Roger Ebert dies at 70 after battle with cancer
suntimes.com
suntimes.com
http://blogs.suntimes.com/ebert/2008/12/win_ben_steins_mind....
http://blogs.suntimes.com/ebert/2013/03/how_i_am_a_roman_cat...
One of the truly great Internet writers. My favorite:
http://blogs.suntimes.com/ebert/2008/11/the_pot_and_how_to_u...
(It's not what you think!)
The blog is getting crushed right now but most of this content is in Google's cache.
As a kid growing up in a poor, rural community, I wasn't exposed to much intellectual writing. The exception was the reprint in the local paper of Ebert's movie reviews, and of course seeing him on one of the two channels that came in on the antenna.
When so many around me thought that being dissatisfied with the intellectual equivalent of McDonald's was elitist, Ebert reminded me that it wasn't cynical to look down on thoughtless garbage; rather, it was hopeful to demand that movie studios realize that we weren't as dumb as they think we are.
The problem with Ebert's reviews is that they offer very little in the way of insight, analysis, or depth. Instead, they are generally straightforward expositions of the film crew, setting, characters, and plot. This means that you cannot read them before watching a film, unless you want to be spoiled, and afterwards, if you were paying any kind of attention, you've already grasped everything that he points out. He doesn't usually explain what he thought the central message of a film is, so it can be unclear if he got it or not. He isn't big on interpretation.
He wasn't an idiot, but he didn't do the hard intellectual work of coming up with something new to say about films. Even the most hyper-intelligent person would have a hard time coming up with "intellectual" things to say at the rate he churned through movies. I think he was writing something like one review per day by the end.
Ebert's reviews are to film criticism what Ebert's one-pot cooking is to a full kitchen. He could make something reasonable, and it would appeal to lots of people, but the structural and time constraints meant it would never have the sophistication of an in-depth treatment. Ask someone in film studies, ask someone in culinary school.
The positive side of a lack of depth is breadth, which means we have a massive number of star ratings from a single source, and as such his work is a reasonable encyclopedia of film. Much of what he details in his reviews isn't available in Wikipedia, or appropriate for it.
But I'd pause before stipulating even that his review writing was broad. Even within the medium of mass-market reviews, Ebert was impactful. Think about how his star system worked, so that Donner's Superman shared a rating with Herzog's Aguirre, The Wrath of God, and that somehow still made sense. Or the way he managed his brand, or syndicated his show with Siskel.
https://en.wikipedia.org/wiki/Category:Film_studies_journals
Don't get me wrong. Reading is important, the classics are important. But the idea that you have to focus in "old stuff" to be intellectual is absurd.
http://www.pajiba.com/videos/watch-roger-ebert-was-a-total-d...
His personality kept at arms length throughout the 80's and 90's.
However when he could only speak through his writings, people saw some sparks of brilliance and began paying him attention. The bravery he showed by appearing at the Sundance Festival after losing his jaw was noticed. And over the last six years he has been recognized as last great critic.
Particularly relevant I feel in a world of comment thread polemics
Some of my favorites are Glenn Kenny, David Bordwell, Jonathan Rosenbaum, Kent Jones, and others I'm missing.
Check out his "Sex and the City 2: The Movie". Legendary among his fans.
1. http://web.archive.org/web/20130130054900/http://blogs.sunti...
2. http://web.archive.org/web/20130324015956/http://blogs.sunti...
3. http://web.archive.org/web/20130117072812/http://blogs.sunti...
"I cannot believe in God. I refuse to call myself a atheist however, because that indicates too great a certainty about the unknowable."
http://blogs.suntimes.com/ebert/2013/03/how_i_am_a_roman_cat...
It is the mark of an educated mind to be able to entertain a thought without accepting it.
The ability to hold mutually contradictory ideas at the same time and continue to function is something we all do - it's a fundamental part of the human psyche. There's nothing special about it. It's just that we generally do it by compartmentalising the ideas to different parts of our lives.
Dealing with multiple contradictory ideas at the same time and knowing and accepting how they contradict, is very different.
