Monopolies, which are constructs in law to favor friends of rulers, are never morally justifiable.
Monopolies, which are constructs in law to favor friends of rulers, are never morally justifiable.
Ironically, you play the opposite semantic game with the word "monopoly", whose technical meaning has already been clearly fleshed out upthread. If all "monopolies" are immoral, then you don't believe in property. Really, though, you're trying to repurpose that word for emotional impact instead of understanding; you mean it as "property rights asserted by people we don't like."
Is it possible to make a difference how copyright laws are applied to personal/private use and for organizations/corporations?
How is software and "culture" as in music/movies different?
If any, should we make that those distinctions visible in IP-laws?
Once you have shared the work it is not solely yours, others have limited claims on it too. That doesn't mean some exclusive controls on it for a limited time are not a valid balancing of the competing claims of the producer and the recipients of your cultural production.