Dear Mr. Watterson
dearmrwatterson.com
dearmrwatterson.com
http://en.wikipedia.org/wiki/Bill_Watterson#End_of_Calvin_an...
His two stated reasons were the pressure of coming up with seven strips a week and a distaste for the tiny space newspapers gave him to work with:
" I believe I've done what I can do within the constraints of daily deadlines and small panels. I am eager to work at a more thoughtful pace, with fewer artistic compromises."
Then, almost immediately after this happened, the web took off and solved both his problems. For years I waited for his announcement of his webcomic. But it never happened.
I guess he wasn't so eager after all.
"This isn't as hard to understand as people try to make it. By the end of ten years, I'd said pretty much everything I had come there to say. It's always better to leave the party early. If I had rolled along with the strip's popularity and repeated myself for another five, ten, or twenty years, the people now "grieving" for Calvin and Hobbes would be wishing me dead and cursing newspapers for running tedious, ancient strips like mine instead of acquiring fresher, livelier talent. And I'd be agreeing with them. I think some of the reason Calvin and Hobbes still finds an audience today is because I chose not to run the wheels off it. I've never regretted stopping when I did."
You could read that as being about Calvin and Hobbes specifically but it feels to me that it's about cartooning in general.
It's understandable that someone who had achieved what he has achieved in the medium felt that there wasn't too much more to do and that it was time to try something else.
If you read what he's said about the situation and his unhappiness with it my guess would be that when he quit he really just wanted out and he he probably didn't know what he was going to do next. Realising that he felt he'd done all he wanted to do with the format probably came later when he had some distance.
His "resignation letter" was naturally too short to contain his complex thoughts on the subject.
At the same time, I think the OP's point is that the "trying something else" never seems to have materialized.
He made people happy for a decade (and longer with reruns and memories) and you've decided he's an asshole for not doing it for longer.
I think that's harsh - ultimately you're saying you want him to do work he isn't happy with and causes him stress for your entertainment.
If you think he knew for sure that he wouldn't do anything similar again yet said this then you'd be justified in saying that he'd mislead people (which wouldn't make him a hypocrite, rather an outright liar) but there's no evidence that that's the case. The guy worshipped cartoons and had worked for years to become then remain a cartoonist. As stressed as he'd been by it all I suspect he felt there was a chance he'd return to it at some point (and may still do, though that seems unlikely now).
But at the time he quit, like many people ending a long term, all consuming project which has left them financially secure, all he really knew was that he was going to take some time out then do something different without really knowing what.
Sure it would have been great had he felt that he had another great, public venture in him but he didn't and I don't think there's anything at all to criticise in what he did or how he did it. That's not saying he's a saint (I think he unwillingness to speak about almost anything since is slightly off, though it is his right), just that I don't think he's done anything to deserve criticism in the way you're suggesting.
Obviously it diminished any legacy Garfield has had but he's still got to go and do what he wanted (Orson's Farm).
But it's not clear that Waterson's something else would ever be commercial or public - just that he was going to go and do something that wasn't Calvin and Hobbes.
Only he will know what his original intention was (or even if he had any sort of clear idea at the time) but he has no children and is presumably financially secure for life from Calvin and Hobbes so at the very least he'll have known that not "working" again was an option.
He's married but has no children and seems, from what you can read, to live a relatively modest life.
I'm assuming that adds up to being secure and I suspect if it were to go one way or another from secure it would go towards being very well off indeed.
That said, it's so rare to see an artist quit out of artistic principle...and also, refuse to sellout. He's fiercely protective of his copyright...not because he's selling his own C&H merchandise, but because he doesn't want his characters to be watered down in the same way that Peanuts has been. I would love to have C&H t-shirts, dolls...but I have to say, about a decade later, the scarcity of C&H has made it even more sacred and beloved to me.
As a long-time lover of C&H, it simply confounds me.
http://iheartpicturebooks.blogspot.ca/2010/04/bill-watterson...
I think if he had gone down the official licensing road, someone else would have taken care of infringers for him. As it is, he wanted to do what he loved and not worry about that aspect of the business.
However, you can hear about 6 seconds of his interview in the trailer.
It's pretty unfair given that most people haven't really exhausted the genre. I think (Mafalda)[http://hoodedutilitarian.com/2010/07/dwyck-the-dreams-of-chi...] is at least just as good.
BTW, if you are a fan and for some reason have not read the Tenth Anniversary Book, I strongly recommend it. Watterson's commentary throughout is awesome and really highlights the brilliance of the strip.
http://www.amazon.com/Calvin-Hobbes-Tenth-Anniversary-Book/d...
That said, it's a strongly political strip, which no doubt alienates some people, and of course, it requires a good translation for anyone who can't read Spanish.
A documentary film about the impact of the best comic strip in the history of the universe: Calvin & Hobbes
Here's the Vimeo channel for the documentary: http://vimeo.com/dearmrwatterson
Here's the synopsis:
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Calvin & Hobbes dominated the Sunday comics in thousands of newspapers for over 10 years, having a profound effect on millions of readers across the globe. When the strip’s creator, Bill Watterson, retired the strip on New Year’s Eve in 1995, devoted readers everywhere felt the void left by the departure of Calvin, Hobbes, and Watterson’s other cast of characters, and many fans would never find a satisfactory replacement.
It has now been more than a decade since the end of the Calvin & Hobbes era. Bill Watterson has kept an extremely low profile during this time, living a very private life outside of Cleveland, Ohio. Despite his quiet lifestyle, Mr. Watterson is remembered and appreciated daily by fans who still enjoy his amazing collection of work.
Mr. Watterson has inspired and influenced millions of people through Calvin & Hobbes. Newspaper readership and book sales can be tracked and recorded, but the human impact he has had and the value of his art are perhaps impossible to measure.
This film is not a quest to find Bill Watterson, or to invade his privacy. It is an exploration to discover why his 'simple' comic strip made such an impact on so many readers in the 80s and 90s, and why it still means so much to us today.
For casual fans, it would probably be great though.
As mentioned in some other comments, die-hard fans will probably not find any new information here, but I would say see it anyway. Even people who haven't even heard of Calvin & Hobbes, and casual readers should find it insightful and entertaining.
Indie Game: The Movie
Story of Mojang (Minecraft)
Now this......
Spaceman Spiff forever!