The closest we get to such a statement is from Nichomachean Ethics 1094b23-25:
> "It is the mark of an educated mind to rest satisfied with the degree of precision which the nature of the subject admits and not to seek exactness where only an approximation is possible." -- Aristotle Actual
It's attributed to Metaphysics (http://www.goodreads.com/work/quotes/2479557), Nichomachean Ethics -- as you said (http://ancienthistory.about.com/od/aristotleworks/a/121610-A...), and Wikiquote (http://en.wikiquote.org/wiki/Aristotle). cmd+f (or ctrl) for 'educated' to find it in the last two links for it also appears slightly different from your version.
The quote you provided has zero primary sources. It doesn't even have secondary sources. All it has is a bunch of Google results, where its misattribution is repeated (as if that makes it therefore true). Have you ever noticed how you never see that quote with an actual reference?
In the Nichomachean Ethics, irregardless of translations, your quote is absent. That quote you've shared is made up, not the product of a translation. Consult the Ethics themselves. A translator does not take a 30+ word sentence, cut it by a third, alter the meaning of the statement, and then let it pass. That is a paraphrase--and the one you've quoted is not even a paraphrase of any translation of the Ethics itself.
Look at the content of the statement from the Ethics. It is not the same as what you've posted. That should give you a full stop right there.
Goodreads is wrong. Your acceptance of the attributed quote is an error. When you're looking for a 'fair amount of sources' regarding quotations attributed to a philosopher who wrote in another language in another time, it's best to stick with the consensus of those who study and translate that philosopher and the primary and secondary source material available. There are myriad Aristotle experts who specialize in his works and translate them. You will find that none of them attribute your quote to Aristotle.
Note how the Wikipedia page does not include the quote you posted. Note how the Ethics does not contain the quote you posted--not in any translation. Why? Because Aristotle never said it, and the quote you've picked up from the internet is not saying the same thing.
I really wasn't trying to be rude. The rational thing to do here is to update your beliefs based on evidence. Your quote is not a bad quote. It's just not Aristotle's. The translations, though they may differ in some wording, carry the same meaning (which the internet-Aristotle-quote does not):
[paraphrase mine] > An educated mind is noted by its ability to be satisfied by the precision allowed by a given subject, while not demanding exactitude where only approximation can be attained.
Of course, there's the second part of the quote (in some translations), where Aristotle expounds (again, paraphrase mine):
> The educated person would not ask a rhetorician for scientific proof of his statements; neither would she ask a mathematician to reason in probabilities alone.
--- I was trying to be helpful, not argumentative. Since you're still wanting to stand your ground that your quote is actually from Aristotle, I have to point out that your sources are unreliable to reference in proving your point. Go to the primary sources, not other websites that are re-quoting the same quote you did. That's as kindly as I can put it without just dismissing this as you refusing to update your beliefs based on sufficient evidence.
This is the same guy who said "video games cannot be art, and I will not consider debate about it". The second part in particular was what I found disturbing.
I don't think games had any reason to feel threatened by him.
He also clarifies that he thinks video games can in principle be art, but that no video game yet made could hold its own among the great works of art.
I don't mean to restart the debate here, I'm just pointing out that his arguments are insulated and prejudiced, and hence my main point: that by denying any debate on the topic (it's the first sentence in your link - relented only by sheer volume), he refuses to learn about the topic. Again, I think this is in stark contrast to the quote I was initially responding to. I think it is profoundly anti-intellectual to behave in this manner.
I don't care whether or not he likes games, or whether he thinks they're shit art or not. Each to their own. But for an influential person in a related field to make such a contentious, declarative statement, and then refuse to entertain debate... that's anti-intellectualism, in my opinion. Just like the layperson who doesn't get cubism and calls it inferior as a result.
He did change opinion over time and concede that they could be 'non-traditional art', which suggests that yes indeed, engaging in debate (even if it has to be forced upon you) can actually change your views; help you understand why people say what they say.
PS: the snarky person in me had to laugh at Ebert's characterisation of games as 'not art' because the audience's actions can change the outcome or plot. Clearly he never played Mass Effect :D
Isn't the fact that he supposedly said he doesn't consider them art and doesn't want to debate it an indication that he views it as just a personal opinion, and not something he wants to force on other people? He has his reasons, no doubt, but not everybody in the world needs to embrace everything in it. If he was happy with the art that he knew, good for him.
