Harper Lee sues for copyright of To Kill a Mockingbird
bbc.co.uk
bbc.co.uk
I'm no fan of copyright and this is why. The very fact that it can be transferred like property, even "accidentally," means it is essentially meaningless. It is not actually tied to the concept of an author's right to his or her own work, and if it is trying to protect that right, it is failing.
I have an older post about it here: http://www.zacharyalberico.net/blog/16427595132/
But you agree (I assume) that people should have copyrights over their books or music. So, I wrote this wonderful song but now I need upfront money to buy a house /pay for cancer treatment /daughter's college. Why shouldn't I be able to sell it? It's mine, isn't it?
That's the idea behind German 'Urheberrecht' (literally creator's rights): As soon as you create something of sufficient originality, you gain moral rights that cannot be transferred except through inheritance (ie after death).
Selling it in the usual sense is weird because it means that then people can then go and further sell it to people who might use it in ways you wouldn't have approved of. And maybe you're OK with that, or you really trust the people you're licensing it to, and you want it to be sublicensable.
But there's no inherent reason everything has to be sublicensable -- and the transfer-of-ownership paradigm is effectively, "everything is sublicensable". And not just sublicensable, but sublicensable to arbitrarily large degree. And yet this is what seems to have become customary.
In what respect? If I create a work and someone would like to buy the rights from me, why shouldn't I be allowed to sell the rights?
What's somewhat bizarre is that you can permanently transfer ownership of the work, making it legally as if the other person was the original creator.
I suppose all ownership is this way. My answer, then, is that creating something is fundamentally different than owning it. Your creation of something isn't property that can be transferred.
So without copyright anyone can print To Kill a Mockingbird without paying royalties to Harper Lee. How would that be a better system. Should she make her money charging admission to public readings of her work, as is proposed for musicians (making income from giving concerts rather than selling recordings) in a copyrightless world?
But I read Harper Lee's work and enjoyed it. I want to pay her for it, so I don't just steal it without doing so. But I also don't want to pay a publisher for Harper Lee's work because I don't know how much the publisher is going to give Harper Lee directly. I'd much rather pay Harper Lee herself. I haven't been coerced into doing so - I do so because I enjoyed her work and want to pay her for it. This is particularly true if I acquired her work conveniently at a time of my choosing using an outlet on the Internet that I know she herself set up.
Louis CK, Radiohead, and Andrew Sullivan are all making a living on this model. They are still selling recordings. They know that people will probably still acquire their work without paying them, but make enough on the good people who don't so to offset the cost, especially since in doing so they pay middlemen nothing, or nearly nothing.
People will pay a lot for both convenience and the satisfaction of knowing they compensated the original author him- or herself for an enjoyable experience. Paraphrasing Jobs, stealing a work is only free if your time is worth nothing. I don't need copyright to know that.
Here you go:
Harper Lee
c/o Hachette Book Group USA
Grand Central Publishing
237 Park Avenue
New York, NY 10017
Looking forward to hearing how much you send her. Let me know.Substitute any of the other names I mentioned in there and my argument still holds. I have bought a subscription to Andrew Sullivan's blog, voluntarily paid substantially more than $0 for In Rainbows, and paid for Louis CK's latest online only comedy special. Gladly.
Veritas Media, Inc.
111 Euclid Avenue
Hastings-On-Hudson
NY 10706The entire point of copyright is that copies cost significantly less than the original. For example, no one has a copyright on a well cut diamond, because there would be no point. However, if after you put in however much work it takes to cut the diamond, people are able to make perfect duplicates at little to no cost, then you need copyright to protect your initial investment.
The only reason it is easier to buy works than pirate them is because copyright does exist, so there are additional barriers to getting the work in a way that the author does not want. As it is today, people buy books through publishers. If there was no copyrights, why should those publishers pay the author anything?
For what it's worth, the transferability of copyrights was established in the 19th century to enable to creation and publication of encyclopedias. By allowing writers to transfer their copyrights to publishers, publishers could (a) aggregate a number of entries into a new type of work and (b) produce new editions of that work without having to submit to extortionate negotiating situations with writers who could use their control of one (possibly unchanged) part of the work to block development of the rest.
This principle underlies the genesis of the extensively collaborative forms of expression that defined culture in the 20th century, from recorded symphonies, to radio plays, televised broadcasts, and or course, the cinema. Indeed, it creates an entirely new class of authors (e.g. cinematographers and film editors) whose own work depends on massively collaborative forms of creation.
There are many, many reasons to be critical of the copyright system. But the basic transferability of copyrights isn't one of them.
The author is the protagonist, who is female. I'm astonished at how many commenters expected an author whose only book is told by a female first person protagonist to be male.
In real life, Boo Radley is, of course, Truman Capote.
In any case, incredible book, although it was a little disappointing in that it failed to live up to its title. I never did learn how to kill a mockingbird in that book.
The title derives from this line in the story (paraphrasing from memory here): "Kill all the bluejays you want, but remember it's a sin to kill a mockingbird."
Edit: On second reading, you were probably joking. Oh well.
http://www.pbs.org/wnet/americanmasters/episodes/harper-lee-...
I knew Harper Lee was alive from listening to the excellent audiobook On Writing, authored and narrated by Stephen King. He stated his astonishment that To Kill a Mockingbird was the only novel she ever wrote, but in a manner that never conveyed her gender (that I recall, anyway).
I even read the book years before without realizing that the author was a woman. It's the only assigned reading I have ever had that I couldn't put down.
I really hope this Pinkus guy gets what he deserves. People that take advantage of the elderly are right near child molesters on the scumbag scale, and forcing some one that obviously values their privacy to have to make a public spectacle of themselves like this should be a crime in its own right.
What a wonderful example sentence for why quotes are needed in grammar.
I guess this is the English language equivalent of an SQL injection.
I do hope this Mr. Pinkus gets his just desserts.