Liberal arts major as such is quite different from an art major. Many kids do want to maybe be an English or History major and then teach. Far, far fewer want to be an art major and try to survive as an artist (or even an art teacher).
As far as math goes, maybe not all that many kids want to be mathematicians, but plenty do take a fair bit of math on their way to becoming engineers, programmers, doctors, and scientists. They all certainly take far more math courses than art courses.
Of course, few artists take many math courses, but there are far fewer art students than there are students of professions that rely on math and need a decent education in math to graduate.
"so many americans drop in favor of studying philosophy"
Oh please. There are probably fewer philosophy majors in the US who actually want to do philosophy after school than art majors (of which there are very few). There'd be even fewer overall if philosophy wasn't the number one major of students accepted in to law school. Most philosophy majors just use that major as a means to get in to law school.
Are you discounting the multitudes that study fashion design and graphic design? The ones that pile on at RISD and New School? Julliard? At this point I feel you should specify what you consider an artistic pursuit
"As far as math goes, maybe not all that many kids want to be mathematicians, but plenty do take a fair bit of math on their way to becoming engineers, programmers, doctors, and scientists. They all certainly take far more math courses than art courses."
No, actually beyond basic high school math many people never touch math again. Not even calculus. You talk about the ones on their way to becoming engineers and such. That's like complaining that people at chef school take more cooking classes than astrophysics classes. You talk about engineers, programmers, and scientists like everyone's just lining up at the door to become one.
"few artists take many math courses, but there are far fewer art students than there are students of professions that rely on math and need a decent education in math to graduate."
See the chefs and astrophysics above. A further counterpoint is that there are more students who graduate college who take a cultural "creative" course than there are students who take math. And like you've alluded to, many who even bother to touch calculus are the ones who are required to.
RISD is a very small school. Only 2,282 students total. According to [1], they had 835 admissions, with a 34% acceptance rate. If my math is right, that makes for 2,455 applicants.
Julliard is even smaller (800 students), though much more selective. According to [2], they had 2,138 applicants (of which they admitted 162 -- an 8% acceptance rate).
So that's 4,420 total applicants to RISD and Julliard combined.
According to [3], there were 3.3 million high school graduates in 2008. That would make for 0.13% (or about 1 out of 1000) high school graduates "pile on" Julliard and RISD. While 999 out of 1000 don't apply to either school (and the overwhelming majority of those probably not to any kind of art career path at all).
"No, actually beyond basic high school math many people never touch math again. Not even calculus."
Ok. But how much math did they take by the time they make it through high school math? Maybe 9, 10, or even 12 years of math. Which is probably an order of magnitude more than they have years of art.
"You talk about the ones on their way to becoming engineers and such. That's like complaining that people at chef school take more cooking classes than astrophysics classes. You talk about engineers, programmers, and scientists like everyone's just lining up at the door to become one."
Well, let's take a look at the 10 most popular majors in 2008.[4]
Biology, Business administration and management, Communications, Computer science, Criminal justice, Elementary education, Marketing, Nursing, Psychology, Political science.
Of those, I'd say Nursing and the more sciencey fields like Biology, Computer science, Psychology, and maybe some Political science need math. The others not so much. Of course, out of these, Computer science is the most math-heavy.
Incidentally, according to this[5], Stanford's most popular major now is Computer Science.
So, that's a fair bit of math there. Not as much as you'd need to major in engineering, applied math, or mathematics itself, of course. But perhaps more than what's taught in most high schools.
Now, compare that to how many of these majors need art. I would say none of them do. And none of them are any kind of art major. So, yes, I think math has a very strong lead over art as far as the most popular majors go.
[1] - http://www.theu.com/admissions_ratings/rhode_island_school_o...
[2] - https://en.wikipedia.org/wiki/Juilliard_School#Admittance
[3] - https://en.wikipedia.org/wiki/College_admissions_in_the_Unit...
[4] - http://www.cnn.com/2008/LIVING/worklife/10/27/cb.what.major....
[5] - http://mashable.com/2012/07/01/stanford-top-major-computer-s...
I'm afraid you're missing the point. The point is that those who want to study art will study art. In addition many don't just study "art" in the traditional sense of making paintings. They study some applicability of art whether it's design, architecture, etc. Why? Well the same reason more people become programmers and not computer scientists, or engineers and not theoretical physicists. Theory only appeals to some people
"But how much math did they take by the time they make it through high school math? Maybe 9, 10, or even 12 years of math. Which is probably an order of magnitude more than they have years of art"
Again, I'm going to have to ask you to be specific with your definition of the "creative arts" because it seems your gripe is that we are teaching kids math instead of drawing in school; to which of course the appropriate response is school is for learning, not for doodling. Just like you should have a certain level of reading capacity, you should also have a certain level of reasoning capacity. This is the bare minimum one should have. So if your gripe is about the amount of math taught, well, I hope you take that same gripe with history, literature, geography, and even PE. Furthermore, art classes are offered as electives and are free to be utilized by students who want to take them.