I didn't say otherwise on what made him happy. But when you're an influential public figure making public statements, the rules are a little different for you. If a politician or a leading business figure said "I think latinos are lazy and worthless. I'm not going to debate that, it's just a personal opinion", would you still say that no-one would have a right to ask them to justify the statement or hold them to account?
No, because I hold the rights of races of people not to be discriminated or slandered against far, far more important than the right of video games to be considered art. Calling a race of people lazy promotes racism and actually affects people's lives. Whether video games are art is mostly an academic question. That's the difference.
I don't think journalists should have to answer questions on any topic that comes up. He clearly didn't know much about video games and he was happy with the art that he knew. People who think video games are art have a right to reply, but not a right to expect him to debate it with them.
I think what set Ebert apart is that he consistently judged films in the context of their ambitions. An action film was good so long as it had effective action; films purporting to be more cerebral in nature had rather more to answer for. He resisted the ivory tower most other writers with his level of film knowledge would climb.
A great example of this was his review of The Human Centipede. He said that the film perfectly accomplished its ambitions, but those ambitions were so dark, so far outside the norm that his rating system was simply incapable of properly rating the film. In his own words[1]:
> I am required to award stars to movies I review. This time, I refuse to do it. The star rating system is unsuited to this film. Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars don't shine.
[1]http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20...
"Ebert judged films by their ambitions, eschewing the ivory tower: action films needed but good action while cerebral ones had a higher bar."
(Minus the quotation marks, that's 139 characters.)
Yet he consistently dismissed films that I would describe as "low brow humour" as being terrible films. He said Ace Ventura was one of the worst films he had seen for example, and his reasoning appeared to be "the character is annoying, and the jokes are crude".
As good as his four-star reviews were, I still loved reading his 0 to 1 star reviews. He was at great at ripping movies as he was as exalting them.
It's typically harder to write a good positive review than a good negative one. It's often hard to come up with praise and word it so that it doesn't sound like a bunch of thinly-veiled cliches strung together. This was actually Ebert's greatest strength, in my opinion.
Exactly.
As a kid watching one of his reviews was the first time I'd seen a reviewer, or anyone on TV say something like that. Even today, he remains the only example that readily comes to mind.
Typically, I write over 200 reviews a year for the Sun-Times that are
carried by Universal Press Syndicate in some 200 newspapers. Last year,
I wrote the most of my career, including 306 movie reviews, a blog post
or two a week, and assorted other articles. I must slow down now, which
is why I'm taking what I like to call "a leave of presence."
http://blogs.suntimes.com/ebert/2013/04/a_leave_of_presense....I'll just leave one of my favorite quotes from Ebert about a movie that is actually one of my all time favorite comedy.
"This movie doesn't scrape the bottom of the barrel. This movie isn't the bottom of the barrel. This movie isn't below the bottom of the barrel. This movie doesn't deserve to be mentioned in the same sentence with barrels." [1]
- Roger Ebert review of "Freddy Got Fingered"; April 20, 2001
[1] http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20...
He was right, by the way: he did indeed get thin (he stopped being able to eat after losing his jaw to a surgical mishap), and Vincent Gallo is indeed still the director of The Brown Bunny.
http://www.businessweek.com/stories/2004-08-29/online-extra-...
"Mad Dog Time should be cut up to provide free ukelele picks for the poor."
And if you like entertaining reviews, the "Cloudland Revisited" pieces from The Most of S.J. Perelman are well worth the price.
"'Mad Dog Time' is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time."
"I was reminded of Mad Dog Time (1996), another movie in which well-known actors engaged in laughable dialogue while shooting one another. Of that one, I wrote: " `Mad Dog Time' is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time." Now comes Frogs for Snakes, the first movie I have seen that does not improve on the sight of Mad Dog Time."
There's enough skewering between their covers to keep you occupied for quite some time :-D
I'll also never forget when Ebert lambasted that ridiculous "Benjamin Button" movie. At the time, I felt like he was the only one on earth that agreed with me. The film recieved nothing but praise, and I was sitting there wondering if I had seen the same film as everyone else. I was so delighted to read his review: http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20...
Synecdoche, New York http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20... Paris, Texas http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19...
