Get off my lawn!
Get off my lawn!
It is like Wikipedia - click on an artist, then a related artist, then an artist related to that ... Great for road trips and long coding sessions. I can get a sampling of a little bit of music history without having to go to a record store and search through bins of records. Don't get me wrong - the record store was great, but this is better.
After year with Spotify, I can't imagine going back to the model of buying one album/song at a time now.
Three years later they still love Pink Floyd and have the same appreciation for music that I have. Now they will have access to Led Zepplin and can experience it the same way they did with Pink Floyd.
Using dial-up services for whole albums was time consuming but downloading individual songs wasn't too bad. So I could download one or two songs from an artist I wasn't that familiar with and if I liked the songs, I might go to the store, or CDNow :), to buy a CD.
So you could access a lot of music to sample but still only ended up with a few albums to actually listen to.
I recall growing up listening to certain albums countless times. I'm not sure if I'd still do that today. Some songs require a few listens before they really click with you, and services like Spotify don't have the limits that the old models did.
While it may be nice nostalgia to look back at how I listened to and acquired music growing up, if you could have given 16 year-old me today's Spotify, I would have taken it in a heartbeat.
That said, I would really like for Spotify to get their discographies cleaned up. A huge number of albums are just plainly mis-tagged with the publication year, and especially for older music you have to scroll through dozens of "Best of", "The original", "The definitive" etc. as well as re-publications "Re-masted", "Legacy edition" etc. to get to the original albums. This makes it difficult to try to explore an artist work in the original arrangement. Also, the knock-off albums need to disappear. I never, ever, ever want to hear even a single song by "The Rock Masters" or anything with "Made famous by" in the title.
So I'll take the trade. I can still listen to Led Zeppelin 50 times (not that I'd want to), but I can also listen to a myriad of artists, styles and mood that I would never have been exposed to on my radio.
What kids have now isn't sitting around waiting for Atlantic or Columbia to grace their record store with the next big thing to listen to. Instead, they have a world where they can dig through an immense, mind-bendingly vast catalog of music and unearth their own hidden gems.
If you appreciate music at all, you will appreciate it whether you can get it instantly or wait weeks for it, the latter being an inconvenience, though one filled with anticipation, stress, and excitement.
Spotify is the best thing to happen to music since forever!
I remember being away from home for a few days in the late 80s and, having got bored with the few tapes I could carry with me I bought Husker Du's Zen Arcade, as I'd read a review of an album I liked that made reference to that one. On the first listen, I thought it was an absolute chaotic racket.
But having bought it, and not having much else to listen to, I played it through a few times and by the end of my trip I'd bought their next two albums. I'm pretty sure that had I had Spotify back then, I would have managed at most a couple of tracks before dismissing the album out of hand, trying something else and never listening to it again.
Don't get me wrong - instant access to most of the world's music is great. But unless you've got better willpower than I have, that access could easily result in you missing out on some of those harder to get into artists.
Now I just listen to whatever really accessible pop music bubbles up through the social ecosystem. It's kind of sad.
Unfortunately, this just isn't true. Enjoyment of music is very dependent on context in most circumstances.
An easy example is metal drumming -- not necessarily impressive based on sound alone, but extremely impressive once you realize the physicality it requires.
The same goes for the way in which the user hears the music. Track 6 out of 10 on a physical CD or spotify CD may not get noticed as much as it would if it were track 1 on side B of a vinyl