Size Comparison - Science Fiction spaceships
dirkloechel.deviantart.com
dirkloechel.deviantart.com
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(Or something like that; my memory is terrible and I've not watched it for years)
I'd love to see some of Iain Bank's Culture GSVs https://en.wikipedia.org/wiki/Ship_types_of_the_Culture#Gene... or some ships by Alastair Reynolds
She rode the spinal trunk, the four-kilometre-long shaft which threaded the entire length of the ship. She had boarded somewhere near the nominal top of the shaft (there were only 1050 levels that she knew of) and was now descending at ten decks a second. The elevator was a glass-walled, field-suspended box, and occasionally the lining of the trackless shaft turned transparent, allowing her to judge her location without reference to the elevator's internal map. She was descending through forests now: tiered gardens of planetary vegetation grown wild with neglect, and dying, for the UV lamps which had once supplied the forest with sunlight were mostly broken now, and no one could be bothered repairing them.
Star Trek, just to take one tiny example, always talks about "quads", where one might expect bits. What's a quad? You might think "maybe it's a four-state bit", but in that case the numbers talked about on the show are absurdly low [1]. One "gigaquad" would be 2 gigabits, or about 256 megabytes (depending on whether we're using 1000 or 1024 as our base). Indeed, the entire point of the measurement is to be mysterious. This does not play well to comparisons.
By contrast, "kilometer" means the same thing... well... more or less... across a wide variety of fictional universes.
By "more or less", I mean that it's pretty easy to just splat a number down without thinking about it. Here, let me write my own story:
One day, astronomers spotted a perfectly spherical,
shiny spaceship approaching Earth from outside of the
orbit of Pluto. It was a trillion kilometers in
diameter! They sent it radio greetings, but before
the message got there, the ship blew up. Truly, Man
was humbled by his place in the capricious cosmos.
The End.
There's all kinds of things wrong with that. I mean, jeez, could the moral have been any more trite? Umm... wait... that's not what I was trying to say... I mean, those numbers are silly. Ah, yes, that was the point. If I were serious, it's likely that my understanding of "kilometer" is a bit off.And to be honest, I rather think the Independence Day ship fits that description. It's absurdly large for what it actually did; if taken seriously, our little fusion bomb should probably not so much have "exploded" it as "caused a bit of a flash, if you were looking". (Secondary explosions may have finished the job but it would have looked quite different.)
When you consider that Consider Phlebas was published in 1987, it was probably necessary. In 2013, a writer can count on all sorts of metaphors and approximations that wouldn't even have been a concept to most in 1987.
Comparing on a like for like basis I can't think of any other series that have similarly powerful AI except for the Neil Asher Polity novels (if you haven't read them check them out best description I can think of is Culture novels crossed with die hard) which also has god-like AI's.
http://www.antipope.org/charlie/blog-static/2010/09/books-i-...
Of course, proving that the Eschaton is more powerful than a Culture Mind (or one of Vinge's Transcendent Powers) might be a bit tricky.
[1] http://www.scottaaronson.com/democritus/lec19.html, Lecture 19: Time Travel.
[1] http://en.wikipedia.org/wiki/Mind_(The_Culture)#Structure
Perhaps the shortest SF story worth reading...
There's also some other "big scale" SF like Greg Egan's Diaspora or Olaf Stapledon's Star Maker that might qualify. Egan's book ends up with the main character having run through trillions of AI simulations in new universes, including higher dimensional ones.
Stapledon's book is the story of the entire universe combining into one intelligence to attempt to contact God. The book was written long before computers, so it might not qualify as AI.
http://filer.case.edu/dts8/thelastq.htm
Pretty much has to be the most powerful AI (as it reboots the entire known universe).
"Each player in Sufficiently Advanced is an agent of the Patent Office, an intergovernmental organization that polices and enforces intellectual property law across the universe. It is an open secret that the Patent Office is run by the Transcendental AIs, whose very beings are spread across time itself. The Transcendentals desire the survival of humanity - as much of it as possible - into the distant future, in order to ease their loneliness. Towards this end, they have hired you, so that you might save humanity."
Actually instead of an image, a site where you can compare lots of ships would be cool, and adding more ships would be pretty simple.
It features more ships, but no direct comparison capability. And no Culture ships.
* = Frames! And Drag'n Drop-stuff which apparently only works on MSIE.
Nice appropriate handle, btw. :-)
http://tvtropes.org/pmwiki/pmwiki.php/Main/Planetville
The "small moon" being the size of an actual small moon feels... weird.
Everything about Star Wars is modelled after pulp era stories transplanted into a space setting. A man-made ship that could comfortably house billions of people is firmly into the realm of "true" SF and doesn't fit into a pseudo-1930's setting. Putting such a huge number onto the Death Star (and the SSDs, which are each the size of Manhattan) feels like a midichlorians moment.
B5, could not find the Vorlon planet killer
[...]
The cabin was small, twenty feet by thirty. The control area of the ship measured nothing over a hundred feet. All the rest was a golden bubble of the feinting ship, nothing more than thin and incredibly rigid foam with tiny wires cast across it so as to give the illusion of a hard metal and strong defenses. The ninety million miles of length were right. Nothing else was. The ship was a gigantic dummy, the largest scarecrow ever conceived by the human mind.
(Corwainer Smith, "Golden The Ship Was—Oh! Oh! Oh!")
It would be interesting to see more drastic variations on the theme -- something beyond a roughly oblong object with superficial extrusions.
Once in a while, we throw a sphere in there, that's it.
It's really boring, and yeah, you're completely right. If you look at the picture, it's just a bunch of same looking ships aiming right. That's it.
Arthur C. Clarke's "Discovery" is a shielded sphere joined to nuclear propulsion systems by a long shaft -- seems pretty plausible to me. "Realistic" spacecraft are probably going to look very utilitarian until/if space travel becomes technically easy and safe. The vast majority of aircraft look pretty much alike for similar reasons.
In fact, Star Trek uses the warp drive as a technological benchmark by which all species and cultures are measured. Are there other methods of hyperspeed travel? Eventually, yes, those are revealed. But they are still compared to the warp theory.
EDIT: that's 610m long, 2138m high
While trying to find an online reference for this, apparently in the last Ringworld novel they hook a hyperdrive up to this, making it the largest "ship" I know. (I use "I know" advisedly... I'm sure somebody somewhere has turned a multiverse into some sort of ship for some reason or other.)
In the Cities in Flight series by James Blish, the planet "He" gets about quite well, though that is dwarfed in every measurement by the Ringworld.
Do ships have to be "manned"?
To have 'fleets', especially on the small maps, you were going to have to shrink that cube down. On top of that, only the Borg are going to send one at a time, a player is going to have several at once.
[1] http://en.wikipedia.org/wiki/Perry_Rhodan
[2] http://www.perrypedia.proc.org/wiki/Raumschiffsklassen (German)
http://s3.amazonaws.com/data.tumblr.com/tumblr_lbjnlhr8vt1qe...
Maybe you can help me find the Cygnus from "The Black Hole"