(I just notice the similar form of those film titles. Curious!)
But Charlie, self-centered little movie child, is more concerned with how Jack Frost (his father's real name) can help him. His dad has been dead for a year and comes back as a snowman and all he can think of is using the snowman to defeat the school bully in a snowball fight. Also, the kid tries to keep Dad from melting. (What kind of a half-track miracle is it if a snowman can talk, but it can't keep from melting?) Does the snowman have any advice for his son? Here is a typical conversation: Jack Frost: "You da man!" Charlie: "No, YOU da man!" Jack: "No, I da SNOWMAN!"
Anyway, I remember Siskel and Ebert on television before there was much of an internet to speak of. Now if you look out over the landscape of people who successfully adapted to the new landscape of social media it's predominantly much younger. I think it takes a special kind of mind to reinvent one's self past a certain age, and Ebert did so very well (for whatever reason, George Takei comes to mind, also). But it was brave of him to do so and I think it is ...helpful to all of us that have grown up online that some members of his generation are/were willing to put themselves out of their comfort zones and share their viewpoints and experiences in that way. RIP.
edit: " ...and get up to change the TV channel" of which there were ~10 outside of cable, and some would require rabbit ear contortions. If I could give you more than one upvote I would have :)
In 1990, I was in high school. We moved to a small town near Urbana, IL. I was impressed then, and continue to be today, that Ebert would return to Urbana, Ebert's home town, every year in April (health permitting) to headline Ebertfest. Ebertfest is a local film festival held to honor him.
With Ebertfest only 2 weeks away, it will be truly sad knowing that the world has lost a great man.
edit: Link to Eberfest
In an interesting twist of fate, my office is in the coordinated science lab (CSL), where HAL was built.
If you're just after attention and want to be known as a scathing wit, please sit down, pipe down, and refrain from adding to the noise.
Basically, if you do it, do it because you have something to say.
http://www.ebertpresents.com/episodes/episode-208/videos/269
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19...
A friend shared an article Ebert wrote in 2011 about death that I absolutely love that I feel is incredibly relevant now. In the article he states “I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear.", which I feel is a beautiful attitude to take. The whole article is worth a read and can be found here:
He will most definitely be missed.
http://www.hollywoodreporter.com/news/roger-ebert-dies-film-... “I am, beneath everything else, a fan. I was fixed in this mode as a young boy and am awed by people who take the risks of performance.”
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20...
"How does it know? There are no dials and settings on the Pot. As far as you can tell, there is only a heating element beneath. There doesn't look like room for anything else to hide. How does the Pot know how long to cook the rice? It is a mystery of the Orient. Don't ask questions you don't need the answers to. The point here is to save you some time and money. If you want gourmet cooking, you aren't going to learn about it here."
source: http://blogs.suntimes.com/ebert/2008/11/the_pot_and_how_to_u...
http://www.theonion.com/articles/roger-ebert-hails-human-exi...
Great quote from Rick Hogan: when he was writing a review about a movie he loved, "He was writing a love letter to a friend".
And he just wrote about having a leave of presence! I will miss him immensely.
Two big thumbs down :-(. RIP Ebert.
As a professional movie critic, he earned respect through his craft, but I think world of cinema is better off without any movie critic.
Rest in peace. One of my favorite quote of his:
“I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear. I hope to be spared as much pain as possible on the approach path. I was perfectly content before I was born, and I think of death as the same state.”
Totally disagree - the critic, at his best, spotlights movies you would have missed, unlocks movies you would have found confusing, and rescues movies you would have hated. They facilitate love of cinema.
He will be missed.
For him to get out in public, keep producing work and showing the world that he can be above the disease is very commendable.
We are never given a choice with the cards that life sometimes throws our way, but we always have a choice with how we respond.
When I read his letter to Jay Mariotti--in response to Mariotti's less-than-dignified departure from the Sun-Times--I couldn't help but be impressed by Ebert's thoughtfulness. I found myself going back to the letter, sensing that I had overlooked something. I finally realized what it was: the tone of the letter. It was ultimately hopeful!
The conclusion of that letter made it clear that Ebert was no fan of Mariotti's, but it acted as more of a rebuke than an indication of deep disdain.
