The 'Unfilmable' Ender's Game’s 28 Years in Development Hell
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One problem was that the studios always wanted to make Ender an older teenager and to give him a love interest.
Another was that the screenplay was always challenging because most of the book takes place inside Ender's head. Once he figured out that he could tell Ender's thought processes through Bean, it finally opened up the screenplay.
Also, what about a Vorkosigan movie? Though I think it'd actually work pretty well as a TV show, with either hour-long episodes (one per book) or even with 2-4 shorter episodes per book.
As far as I know the only people who seem keen on the works of Mr Banks are the BBC (TV version of The Crow Road and a Radio 4 version of the Culture in The State of the Art).
I've been thinking about, hell, craving for a screen adaptation of the Culture novels, though instead of a movie, I think it should probably be a show. It'd have to be really well done, there are a lot of things to take into account and I'm afraid a lot of TV producers/writers might cheapen it. I'm thinking the likes of HBO might be able to pull off something like that.
I remember Iain M. Banks saying he was really worried about how TV writers might represent the ships, among other things, and I can totally get that. I can't find the source for this now, sorry, I thought it was in this http://nuwen.net/culture.html (amazing read by the way), but a quick scan didn't bring it up.
I think Consider Phlebas would be the one to go for. It has just about everything you could want for a fun action movie, but it's also smart. I recall Banks saying that he saw Star Wars and decided he could do better, and that's where CP came from, so it's a pretty natural fit. It's also quite a bit less serious than UoW and as a result I think it could stand being shaved down to movie length.
Pretty much every time I hear Coldplay's Paradise a trailer for Consider Phlebas plays in my mind.
I remember coming across the book as a teenager, having vaguely heard of it as 'good', and then staying up until 5 AM reading it.
I can think of no more than a couple other books that had this effect on me.
I had no idea this book had a similar effect on others.
I'm curious to know, what did you dislike about the book?
I could not sympathize with any of the issues in that book,nor stand for any of its ideas. I really wanted to stop reading halfway through, but forced myself to finish it to have a full picture of it.
Having said that, I can still see why someone who read it as a child would like it - but it does not make it good overall. Just because I've read and loved the first Harry Potter book when it came out,does not mean it's a brilliantly written story, because it's not - it's interesting,but it's not well written. And I feel like this is the same issue with this book.
Card's book and the movie have nothing to do with his bigoted views, and should stand or fall on their own. In fact, the book (and possibly the movie), with its strong moral stance that resonates with teenagers, is likely to spread far more good by encouraging its readers to think about bullying, suffering of others, etc. than Card could possibly do harm, even if he wanted to, with its proceeds.
Historically, just about every famous writer has been bigoted about something; all of us are probably bigoted in some ways in which future generations will judge us. If the sanctimonious boycott calls leveled against Card succeeded in the past, we'd be left without many wonderful masterpieces that enrich our lives and deepen our understanding.
Oh right, it's the other way around. In America, a "vote" with a wallet means as much as a vote with a ballot.
Let's just go with the notion that Card is expressing his opinion on the matter. He has a right to this opinion, whether you agree with it or even if you consider it right or wrong.
But anytime someone is allowed to shut down an opposing viewpoint it will eventually lead to problems. Once someone has the ability to shut down one opposing viewpoint they disagree with, then they will have the power to shut down any viewpoint they disagree with. Possibly even shutting down a viewpoint they think is of the opposition when it's likely it's not, such as a misunderstanding or being inarticulate.
The difference being, a person actually has to commit actions against another human being to for a reaction need to take place. If someone says he doesn't like gays, fine, let the guy state his outdated rant and get on with your day. The moment the guy actually discriminates or commits an illegal act, then do something.
As for consequences, this movie is an excellent example. If you boycott the movie because of your disagreement with Card, then you are hurting far more people then you will ever hurt Card. Another example, the Chik-Fil-A boycott a while back. That hurt local businesses run by local owners who employ local people far more than the dude at the top that still got paid no matter how much chicken you refused to eat.
If anyone has the generic "you seem to defend what I don't like so I dislike you" reaction to this post, you are practically proving my point.
Deciding not to pay for a product is somehow dangerous? Expressing my opinion to other people and asking them to do the same is dangerous?
If Card is allowed to say hateful things, then I'm allowed to tell people about it and recommend that they not give him money. It is not logically possible for you to accept the former without also accepting the latter.
As for "somehow dangerous", please read the post again. Here, I'll quote from the very first sentence for you; "in this case I can't speak of it being dangerous".
Yes indeed, you are allowed to express your opinion and recommend that people avoid providing him with money if they disagree with what he has to say. But that's the consequences part; read the post again. The consequences being that with your boycott in an attempt to punish the target of your disagreement you are more likely hurting people who have nothing to do with the thing you are disagreeing with. Those are the consequences. If you feel fine with that, then power to you and by all means speak up. Just keep in mind that their might be hundreds of people with families to support that may be somewhat upset with your choice.
In the end I'm not even suggesting that Card should be saying the things he does. I disagree with him with my total being. But I am aware of how these things work, just read history. If you provide someone with the power to curtail speech that you do not like, that gives them the power to curtail all speech. It's why I disagree with hate speech laws. Who defines hate speech? Today hate speech may be defined as stating negative things about minorities, tomorrow it could be defined as saying anything negative against government or your local police department.
