Nebula Sans
nebulasans.com
nebulasans.com
With Nebula, no such worry. The homepage and app isn't creepily algorithmically designed to optimize my engagement with the platform, it's just a bunch of high-quality videos and channels that I can watch with no fuss. It's remarkable how nice that feels in 2026. Really highly recommended.
You can remove videos from your watch history. Or you can open the link in a private/incognito window. Google may still be able to connect it but I don't think it will impact your recommendations that way.
Maybe it will enshittify like most everything else, but it hasn't so far, and for now I'm a very happy customer.
I use "do not recommend this channel" a lot, and click "not interested" a lot. Open the YouTube front page, remove stuff you would prefer not to have there, refresh, repeat, the algo will adapt.
Same hygiene on social media. Add muted phrases, mute people, click "not interested". It improves the experience a lot.
I only use YouTube when I want to watch something specific. If I find something I want to return to, I like it or bookmark it or add it to a playlist.
I feel like the only thing I'm missing is a home page which doesn't tell me I have watch history disabled.
Don't get me wrong, Nebula is great (although yt actually has a better profit share believe it or not), but the internet needs to look in the mirror before services like it can actually compete with yt.
This is complicated by Nebula's "creator owned" situation. Which is complicated [0]. It's something like:
- Nebula's assets live in Watch Nebula LLC
- Watch Nebula LLC is owned by 83% Standard Broadcast and 16% Curiosity Stream (CURI)
- Standard Broadcast "is owned by 44 total people, all of whom are creators"
Of course then there's Floatplane, which is entirely owned by LMG. At least a couple years ago they targeted "a 70/30 split" but arrive there via "a fixed cost menu for features [...] based on bandwidth/maintenance costs' [1]
I'm glad YT is still sharing a meaningful amount of money with creators.
[0] https://medium.com/@cameron-paul/who-actually-owns-nebula-95...
[1] https://linustechtips.com/topic/1335443-floatplane-creator-s...
They're doing their best to stop sharing anything with all but the largest creators, since they keep increasing the monetisation requirements.
Only pet peeve I have is... jeffiot is in Nebula, Tom Scott is in Nebula, Lindsey Ellis is in Nebula... where is f4mi????????
I'm yet another person who only got Nebula for week-early access to Jet Lag, and I think if that particular show ever went away or took an extended break, Nebula would be struggling. I find myself watching something on YouTube most evenings, I rarely find myself on Nebula when Jet Lag isn't on.
My Nebula runs out at the end of the year and I'm not renewing, I'm not that fussed about seeing Jet Lag a week late, and none of the other stuff is really for me. I'll divvy up my £60 a year Nebula sub to a few creators I like.
In the end I never got in the habit of opening Nebula to watch the content.
I pay for Premium YouTube and have noticed when there's an in video ad you can skip through to the end of the ad, YouTube have set that up.
I tend to watch 2 minute of several videos on rotation, I guess I should just put the Apple TV out of reach and I can't keep channel twitching
* No in-video sponsor segments
* Exclusive videos (including some creators and series that upload primarily to Nebula)
* Early access to some videos
* Uncensored videos, as Nebula does not have the automatic content or copyright enforcement systems that Youtube has
* A decent TV app (at least on Roku), so I can watch ad-free on the TV without paying for Youtube premium
All for a much cheaper price then Youtube Premium ($60 annually vs $160, with frequent promo offers). If you already watch a lot of Youtube channels that are on Nebula, I'd highly recommend it.
Different tools work better for different people, if you want/need yt features that aren't found in the alternative then it is the right choice for you.
A simple fix for YouTube is bookmarking the subscriptions page and making that your entrypoint: https://www.youtube.com/feed/subscriptions
A big part of it is just my hobbies being different, but a no small part is that the videos are still the same YouTube videos that are first and foremost built to satisfy the algorithm. And since these are all people who are successful on YouTube, the concentration of such videos is higher than on actual YouTube.
