I'm certain if I drew a cartoon and used the signature that looks just like a real cartoonists', I would get sued and liable for the damage.
The same should apply to LLM vendors.
The same should apply to LLM vendors.
If you just draw a cartoon with a fake signature, nobody is coming after you. Even if you posted on Twitter or something, nobody is coming after you.
You'd have to be fraudulently selling it in a book of cartoons or on coffee mugs or something.
Are you sure about that one? Are you saying if you posted say, a racist cartoon on twitter, and you forge my signature onto the thing, I can't come after you?
I don't know about the US but here in Germany the category for this is personality rights. The entire point of a signature is to establish authenticity, using someone's likeness or identity without consent will get you into deep trouble even without money being exchanged.
The product is the output, not the tokens.
Many companies and artists simply allow technically infringing fan art etc. to exist without enforcement.
Edit: the documentary is "Art and Craft" [1] about Mark Landis [2]
> It appears that in donating forgeries to art museums, Landis has not actually broken any laws, even though his activities were clearly deceitful. If he had sold the work to museums or taken a tax deduction on them, he might have fallen under federal art crime statutes. But the fact that he did not gain economically from his actions (apart from a few gifts from curators), and that he addressed his donations to specialists who had the expertise to detect his forgeries but did not, protected him in the eyes of the law. No legal action has been opened against him to date (as of 2014). As one art crimes expert put it: "Basically, you have a guy going around the country on his own nickel giving free stuff to museums."
No one asked, but I'll analyze the differences between these two situations. Landis didn't impersonate any living people. It wasn't done against a backdrop of living people losing their jobs. What he made was still art, in that it was both a display of technical skill and worth discussion. Slop is neither. From now on, his forgeries will be clearly labeled as forgeries any time they're displayed. That's easy to do with a physical painting, but impossible when an image has been shared across platforms.