I wonder how similar the 2000s-era napster fight will look when we get a high quality music diffusion model with 0 copyright guardrails. Then I can listen to unlimited, radio of my favorite artists serenading me with songs I’d wished they’d written
Record labels would actually love this model: they'd be able to put their extensive back catalogs to use by giving everyone their very own hyper-personalized, maximally-stimulating Beatles, Queen, Linkin Park and more, all without paying a single cent to the humans who actually built those acts. What breaks this utopia, and what you seem to be missing here, is that by far and large people want to listen to the real deal and not to a deepfake Chester Bennington's song on the Israel-Palestine conflict in an unprecedented act of VC-funded digital necromancy.
I don't want to hear Linger-er by the CrAInberries