Today, I finally search for nebula streaming and found the actual site his comment is referring to so here it is: https://nebula.tv/
Side note: it’s a minor nit that HN seems to have a very frequent problem with threads getting hijacked with unrelated comment threads, often the top comment(s). I wish there was a way to split the comments off with a new title that clearly explained that this is not related to the original post.
however, a lot of creators in it had direct ownership. i wonder how it works for those who joined later on and may not share the same.
one of the creators used to be super-active, however now switched the style of videos (completely fine and up to the creator), but now it has gone to radio silence for a better part of a year.
maybe the current creator economy is so bad that once you can get a gig like nebula, it pays you enough to stop the treadmill of churning out content.
They could have just picked any other font and used it. It's a video streaming website, how much text content is there vs video content?
Headquarter Curse: A theory suggesting that companies often experience setbacks or decline after constructing a lavish new headquarters.
This doesn’t seem like an extravagant expense to me. And it sounds like it saves money on commercial font licensing.
In many cases, it's all internal and no skin off noses such as this font project. In other cases, it means the UI changes every 4 to 6 months or even worse, the software becomes so bloated with "features" it becomes unusable so a clean replacement comes on the scene then the cycle repeats.
Sometimes, I feel, it would be better for companies to clap their hands and go "We did it, we solved the problem" then just stop. Keep the infrastructure running, do bug fixes, listen to customers on new features or changes but otherwise not do product churn for the sake of justifying salaries.
To expand on my view in an abstract way, when constructing a building construction workers, architects, project managers, and the whole cadre are hired then the building is built then all those people move onto new projects. Continual development of software is like if construction never stopped so that the construction crew still had jobs. A construction site should strive to transition from architects, cranes, and concrete trucks to maintenance staff, mop buckets, and screw drivers.
Nebula Sans is a derivative of Adobe's Source Sans which is available to use for free for any purpose include commercial under the SIL Open Font License (the same license Nebula Sans has to use as a derivative of Source Sans).
So they could have just used Source Sans for free and virtually nobody but the most dedicated font nerds would have known the difference between that font and Nebula's tweak of it if not for the PR announcement.
All that said, I don't care what Nebula spends their money or time on, so I'm not saying they shouldn't have had this font made... but doing it wasn't a money-saving move.
Companies are allowed to make fun things.
Feel like these things happen all the time in software as creative projects? Could be a tool for attracting design talent / interest?
shrug. It’s a nice typeface, cool project.
Goomba fallacy strikes again! https://en.wiktionary.org/wiki/Goomba_fallacy
I think I'm at 5 now.
Also three of those companies designed their own font too, though none of them still use it.
Collectively their creator/owners will be paying thousands of dollars/month for their fonts. Something you’ve correctly assessed that a very low number of their viewers will notice or care about.
Nebula can make one upfront payment (likely less than a single months font foundry payments for their owners), and give the creators absolute certainty that the created font is free forever, no matter the viewing platform or medium.
Seems like a decent place to allocate some idle cash.
Can't think of any reason why Nebula creators would go for this one other than to blend in with the platform's corporate house style for the 1% of users pedantic enough to notice and... well they could have picked an existing SIL open font for that if it had been about simply minimising creators' costs
I'd understand it way more if they were a big corporate creating something very distinctive and very closed source for their marketing material...
As a visual designer, sure, it is you job. As a computer user whose ultimate goal of using a computer is something else... I am kind of an old fart, but I often find that the best content is often found in conjunction with "font-family: sans-serif".
Day to day, I use open source fonts that Butterick recommends. But once in a while, I like using just nice stuff. It's like a nice fountain pen for others.
but again, I am an old fart who is sad gopher lost.
> When Nebula found itself facing exorbitant fees to license the font it relied on for all of its branding, the company decided to find a new font that would work just as well.
So if the goal was to save money, wouldn't the smart move be to use Source Sans for $0, instead of paying the designer of Source Sans to make some very minor tweaks to end up with another SIL font?
They wanted something that could be a drop-in replacement for Whitney with the same letter sizes and spacing, so that they could put it into all of their products without needing any other redesign.
They couldn't find anything like that available off the shelf, and fonts they found that were close to Whitney in appearance were still also somewhat expensive, so their alternative was to take Source Sans, which has a free license, and make some quite significant but semi-automated modifications to it.
Making changes to just the typeface was presumably cheaper than making changes to all of their other designs.
The result is not as good as what they had before, and not as good as it would have been if they hired a professional to design a new font from scratch, but it was cheap and solved their problem.