Sometimes when you make your short-term choices, you have to consider the long-term consequences.
But to answer your question, if he is attempting to prevent you from speaking out then, yes, it applies.
You seem lost, I'm not speaking of preventing you from stating your opinion. I'm speaking about your desire to prevent him from stating his.
Please explain to me how I said anything that disagrees with your last statement.
If it didn't, then why did you reply to my comment in the first place?
Paying for it is another matter.
I can enjoy Polanksi's films whilst not condoning his private activities. I can appreciate the remarkable skill of Wayne Carey on the football field whilst acknowledging he is probably a prick in his personal life. Humans are all too often both brilliant and flawed in equal measures.
Leaving that aside, did you read the article? Card isn't producing the movie. He sold the rights years ago. So unless you have a time machine, any lining you provide for his pockets is likely to be so indirect as to be inconsequential.
On the one hand, homophobia. I think OSC's got a rather strange and potentially dangerous set of political views.
But ... and this is a big but.
It's Ender's Game!
Plus explain how my going to see the movie is not good for the numerous people who have worked on this movie who will get paid that may not share in Card's viewpoints.
https://en.wikipedia.org/wiki/Orson_scott_card#Views_about_h...
Yet, reading through the text, I fail to see how Card is personally oppressing sexual minorities.
Yes, he’s not personally driving a pickup truck around Utah with a gang looking to do some gay-bashing. But he obviously cares enough about the issue to write a lot of articles expressing clearly an anti-gay standpoint.
Examples from the Wikipedia article:
"The dark secret of homosexual society—the one that dares not speak its name—is how many homosexuals first entered into that world through a disturbing seduction or rape or molestation or abuse, and how many of them yearn to get out of the homosexual community and live normally."
“Card stated that he regarded any government that would attempt to recognize same-sex marriage a "mortal enemy" that he would act to destroy”
What I'm referring to is the claim that he is personally oppressing sexual minorities, which I don't see.
As for his wish to destroy a government that would attempt to recognize same-sex marriage, seems he's failing quite spectacularly at that. So how exactly is he this big homophobe boogey man that I must avoid at all costs, including his old books and current movies he has little to do with?
I'm a fan of the book, and I've been waiting to see this movie, but I confess that I don't know much about the author. Sources would be greatly appreciated.
Just as talented programmers can be horrible people, so too can talented authors.
Strange the BEST ending totally ruined by having an expectation of a awesome ending.
I likewise did not enjoy the book as an adult reader. I thought it was far to apologetic for ultraviolent, genocidal overreactions to be considered healthy reading for teenagers. The end of the book is not "genocide is bad". It's "isn't is a shame that poor Ender had to be tricked into committing genocide?" It's not that "governments shouldn't be given the sort of power capable of genocide", it's that "you can get away with it scott-free if your intentions were good."
Also, the whole "they hate me because I'm the best" wore really thin on me. It's just not a thing you see amongst real kids. In fact, being good at things is a good way to get other kids to like you. The kids didn't like Ender because he was a self-righteous prick, a spoil-sport punk with a Napoleon complex.
The dialog also sucked. Grade A shitty dialog. As a teenager, you might be intrigued by the idea of alternative slang (and that is probably why Buffy the Vampire Slayer was so popular, and by extension why Joss Whedon has such a following now, but can't seem to follow it up). But as an adult, it is really annoying.
Maybe in highschool. In elementary school, having any perceived deviation from "average" is a great way to get ridiculed by the majority of kids.
I'm not going to destroy my prose with legalistic gerrymandering just because you're too emotionally underdeveloped to enjoy a story after knowing details about it.
I reread and rewatch stuff all the time. That doesn't mean I want to know how the story ends the very first time I'm exposed to it.
I think you're too emotionally underdeveloped to realize I didn't ask you to destroy your prose with legalistic gerrymandering in the first place.
In fact, I still enjoy reading 'The Little Prince'. Silly me.
I say "tech industry" because many of us grew up loving sci-fi books more than the average kid. It's no fault of the authors, because of course to be appealing to young adults, the young adults have to be the saviors.
I like to view myself as more Chewbacca or R2-D2, since they are the only ones that seem to have their minds set right. Except for that one time R2 was memory-wiped, but even then...
There is an interview where the autho, Card, admits this novel was just an attempt to cash in on the success of Ender's Game, in a way that his commercially unsuccessful (and pretty awful) sequels couldn't achieve.
e: grammar
Watchmen is a book that's designed to be read over and over and your own pace, with more to notice each time through. I think everybody skims the Black Freighter stuff the first time. Comics are so short that a good re-reading experience is prettymuch intrinsic to separating a decent comic from an excellent one. That doesn't really translate to film, since all the details and layers of the story just make the movie feel too dense.
But as a whole, the movie is a mess even though there's nothing you can put your finger on as "see here? this is where they ruined Moore's vision!".
That's what I mean. The movie is a great and faithful attempt, but it still had a weak outcome. The book is unfilmable.