Why Michael O'Hare left Babylon 5
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I mean, they are both space stations with numbers in their names. The remaining similarities are equally superficial. They're not really trying to tell the same type of story -- B5 is about massive-scale diplomacy (with war as an extension of diplomacy, like Clausewitz said) and empire-building. DS9 is mostly standard Star Trek style one-off episodes: aliens who feed on creativity, time travel to Roswell, Bajoran politicians abusing power in trying to recover stolen farm equipment. Even the "big" storyline of the Dominion War is a much smaller scale than B5's Shadow War. Sure, they both had huge battles, but I'm inclined to blame that on advances in CG -- ST:TNG certainly referenced huge battles, like during the Klingon Civil War, but never put them on screen.
Thus, I contend that DS9 has way more in common with the rest of the Treks than it does with B5, and liking one won't translate into liking the other.
Agreed. It was a minor dick move, but a far cry from a creative rip-off. DS9 goes its own direction (influenced heavily by BSG's Ronald Moore), and stands on its own two feet.
> liking one won't translate into liking the other.
Not necessarily, but I do think they're cousins, in that they both take galactic politics seriously (the miscellaneous Trek one-offs notwithstanding).
Michael O'Hare
Richard Biggs
Andreas Katsulas
Jeff Conaway
Tim Choate
If it wasn't "great" television, what is? I'll take G'Kar sparring with Londo any day over the pablum on TV now.
g'kar and londo's story lines were nothing short of fantastic.
Babylon 5 was not great television. But it certainly should get credit for being pioneering television, both for its reliance on CGI vs. traditional FX, and its wholehearted devotion to a serialized story (and not merely an ever evolving "soap opera") over the traditional episodic format. And with a season-spanning canvas on which to tell stories, it had more than a few transcendent moments.
IMHO, and IMHO only, it was the best TV series ever made, for the reasons you cited. I have never seen character driven serialisation like it, before or since. Even though its 20 years old, and visually iffy by today's standards, people still come to it fresh and enjoy it as much as people did all those years ago.
OK, rationally, it has problems, but to call it not great is doing is a gross dis-service.
Again, that's not to say there weren't some great performances and beautiful, memorable scenes. I could watch Peter Jurasik and Andreas Katsulas (RIP) spar for hours.
Season 1 is...an inkling of something good coming.
Season 2, B5 starts to get interesting
Season 3, they hit their stride and then hit you upside the head mid-season (no spoilers!)
Season 4...holy shit
Season 5, things wrap up. Not.
I swear there used to be a page on the Lurker's Guide[1] that had arc-plot-heavy episodes in bold or something, but I can't find it at the moment.
If they'd gotten renewed in time, the Season 4 finale would have been Intersections in Real Time.
Also, it has some really outstanding episodes, e.g. the introduction of the agent of the enemy.
But do as you want.
The pilot is particularly long and tedious, though. I often skip it even when I'm watching the entire rest of the show.
But it was cheesy and uneven. Yes, seasons 3 and 4 were some of the best sci-fi ever made (at the time, at least). But season 1 was mediocre at best and has aged pretty badly. Increased production values for new TV also makes a lot of Babylon 5 difficult to watch, now.
I got B5 on DVD a few years back and watched the whole series again with my wife and I didn't feel it aged that badly except for the first season.
The widescreen conversion thing was executive short sightedness at it's finest!!! We offered to do ALL of Babylon 5 in widescreen mode if Warner Bros would buy us a reference monitor so we could check our output. (only $5000 at the time) Ken Parkes (the "Business affairs" guy) and Netter (penny wise, but pound foolish) said no! So we did everything so it could be CROPPED to be widescreen! Each blamed the other by the way. Doug Netter said, "Ken Parkes said no". Ken Parkes said, "Doug Netter said no". SHEESH!!! So for $75 an episode they could have had AWESOME near Hi-Def.
Warner Bros lawyers demanded all copies, and promptly lost them.
Was that just lousy writer or is this like a prince/rapper thing?
Last year rbanffy posted an interesting link by a writer exploring what could/would have happened had he stayed: http://www.webcs.com/b5/neverwas.html
Very interesting reading for fans that I recommend.