and voiced entirely by Gilbert Gottfried.
A counterpoint to this is Primer ($7,000 budget, 70% RT, 7.0 IMDb): https://en.wikipedia.org/wiki/Primer_(film)
(You can still watch old movies of course, so if you restrict your downloading to old movies, and not fairly recent releases, your argument works.)
If we stopped making new movies, would people learn to appreciate older classical films they'd never considered before? Surely there have already been more movies produced than a person could consume in a single lifetime, though it's debatable whether or not most of them are worth viewing at all.
Once the medium platues (or long enough after to build up a supply), then this would work.
It's not like people are making professional-grade movies now in the free time, as they are now driving around cities with their own cars. Likewise, not everyone is trained to make movies as most adults are already trained to drive cars.
The argument being that art is intensely connected to the time in which it is created, and the function of art in the context of the progression of humanity requires that artists constantly make new art for the current generation.
Another idea which I think has promise is payment by social conventions. Tipping culture in the US is like this: you are not legally required to pay waitstaff, but everyone does because they would be considered assholes if they didn't. People joke that it's ridiculous that rock bands and web cartoonists make most of their money selling t-shirts, but actually if we are aiming for social pressure t-shirts are the ideal currency---everyone you interact with in your daily life can see that you bought one. So if we got a convention going that "if you regularly read a webcomic you oughta buy the t-shirt", then it would be easy to ostracize the people who violate it.
Veronica Mars (2014) Ratings: 8.0/10 from 312 users
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User Reviews: Review this title »
ie, no reviews. How is this "favorable"? Sounds like insiders gaming the score for the moment.
And you're talking about a very new funding model. I'm not saying there are necessarily lots of examples of great movies already produced with this model. I'm saying they could easily be. A good number of projects have raised millions on kickstarter [1], including two movies [2, 3].
There's no reason the movie industry couldn't move to a pre-funding model. Or some other model nobody has thought of yet.
[1] https://www.kickstarter.com/discover/most-funded
[2] https://www.kickstarter.com/projects/1869987317/wish-i-was-h...
[3] https://www.kickstarter.com/projects/spikelee/the-newest-hot...
U.S. IP law is so outdated and in need of major reforms.
We may still have 12 years a slave but maybe not at the same level of quality.
I don't have HBO so I don't watch Game of Thrones. It's not like my life suffers immensely because I can't consume it. There are plenty of other forms of culture and entertainment in the world that I use to occupy my time.