"Of those, I'd say Nursing and the more sciencey fields like Biology, Computer science, Psychology, and maybe some Political science need math. The others not so much. Of course, out of these, Computer science is the most math-heavy. Incidentally, according to this[5], Stanford's most popular major now is Computer Science"
Seriously, what point are you trying to make? It seems more like you're disgruntled that math is relevant to more spheres of life than art - however it is that you are defining that. Furthermore, noting the dearth of CS grads at Stanford is like noting the dearth of engineers at MIT (or blackjack players ;) ). What do you think the school is famous for? In any case, the author of the essay's point has nothing to do with who is studying what because if it were he'd be complaining about social science, humanities, and business majors. His essay is about the demise of creativity - however he defines that. Furthermore, as a relation to my first post, noting that one should learn science before one has an opinion about it, it seems it would be beneficial if you followed that. Just because one reads a "science" subject does not mean they will learn math, especially not Biology and Psychology. As a matter of fact, many CS grads get away with only calc 1. And to be clear, until you get past calc 4, you're not really doing "math", just numeric manipulation - which itself isn't trivial.
To be clear: it's not about how many areas of life find math beneficial. As a matter of fact, that is the point. Despite the overwhelming potential for analytics to transform the world, despite the new knowledge to be gained STEM has not been culturally relevant till now. Now is when it is most painfully obvious that he who understands the world holds the power. It used to be he who holds the purse strings, but thanks to the litany of these technologies that we're talking about, it's becoming less so (though not fast enough). The important questions in the world are/have been/ are being asked, and not many of them involve "self-expression". Knowledge of Science and Math add a whole new dimension to our exploration of the world and people are just taking notice. That is the point. The journey that STEM has made from esoterica to becoming a full participant in the cultural discussion. The idea that we can even consider STEM a cultural activity. Smashing that barrier that keeps people assuming that STEM people are these little weird people with their irrelevant subjects and threats to human existence and starting to see it as a part of the human experience like any other. That's what I'm talking about. That's what the author of the essay doesn't get. That's why I keep volunteering to teach kids math and physics on my own dime. So of course, arrogantly determining, from an old world view of the subject, that STEM is a mechanistic chore best left for uncreative robots is not only very annoying but very unproductive. I'm sure you're very passionate about art, and in a perfect world, we would all have the things we love be recognized both culturally and economically. But antagonizing an entire field just because one's field isn't getting the limelight is not a productive way to go.
In another post of yours, elsewhere in the thread[1], you yourself pointed out that:
"when I was a kid I wanted to be a poet. Poems wouldn't keep a roof over my head and hell, at the time, neither would code. Hasn't stopped me from writing poems in my spare time and engaging in my other pursuits. If ever a time comes when one could sustainably make money selling art, then I'm sure many artists and even non artists will flood the market."
Presumably, you didn't study poetry. Not because you didn't want to, but because you didn't think it was economically viable. Many if not most people interested in art are in the same boat. On top of that, there's the stigma associated with art and artists that influences their own attitudes and decisions of whether or not to pursue or study art.
So, no. I don't think that "those who want to study art will study art". Most who do want to choose not to. It's a minority who are wealthy enough, driven enough, or naive enough (with tolerant enough parents) who do actually study art.
"Again, I'm going to have to ask you to be specific with your definition of the "creative arts" because it seems your gripe is that we are teaching kids math instead of drawing in school;"
Drawing is, in fact, one of the so-called "creative arts". So is painting, sculpture, printmaking, creative writing, music, theater, and dance. Architecture, illustration, and graphic design could arguably be squeezed in to that definition as well. History, English, and various other "humanities" subjects would not. Though creativity is required in many if not most fields of human endeavour (including math), that does not make them part of the "creative arts".
"to which of course the appropriate response is school is for learning, not for doodling."
Now that's a condescending view of art and its role in education if I've ever heard one. I'm sure you would not enjoy hearing math described in a similarly condescending way.
"Just like you should have a certain level of reading capacity, you should also have a certain level of reasoning capacity. This is the bare minimum one should have. So if your gripe is about the amount of math taught, well, I hope you take that same gripe with history, literature, geography, and even PE."
I do have the same gripe against all those other subjects, which are certainly looked upon as more "serious" than art, and are generally given more resources and emphasis in the education system (well, except maybe for geography). Art is unjustly demeaned and underappreciated. That's not to say that these other subjects are also underappreciated compared to the moneymaking and "practical" fields. They are.
"Now is when it is most painfully obvious that he who understands the world holds the power. It used to be he who holds the purse strings, but thanks to the litany of these technologies that we're talking about, it's becoming less so (though not fast enough)."
