Oscar-awarded Movie Fonts 2013
linotype.com
linotype.com
I like to start from a font and then change it up from there to give some personality to a logo, while maintaining some familiarity (and piggybacking on the expertise of those font designers too).
I'd say the reason this font was chosen had a little more to do with the fact that it looks very similar to most writing on old football jerseys. Sometimes the reason something is chosen is much simpler than we (experts in that field) want it to be.
The poster they show is NOT the one I've seen. The poster I've seen has a handwriting typeface, and a diagram of a(n American) football play on it. I doubt that diagram would mean much in non-football-playing countries.
http://www.dvdsreleasedates.com/posters/800/S/Silver-Linings...
But the font they replaced it with (slab serif / ITC Lubalin) has "athletic" connotations in the US - it's a classic "varsity letter" font. Does that connotation carry over outside the US though?
That distinction used to make sense as those different fonts with different sizes used to be physically different things.
With the advent of digital typography, that distinction doesn’t make any more sense. Typefaces can be seamlessly scaled up and down, there really is no longer even a need for an extra word for a typeface of a certain size. You don’t need the 12pt Helvetica Light file or the 9pt Helvetica Light file. Font and typeface became synonymous.
Now, given this history it makes sense to see typeface as referring to the abstract notion of the shapes of the letters and font to the technical implementation of the same, however, that distinction is hardly ever made and there is even factually no wide gulf between the two meanings. It’s one and the same and if you think it’s not, you are confused.