Interactive Guide to Blog Typography
kaikkonendesign.fi
kaikkonendesign.fi
Would be nice to see it extended with some screens on using constructs like footnotes/sidenotes/captions etc.
http://kaikkonendesign.fi/typography/section/7
Looks like that's an "adjacent sibling selector":
http://www.w3.org/TR/CSS21/selector.html#adjacent-selectors
And it looks like it's well-supported since IE9:
The problem with this is, as so many times, that on the web you have no control over what people use to display your content. On an awesome display with tons of contrast I would very much agree: straight black on straight white can be unnecessarily harsh and toning it down a bit (a bit being important here) makes everything look more pleasant.
However, on a bad display with low contrast further reducing contrast can be a bad idea.
On balance I would argue that screen technology is by now good enough to allow for slight reductions in contrast that at least have no ill effects in the vast majority of cases and have a positive effect on above average displays.
Oh, and another advantage of not using straight white or straight black is that you can add color (a slight tint, don't touch color if you are inexperienced) to it.
(Also, I would recommend searching out the worst display you can find to test your designs. That helps with more than just whether you picked the right contrast.)
This becomes especially visible if the user is in low-light conditions (eg in a dark room). The apparent difference between blinding white light (hsl(0,0,100)) and a lukewarm almost-white (hsl(30,10,96)) can be startling.
http://hslpicker.com/#ffffff (0, 0, 100) http://hslpicker.com/#F6F5F4 (30,10, 96)
I find that if you use a good display, straight black on straight white is just too harsh for me. Slight reductions in contrast do most certainly not and never will lower the contrast below acceptable levels on those displays. They do have the ability to display plenty of contrast for the human eye to work with.
(Did you only want to annoy me with your pedantry or what’s going on with you?)
Would supplement it with this: http://www.pearsonified.com/2011/12/golden-ratio-typography....
And the super-handy related tool: http://www.pearsonified.com/typography/
There are times when constants like the Golden Ratio are relevant and the exact value matters or some useful property doesn't apply. This is not one of those times. There is absolutely nothing "perfect" or "optimal" about the typography you'll create from this "solid mathematical basis", no matter how much TeX you use to typeset your equations or how many colours you put on a chart. In fact, with a lot of popular web fonts today, you'll get very dubious results.
That entire article is just a glorified troll, which I'm only responding to in case anyone impressionable reading your post otherwise thinks it's worth anything.
Is the article pseudo-intellectual and kind of wanky? Of course it is. It's the internet.
Does the resulting typography look good?
And yet there are many good articles on typography you could have linked to instead: try the typography section in A List Apart or even some of the more recent stuff on Smashing Magazine for basic ideas in small doses, or read the likes of Matthew Butterick for a lot of thoughtful and more detailed comments.
Does the resulting typography look good?
No, it often won't. That's why I challenged your link.
The math here is entirely relevant: knowing what the measure / font size should be, or at least figuring out minimum and maximum dimensions, that makes a difference. Got a responsive text container? Make sure it doesn't become hard to read. And the type of font you use (different fonts have different metrics, character widths, etc) makes a difference, it adds considerations that can lead to better design. People should put more thought into making their texts as readable as possible - it benefits everyone.
The waxing lyrical about golden ratios is a cheap way to drive interest and add allure, it gets the eyeballs. I think it's clever and it makes an otherwise dull topic interesting .
This is, dare I say, the mistake. What's emphasised in those articles about the golden ratio is that it is golden where what actually matters is that it's a ratio, and therefore creates patterns and introduces consistency.
Is there a tool that "evaluates" a page for some of these typography basics on a live website? Maybe a bookmarklet. I know at some point it becomes a matter of looking with a trained eye and personal preference, but many of the parameters could easily be computationally evaluated. E.g. measure, line height and paragraph spacing, color/contrast, maybe even visual hierarchy.
Thanks to the author, as it reminded me of some things, I should change on my personal site.
When reading, instead, you cannot easily change the color scheme of web pages with black background and painfully high contrast.
Example of a website with color scheme alternatives:
http://www.textfiles.com/directory.html
«AAAAH! MY EYES! Click here if you prefer a black and white color scheme.»
http://www.textfiles.com/wdirectory.html
«This is a special "black on white" version of the directories in textfiles.com for people who, for various reasons, have issues or trouble with the green on black color scheme of the site.»
Maybe it's because text editors come with lots of color?
This is probably a good argument for using more nonsensical lorem ipsum text.
It's not a scientific number by any means, rather a general "consensus" derived from all the typography literature and articles I've read. The measure is not as simple as it seems, though; Readers seem to prefer a shorter measure while reading speed is actually increased with a longer measure, like shown in this study:
http://psychology.wichita.edu/surl/usabilitynews/72/LineLeng...
One question - What's hinting? Wasn't explained as clearly as it needs to be for a tutorial aimed at non-designers.
Also I am very happy to see that Twitter Bootstrap has a lot of the things in this site already there.
Chromium 18 on Xubuntu 11.10
PS: This is an awesome resource. I've always noticed the things that you talk about but I never knew why I noticed them.