Fonts are weird voodoo. Good and bad choices can both make a measurable difference to ROI.
So I'm not convinced this is going to be the profit booster they hope.
For example, I've built metrics-compatible versions of Aptos and Verdana in the last few days based on other open-source fonts that matched the shapes closely.
For Verdana I just told an LLM to add bars to DejaVu Sans and extend some shapes. For Aptos I had to get a bit more creative, designing a new double-storey g, but it was otherwise fine.
I agree with that one person (I can't recall when or where I read this) who said modern typography is getting so frivolous about doing personalised typographic families for startups instead of extending the existing ones to cover more languages and scripts than latin.
But as they say here, "por la plata baila el perro" (something like "a dog would dance for money")
I one subscribed to CuriosityStream and Nebula in a combo deal, but didn't end up watching it much. I find them to be overproduced edutainment that's often too plastic for my taste. A kind of Netflix but for IFL science redditor types. I rather prefer low production quality YouTube videos from oddball makers who just show something cool, explain something obscure with a simple slideshow etc.
> The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works.
Very nice. I’ve paid for fonts for personal use in the past but I was always nervous about accidentally putting a screenshot or other incidental capture somewhere that might get distributed and violate the license.
Adobe's Source (the basis for this one), Google's Roboto and Google Sans, the very common Inter, Lato and Open Sans, coding/monospace fonts like Iosevka, JetBrains Mono... chances are that a free font you're aware of uses the OFL, particularly if it's even vaguely recent.
I feel like I’m reading reviews of wines. This font has chocolatey overtones that bring the reader to a meditative state of hyperflow.
https://fonts.google.com/specimen/Fira+Sans
Understated yet elegant, you wouldn't immediately notice it is different from your default sans-serif. But it has a soothing regularity that makes it easy to absorb in large quantities and the lowercase g is a quiet encouragement to drink your tea with your pinky raised.
Here’s a better link for Fira Sans: https://carrois.com/fira/
Also, if you have Fira Sans installed on your computer, you can use it in Slack with `/slackfont Fira Sans’
> /slackfont is not a valid command. In Slack, messages that start with “/” are interpreted as commands.
> When Nebula found itself facing exorbitant fees to license the font it relied on for all of its branding, the company decided to find a new font that would work just as well.
EDIT: Now I realize the 30 per year is for a video service.
Previous discussion: https://news.ycombinator.com/item?id=43591225
Loose programming analogy: The free replacements had a slightly different "API" (metrics) that would have required adjusting hundreds or thousands of "call sites" (media using the font), so instead they made their own "API-compatible" (metrically compatible) replacement that dropped straight in.
This is all covered in the documentary short about the font.
Whitney was the main font of Stripe when Benjamin De Cock initially redesigned the brand. It was one of the most beautiful websites I'd ever seen (and still is): https://dribbble.com/shots/2974913-Home
Good God I am sick to the back teeth of the neutral aesthetic. If you're going to spend all that money, can we have some _opinionated_ typefaces please? Especially against the backdrop of AI making everything look and feel exactly the same everywhere, the last thing anybody needs is another neutral, characterless, soulless typeface.
I’m willing to bet that the design team that worked on this font was not in charge of coding, business, finances, deals or anything else besides design.
Is it a revolutionary font? Not in the slightest. It’s just a “fine” font for all intents and purposes. But let’s not play this childish game of “they shouldn’t have wasted time with this and should have done that instead!”. We’re all grown ups here (hopefully), we ought to know better.
I'm surprised there aren't really high-quality drop-ins for most of the classic "name brand" commercial fonts at this point, built solely out of the commercial motivation. "We could contract out someone to build it for less than we're paying a commercial foundry to license it for N years, and then forever every designer is using BrandCo Sans instead of Futura/Univers/etc so we get the free brand recognition".
Genuinely, can someone please clue me in?
The implication that this is an effort entirely devoid of value is so ridiculous it borders on stupidity.
It's hard to believe people are still designing new fonts with this glaring error. In 2026!
So I went the way of lowest resistance, and to paraphrase, the LLM said, and it might be entirely wrong that Book is something between Light and Medium, a text weight that is supposed to be better readable for longer texts. So Something around 350/400 weight. Some fonts just use "Regular"
With my new "knowledge" I went about and googled and found this: https://gist.github.com/lukaszgrolik/5849599
So Strangers whos name is just a hex number, the LLM seems to be right. And that is your answer.
