Frere-Jones is suing Hoefler for half of preeminent digital type foundry
qz.com
qz.com
http://www.economist.com/news/christmas-specials/21591793-le...
One difference, of course, is that digital type can't be dumped into the Thames.
Service aside, how is the company supposed to survive this? Even if Frere-Jones wins the trial and full damages are awarded, surely he'll want to leave the company. I can't fathom how you could keep collaborating with a partner who tried to scam you out of a life's work. That'd leave H&FJ with much weaker creative direction and a tarnished reputation.
I think you mean "lieu" (if you don't, it's not clear what you mean)
Are they? That's a pretty insulting claim to make when you consider the achievements of other giants of the typography world. Robert Slimbach at Adobe has a similarly impressive portfolio, for example. If you look down any list of the most popular fonts for use in professional typography, Adrian Frutiger probably designed several of them. From a slightly different angle, Matthew Carter was creating screen-optimised fonts decades before all these trendy web font services with the luxuries of modern digital formats and hinting technology came along, among other significant achievements. Hermann Zapf? Carol Twombly?
H&FJ have made some very nice fonts. They've also made some so-so fonts, had much more aggressive licensing terms than most major foundries, and arrived several years late to the web fonts party. I'm sorry that their situation has reached what we're hearing about today, but please let's not spend all day indulging in hero worship.
It was a fun 1.5 years of dreaming and scheming for him I suppose. Must have been disappointing when the big dirty didn't pull through.
tl;dr don't work for anybody for a significant amount of time without a contract.
Hm.