http://en.wikipedia.org/wiki/Fair_use#Fair_use_and_parody
Actually copyright laws were pretty clear, we just had massive regression due to intense lobbying of greedy entities.
http://en.wikipedia.org/wiki/Fair_use#Fair_use_and_parody
Actually copyright laws were pretty clear, we just had massive regression due to intense lobbying of greedy entities.
Weird Al rerecords the music, but the notes are the same and that is considered fair use. I know that Weird Al ask for permission from artist before releasing any songs, but it's not something he is required to do.
Ref: http://www.masurlaw.com/3980/songs-and-records-two-types-of-...
In comparison, if you want to do a parody of a music video--a work that is considered to be on top of the music piece, as opposed to included with it, and thereby requiring a special "synchronization license" to make--using the original recording (which obviously implies the original sheet music), you are then going to have to negotiate with the studio, and they may simply not have any internal mechanism by which you can license it at all (even if individuals there think it makes sense).
Using the music verbatim would not likely be fair use, and the videomaker owes a license fee.
EDIT: I asked about licensing fees, and Wiki[1] says that Coolio accepted royalty payments for "Amish Paradise." So I still wonder how 2 Live Crew settled their suit, and I need to get back to work.
The whole article is a non sequitur anyway. Psy won the Internet fame lottery, you cannot extrapolate anything about copyrights.
How about when parodies generate money? Weird Al made millions doing that.
So how do you parody a music video without changing the song? Does fair use of the music video via parody give you right to use the music behind it intact? (color me confused)
It would be interesting to know at which point a video soundtrack becomes separately copyrighted video. Does the process and order of creation matter or is a song a separate work by definition? Is it possible to merge video and music rights into one right?
This is far from a certainty. In fact, the court could very well rule against College Humor et. al. if Psy and his folks chose to press the issue.
The major issue here is the legal difference between parody vs. satire. In parody, you're using Psy's own work to criticize Psy. In satire, you're using Psy's work to mock someone unrelated (i.e. Gov. Romney).
Excerpting from page 2 of http://apps.americanbar.org/litigation/committees/intellectu..., emphasis mine.
"[i]f the new work “has no critical bearing on the substance or style of the original composition, which the alleged infringer merely uses to get attention” [...] the work is less tansformative, and other fair use factors [...], loom larger. [...] [A] parody targets and mimics the original work to make its point, [while] a satire uses the work to criticize something else, and therefore requires justification for the very act of borrowing."
But like everything in the legal system, it's in shades of grey.
"A parody that more loosely targets an original [...] may still be sufficiently aimed at an original work to come within our analysis of parody. If a parody [...] runs the risk of serving as a substitute for the original or licensed derivatives [...] it is more incumbent on one claiming fair use to establish the extent of transformation."
I think there's a strong argument that an English-languge parody on a stremaing video site that gets money for its adroll could be a replacement for the Korean-language (or theoretical officially-licensed English-language) song on a streaming video site that gets money for its adroll.
I, of course, am not a lawer. If I was in the business of using copyrighted works in what is legally defined as satire, I'd be playing it very carefully. Psy has (seemingly) no interest in suing these people, and is probably a safe bet. I'd be a lot more careful about using a Ted Nugent song to support single-payer healthcare.
In the end, the American Bar document (http://apps.americanbar.org/litigation/committees/intellectu...) is a really interesting read if you do care about what could qualify as fair use and what might not.
edit: in fact, what the heck, I'll submit it as a story. (http://news.ycombinator.com/item?id=4905613)
>I ain't with that…I think that my song was too serious…I really…don't appreciate him desecrating the song like that… his record company asked for my permission, and I said no. But they did it anyway…
http://splitsider.com/2011/12/gangstas-parodist-revisiting-w...
He received permission from Coolio's record company.