But on that note, can you really call it your "own" font if the differences to your "inspiration" are so tiny you literally need to overlay the texts to even see them?
I'm not a copyright lawyer, but wouldn't this be a textbook example of a "derived work"? The page also explicitly mentions the relationship to the base fonts several times, so it's not even hidden.
Did the owners of Whitney SSm demand outrageous license fees, but also permitted unrestricted creation of derived works in their license? That would seem like a massive oversight on their part.
Also, not a typography nerd, but what is the wider utility of now having three fonts that are barely distinguishable from each other and only exist to evade each other's licensing restrictions?
Round, like we’re trending towards Comic Sans but still professional.
What is a humanist font?
All glyphs are indistinguishable from Source Sans. The 'thin'/'light' weights are kerned further apart (and in my opinion, worse) than in Source Sans. Given these, why does this typeface deserve a new name? It is Source Sans, full stop.
At least Arial (Helvetica copy) and Segoe UI and Myriad (Frutiger copies) have a handful of distinguishing glyphs.
I have a very hot take—with typefaces, you absolutely get what you pay for. I don't like the vast majority of SIL Open Font Licence type faces, with a handful of exceptions. Most of them have glyphs that are an absolute eyesore, are weighted, sized, hinted, and kerned terribly, don't have any character whatsoever (they're all copies of copies of copies of Helvetica) and don't encode nearly enough glyphs/combining marks in Unicode.
Hint: if I can't type IAST/ISO 15919 without tofu showing up, then the font doesn't have enough Latin glyphs.
The majority of digital fonts are either not hinted at all (which makes them look like crap on low – medium resolution monitors), or appear to be hinted on and for macOS, which doesn't have sub-pixel anti-aliasing, but rather greyscale (i.e. full-pixel) AA. The result looks quite bad on Windows and Linux. It looks bad on macOS in monitors with lower pixel density, too.
I will gladly pay for a well-designed typeface (or by proxy, pay a font database subscription). The effort that designers have to put in to design something new from complete scratch is immense. Designers have to come up with unique glyphs, and then when actually setting up the curves, then have to think about how the typeface will vary along several dimensions: weight, size, display pixel density, print versus display, and so on. It's no wonder that the best fonts cost thousands.
Good fonts that have both character and are immediately legible without being unnecessarily fancy is an extremely fine line to tread and in my opinion only a handful of typefaces have managed to balance all of these through the centuries. Some of my favourites follow.
Sans-serifs include Helvetica, Frutiger, Futura, Myriad, Johnston, Optima, Transport, DIN (and its many variants; my favourite is FF DIN), Ocean Sans, and Segoe UI.
Serifs include Roman-cut (including Trajan), Garamond, Minion, a handful of Didone types, Berkeley Old Style, and Palatino.
GTK4 doesn't even support subpixel rendering any more, and with OLED market share increasing I'd anticipate Windows moving away from it at some point too.
Quite the contrary: many new OLEDs are moving back to an RGB stripe subpixel arrangement.
The rest of us just don't want it to be distracting.
Styles change (like collar size, slim vs roomy), and what looks good on one torso doesn't look best on another. What fits well for one company/product/book doesn't fit well for another company/product/book.
"Perfect font" can only happen when we stop developing new display technologies, and print dies out completely. If "perfect" is not subjective in the first place, it is definitely context-dependent. Fonts designed to work on budget smartphone displays don't necessarily look good on 6K desktop displays, and so on...
- read? mostly coders
- sell? mostly marketing
- fraud? rn.com vs m.com mostly designers
- I love the use of Source Sans as the base. One of the few purely good things Adobe has done in the past decade were the Source fonts
- The use of Whitney as a target font is also interesting. I like this font a lot but a lot of nice fonts have annoying properties for web dev (looking at you Frutiger) esp around numbers. I have wasted life years fiddling with tabular number presentation.
There, is that enough red meat for you, HN? :)
I'm holding out for a free-range, gluten-free paleo font.
Edit: WOW I did not know if that I write WHAT I don't like, then I will get downwoted here, like on other sites for pure hatred, ynews really goes down