But we're not talking about what used to be (though your depiction of math as being neglected in the past relative to art could also be argued -- I don't know when in history the "creative arts" as I defined above were ever near as popular in education as math was). We're talking about now.
"The important questions in the world are/have been/ are being asked, and not many of them involve "self-expression"."
Well, this is indeed an expression of bias that could be corrected through better education.
Unfortunately, your attitude of condescension towards other fields is not limited to math/physics folks. It's all too prevalent in most fields. Many people who are passionate about their own field are often disparaging of others (especially ones radically different from their own). I think this is generally due to ignorance and lack of appreciation of the worth and value of other fields.
Of course, that doesn't mean that every field is necessarily equally valuable. But perhaps every (or nearly every) field has something of value in it, perhaps even of great value. Until this is appreciated on a deep level, I'm afraid we're going to continue to have the kind of bickering over which field is most valuable and which should get more dollars and emphasis in education that we have now, and there'll continue to be a stigma on certain fields.
"Knowledge of Science and Math add a whole new dimension to our exploration of the world and people are just taking notice. That is the point. The journey that STEM has made from esoterica to becoming a full participant in the cultural discussion. The idea that we can even consider STEM a cultural activity."
Wonderful. I'm all for that.
"Smashing that barrier that keeps people assuming that STEM people are these little weird people with their irrelevant subjects and threats to human existence and starting to see it as a part of the human experience like any other."
A part of the human experience like any other. Like art. Which also has deep value to the human experience.
If you don't agree, I'll just refer you to Beethoven, Bach, Mozart, DaVinci, Van Gogh, and Michaelangelo. Their like are not exactly encouraged by cutting arts funding in favor of math, nor by stigmatizing the creation of art as "doodling" or whatever other derrogatory terms you wish to use.
"I'm sure you're very passionate about art, and in a perfect world, we would all have the things we love be recognized both culturally and economically. But antagonizing an entire field just because one's field isn't getting the limelight is not a productive way to go."
Pot, meet kettle.
You mentioned that I didn't read poetry in college. You're right. As a matter of fact, I didn't complete college. I got out after a year. So if you wouldn't mind keeping your presumptions to yourself, that would be great.
Like I have said before, economics is king. You have acknowledged that your narrow idea of "art" is not economically viable. In the normal definition of art, which encompasses music, dance, film, orchestral performance, design, etc, I'm sorry but you have to be living under a rock to imply that people don't pursue these fields. So after reading your post I'm convinced your gripe is not math, it's not science, it's not history, and it's not literature. It's that people aren't paying tens of thousands of dollars to go to college to study what is really just an interest. Where the author's post reflected some one-dimensional, condescending view of people who don't just draw all day - essentially the artsy equivalent of "you haven't read Ulysses? well poo-poo you my illiterate friend" - your posts reflect a condescending view towards people who don't share your singular world view of "art". The fundamental argument, to put it as simply as I can, has been that the cornerstone of our education system has rested in the classics, literature, and art. That is what you need to be considered cultured and creative and educated. Knowledge of the liberal arts (which by the definition of the word should include the maths and sciences) has been restricted to those fields. One doesn't tell people one can't read and feel proud of oneself. When one finds out you haven't read the Iliad, or you even deign to ask what "post-structuralism" is to our "intelligentsia" you are looked down on like an uneducated bonehead who has been living under a rock. To proclaim a lack of understanding of basic algebra, OTOH is almost a badge of honor. So again, you seem to be conflating economic viability with societal cachet. So really, the only thing I've gotten out of your posts is "my singular vision of art is not necessarily economically sustainable, and I'm angry that people don't pursue it as a career".
Furthermore, I did not "stigmat[ize] the creation of art as "doodling", I was calling into question your premise that because math is made compulsory for basic education in schools and art isn't, it reflects some general societal respect for sciences. Before the 1930's and 40's if an American wanted to do real research, they usually had to go to Europe. Even our highest of institutions looked down on research as being inappropriate for universities. Today, this disdain for the theoretical still lies in our culture. So why the giant about face vis-a-vis research? It became economically viable after the war, but especially during the space race. I became a programmer because that was a skill I had that I could make money with. I provided value because someone wanted to buy what I made. People become lawyers, doctors, engineers, historians, designers, etc because those are skills they have that they can assuredly provide value to other people with. Now if someone thought my piano playing was so beautiful that she would pay my rent just for me to play all day long, I'd become a pianist. It doesn't mean I love programming less, neither does me being a programmer mean I love piano and poetry less. So I feel you have to come to terms with the fact that what one does as a career is not an all-encompassing definition of who one is. In any case, the argument is not about careers, it's about a backwards, self-serving definition of creativity being purported by people who are upset that their privileged cachet to the use of that word, without question is being threatened by the "analytical baby killers".