My birthday is soon. Email in profile.
My birthday is soon. Email in profile.
The linked machine is a read-write version of the mellotron, created especially for the BBC to do sound effects for radio programmes. One of the many one-of-a-kind cutting edge devices commissioned by the BBC in the glory days.
Peter Christopherson and Chris Carter of Throbbing Gristle made their own tape loop sampler out of car tape decks, some simple soldering and a keyboard controller in the late 70s. They could control the pitch, rewind, forward, etc. and otherwise trigger various tape loops which was the basis of the band's sound.
There's no reason to stop with tapes, though. MiniDisc is cheap, dead and has seamless shuffle (!!!) which means a whole stack of 'em could be chained to a mixer and played similarly. Still, you won't get the odd mechanical quirks and failings of using a cassette based system, especially if you start munging with manipulating playback speeds which may or may not be interesting to you.
In a few years, when I inevitably get bored of melody and back into brain-melting glitch music, this is what I'm doing.
They abuse seamless shuffle with an 88 track minidisc album that's designed to be played on random shuffle. It basically sounds like a Farmer's Manual album, but it's still wild.
I was thinking more about hooking up a deck to an arduino and sending the "skip track" command at 20hz, or something like that. Record, chop, loop, and you're away.
My favorite though, is Skinny Puppy.