A rare talent, indeed.
http://rogerebert.com/apps/pbcs.dll/section?category=REVIEWS...
http://www.youtube.com/watch?v=sFPMlnc2Zm8
Part 2: http://www.youtube.com/watch?v=IXk3N8EvnWc&feature=youtu...
I also will have to say the best portrayal of him was in Jon Lovitz "The Critic", where Siskel and Ebert were having a feud and it was up to Mr. Jay Sherman to reunite them.
Animaniacs did a good portrayal of them too.
"If a man has a roof over his head, fresh half-and-half for his White Russians, a little weed and his bowling buddies, what more, really, does he need?"
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20...
This is totally wrong. Movies are a subset of video games. Eventually, Ebert's remarks on video games will stand as a laughable monument to a by-gone era.
So. Ebert had the potential to be the first great video game critic, ever. His massive background in movies would have served him well. But he didn't have the fortitude to make the jump.
Who's going to be the first great video game critic ever?
I think we will have to look for great video game critics from our generation.
That's your opinion, just as he had his. I find it interesting that you question his fortitude mere hours after his death, simply because he doesn't have the same opinion that you do on a topic that resonates with you and that you are passionate about. He probably didn't give two shits until the video game community ate him alive for saying it, then he had to pretend to give one shit.
You're also assuming he would have wanted to review video games, even if he saw them as art. He chose to review film and rarely wandered, with the rest of his writing being mostly commentary on things not related to film or the arts; who are you to question his courage based on his choices and preferences? That's like me demanding that you write software for Windows Phone, with the caveat that I'll question your technical chops if you don't.
I work with a lot of people that don't like video games. I don't like Brussels sprouts, and some people do. Who cares? Move on.
That seems a little...subjective? There is certainly far more critical literature suggesting the opposite thing. Seems to me what you're saying is just as much an opinion as Ebert's.
This is just my opinion, but they are not.
Videogames are not about the same things movies are. This is most clearly illustrated by how we define film genres vs. video game genres. Film genres are generally organized by thematic content or visual style, e.g. science-fiction, western, horror, etc. Video game genres are generally organized by their interactive element - platformers, first-person shooters, role-playing games, etc.
Many of the best games are not about the plot or the visuals. Consider games like Minecraft, SimCity, Super Mario Brothers, or Tetris. These games connect with you because of what you do. Good cinema connects with you because of what you see.
He was also America's Foremost Film Lover.
Universal sadness being expressed across the film community today.
Useless.
I don't get all this praise I'm reading here. Despite being witty, a national treasure, and whatever, he had one core job to do, and he was terrible at it.
That he enjoyed it and you didn't? Some people really love that film, but I'm perfectly willing to accept that you don't. You should be just as willing to accept that others do.
Your comment sucks.
This is what a film reviewer does? He liked it watching it, so it gets a high score? How about whether the readers of his review would like it?
> Your comment sucks.
This is HN, not reddit.
Your continued thwapping on his score of the film that you oh-so-despise betrays your obvious fault in that you only cared about his reviews when they weren't to your liking, because anybody who's read Ebert for any length of time knows that he hated the scoring and added it against his will. All of his scores must be taken in the context of the review, and he always said (nay, demanded) as much. In the context of the review, you know, the words he wrote describing his experience, we find this:
[...] the characters in "The Phantom Menace" inhabit a plot that is little more complex than the stories I grew up on in science-fiction magazines. The whole series sometimes feel like a cover from Thrilling Wonder Stories, come to life. The dialogue is pretty flat and straightforward, although seasoned with a little quasi-classical formality, as if the characters had read but not retained "Julius Caesar." I wish the "Star Wars" characters spoke with more elegance and wit (as Gore Vidal's Greeks and Romans do), but dialogue isn't the point, anyway: These movies are about new things to look at.
It's almost as if he understands the film's flaws or something! It's a completely different perspective when you consume his opinion as it's meant to be consumed. He spoke out very strongly, all his life, against people like you who walked away with the score as a conclusion (for good reason, obviously).
I originally said all that and replaced it with "Your comment sucks.", because I knew you'd fight with me on this, even though it's entirely pointless. I am aware this is Hacker News, but thank you for the patronizing reminder. Your comment still sucks. Your followup sucks, too, particularly the "go back to Reddit" tone (the irony of a person describing Roger Ebert as "useless" on Hacker News, then pulling the Hacker News card to criticize my comment is not lost on me).
