It found a website that had all of them but had no interest in making them available. So it went ahead and started hacking CAPTCHAs and downloading them. I was pretty flabbergasted that it would do this, but also kind of amazed. Eventually I stopped it because I realized I didn't want to be caught stealing these things.
This was around April, the same time as these hacks.
Sounds like a good way to make alot of lawyers alot of money.
A CAPTCHA is there specifically to stop machines, allow humans.
You're allowed in, your bot isn't.
It does make it (depending on jurisdiction) trespass to enter with a dog, unless there is some mitigation e.g. guide dog.
Everything is a derivative work.
It's great to see the delusion of Imaginary Property vanishing.
Maybe these incentives weren’t perfect. If we throw all of this away, we’re back at the original problem.
You imply that there was no original problem to be solved; I think that’s naive.
Well, it's not anymore.
It's really funny to see the delusion being defended so vigorously by people - presumably well-meaning people - purporting to defend the livelihoods of musicians and artists, while the musicians and artists are desperately trying to free themselves from the jaws of their IP agreements precisely so that their music can spread more easily.
I imagine this is already well-known on HN, but there is a significant movement underfoot in the worlds of bluegrass/old time/trad/jam toward DRM-free and CC licensing.