Home taping didn’t kill music
badscience.net
badscience.net
I can tell you that I would have bought many, many albums if things like bittorrent didn't exist. Since I can just get mp3's from bittorrent or my friends, unscrupulous people like me can basically get unlimited free music, although I do often buy music on iTunes to get a high bitrate non-defective copy of an album I especially like (Tea for the Tillerman, Neon Bible, Trial of Van Occupanther). I hate going to concerts, so I only do it when people convince me to go along, and certainly no more than I would if music wasn't free. The bands I like are probably about the same as the ones I liked pre-filesharing, minus ones I've grown out of (Tool, Radiohead, Weezer -- I've bought albums from all these bands pre-filesharing days) plus ones I randomly found on iTunes, plus ones I heard my wife listening to or on Last.FM. I haven't found any new music via filesharing really.
The argument about filesharing is that it is impossible to stop, so attempting to do so is pointless. The amount of government intervention necessary to effectively end sharing of music (and thus violating copyright law) is so draconian that given the balance of (good done by enforcing law) - (harm done by enforcing law) is extremely in the negative.
When the government tries to enforce laws that people will not follow, it does great harm to people's respect for the Law. Marijuana laws, too-low speed limits and other laws that are ignored put people in the habit of ignoring the law if they can get away with it. While Jeffersonians like me generally see this as a healthy attitude (as no one gets hurt), it should still be our goal to establish laws that aren't bullshit, if only for practical reasons (like using the police to work on crime that we actually care about instead of people going 65 instead of 55 on a flat, straight highway).
Since there is no way to stop filesharing, and reducing it at all will involve huge monitoring of the internet, fuck it, change copyright law to reflect reality, and let big music publishers join horse-shoe makers and coal delivery men in the history books.
I can make my own music. I decided many years ago I didn't need theirs that much if they couldn't play nicely in the sandbox.
I estimate (very conservatively) because of Napster, Kazaa, Bittorrent, etc., I've spent thousands of dollars I otherwise wouldn't have on music, both on CD purchases and at concerts.
Music is not going anywhere, and the large payments that musicians have will not be going anywhere either - they can easily make this money in concerts.
This is actually good - proceeds from a concert are spread out across a lot more people than proceeds from a CD.
I agree that the record selling industry is dying, and probably can't be saved as we know it.
Taping doesn't scale easily (tape trees notwithstanding).
Both these served to limit taping's impact.
Every time I read these articles I guess -people that at movie/music industry - are they too old for technologies or what?
I don't need a CD, just content.
In the end I think the music industry is losing money not because of pirates but because their market has evolved. Now people can buy the one good song on an album and leave the rest behind (which cuts 90% of the record company’s revenue). That alone explains their losses. But they’re clearly in denial about it and looking for a bad guy. Music piracy fits the bill.
So imho most of the anti-piracy rhetoric is just label execs hoping there’s a solution to their revenue problem (e.g. "if we just stop the pirates our revenue will go back up")
The solution is known as 360-contract. Currently labels profit only from the selling of albums and some of the merchandise, but not from tours, sponsorship deals or ads. An artist on a 360-contract pays the label a cut of everything...
The assumption of the labels is that illegal downloads actually boost the total value of the artist, but diminishes their share (artists make more money on touring but less on the records). The labels have started to push their artists to 360 contracts a while back, but until all the old contracts are up for renegotiation they have no choice but fight the illegal downloading.
Some people can produce a great song in their home studio, but many can't. Mariah Carey has a superb voice, for example, but as far as I know she doesn't play any instruments and her interest in technology is limited to playing video games. A 360 degree deal can be a good option for a performer armed with a decent manager. The teevee and the music industry likes to lump everyone together as 'artists' but the reality is that many excellent performers aren't especially creative and just happen to be lucky enough to do something well, without necessarily being driven to explore any new musical frontiers. for this kind a of person, a managed career makes vastly more financial sense because they don't have a big prospect of making money from licensing their own tunes.
Unfortunately Apple has used their near-monopoly in the music player market to prevent subscription services, so Napster, Rhapsody, et al are cut off from the majority of the market.
I think the best argument against piracy being a major crisis in entertainment is the quality of the products we've seen in the last few years since piracy has really hit the mainstream. Lots of great movies, lots of good TV (so I hear) and when it comes to music I would argue that for most people who previously had a very limited spectrum of musical choices we're now in a renaissance. I don't see any of my favorite bands going out of business, quitting, or putting out subpar products. If anything we're seeing less mainstream acts flourish since, for the first time, they can actually compete with the mainstream.
Not that I think either of those will "kill music"... it just kind of bothers me when people make the comparison as if it's an exact analog (ha!).