It's funny some of the vitriol around here, on a discussion of an obituary. Can't some guy die in peace?
(Aside, or back to the original topic, depending on perspective: In the last decade or so I'd been really impressed by some of Ebert's writing, post-cancer. It showed a lot of depth that you didn't get from the TV movie critic persona that he had in the 90s.)
It was, which fed my point when he missed it.
I'm with you. That we're even having this discussion on Roger Ebert's obit just makes me hate people.
No, its widely regarded as a disaster of a movie.
See this review, which I believe Ebert said that he enjoyed watching.
The trick is to actually read his writing and ignore the stars. The stars are secondary, and he says as much - he only attaches them to reviews because the customers demand them. See, here's the thing: Ebert was great as a writer, not as a movie star-giving guy.
Sure we have 30 ways to cure cancer in rats, but the best we can do for humans is either to poison them with chemicals (some of them radioactive, no less) or laser beams that are only slightly less likely to kill normal cells than cancer cells.
Meanwhile we throw a fortune at the problem and throw a fortune at ever more expensive treatments -- for what?
The only recent success I know of is against prostate cancer but that was only because some ex-con got rich and started to found actual, aggressive, of the beaten path research - and that is still not a cure and only against one form of cancer.
So since you know these people, what do they need to get some useful research out there? Money and fame upon success is a given (Jonas Salk comes to mind) but what stops them?
When you say "for what?" I can only point to the aggressive variant of BC my wife was diagnosed with 3 years ago. A death sentence literally a few years ago, she is now recovered and has good prospects for a long and productive life.
This is only possible because of the "fortune" of research thrown at her particular form of cancer in recent years; but it goes deeper than that. Because of the expense of the (relatively new) treatment and limited history of efficacy/results, her specialist had to personally argue the case for her to receive the treatment with our local health authority (I am in the UK btw so perhaps this is different to the US).
As more women (hopefully) successfully recover with the use of this treatment, resistance to spend on research will hopefully fade in the face of such positive results.
From the brightest cancer researchers in the world down to the people working in your local chemotherapy unit, progress is being made at a better rate than ever before. It's just very hard work, and I don't think money and fame really come into it - there are easier ways to achieve that:)
Cancer is way, way weirder than anybody thought. It's not a single-bullet thing. Cancer actually evolves right inside you, for one thing. They can actually chart the genome of different parts of the tumor and trace the cell lineages. So any one drug has different effectiveness against different parts of the cancer.
So there's been slow, steady progress over the last couple of decades, and survival rates are way better than they used to be - and just getting better. But "treating cancer" is kind of like "treating viruses" - you need a whole array of techniques. And we're building that array. Nothing's stopping anybody.
It's still far from perfect - my grandmother ultimately died from cancer-related complications, but she got a 10-year extension on life, I'd say it has advanced.
Cancer as a whole has none of those characteristics.
The term "cancer survivor" didn't even exist prior to modern research.
After reading it, I came away with the impression that the scientific fight against cancer is 50-60 years, but only the last 20 years has been very fruitful. Prior to that the treatments that worked were found largely through trial and error.
Back then there was nothing. No one knew really what to do with her particular type. It was all a gamble with a lot of "Go to Mexico to try some experimental treatments"
Now - 5 year+ survival rates are well above 80%.
Long, long, way from zero.
This is one reason why I have little patience for creationists. One of the most important problems (curing cancer) is an issue directly involving evolution (at the cellular level).
The cancer research is returning a lot of yield, but this is just a very hard problem. The body has about 10 trillion cells. Some are good, some are bad. The bad ones become increasingly able to survive treatments due to clonal evolution. The good ones die as well, because these are systemic treatments (highly powerful drugs) that interfere with cell reproduction. You have to kill all the bad ones, or the cancer will probably return. If you kill too many good ones, the patient dies a horrible death that's much worse than a regular cancer death. It's not easy to do.
It's just a fucking hard problem. We should be putting 10-20 times as much money into it. How many things are more important than fighting cancer? Not these fucking social media startups.