* I have a dedicated server at the house where I run nearly a dozen services via docker compose.
* I wrote my own audio app for playing my self hosted mp3s because everything I found on the App Store was shit. I wanted something like Winamp: a simple media player followed by a playlist of thousands of items that works equally on desktop and iPhone. https://github.com/prettydiff/mp3-master-list
* I wrote my own server management dashboard utility. There are some really good existing ones but I thought I could do better, particularly around creating new web servers and proxies in seconds. Apache and NGINX busted pissed me off when creating simple ultra fast proxies, especially around web sockets, and also did not provide a dashboard. https://github.com/prettydiff/aphorio
Because I am writing more and more of what I need I can integrate features in ways others cannot. I am trying to figure out SMS protocol right now so my custom apps can text me, and others on my private cluster, app needs or calendar appointments
1. They provide a VPN for your device to their server.
2. They then map that device to a public IPv4 address they own. The address is not static, but TailScale solves for that with internal DNS.
3. The free tier allows X number of devices to connect via a single account. I am not sure how many. Maybe 6, maybe 20. These devices are able to access each other on a private network only available from the VPN. TailScale calls that a TailNet.
4. They have internal DNS for the TailNet, so that you can map a name to one of those IPv4 addresses they provide and connect to something like http://server
5. I have not tried the others, but the TailScale magic DNS does not fully work on iOS. On iOS its all or nothing in that once their DNS is enabled its all you can access until your bring TailScale down on your device. I don't have this problem on my desktops (Windows or Linux) so my desktops are always connected.
6. NordVPN also provides these same capabilities, but they do not have a free tier. I don't know if they up charge for this capability above standard VPN.
7. Most all of these solutions seem to be based on WireGuard. WireGuard is an open source VPN solution, but it does not provide the extra services: IP address, DNS, service accounts, private network.
In summary, TailScale provides a VPN to a private cluster, your private cluster, that can be accessed from any network, due to the public IP, so long as the given device is on the same VPN account or has received an invitation from that account.
As for NAT I use the free tier of TailScale to expose my home network to specific devices in the public world. This way I can play my media or access my files, that are behind NAT, from across the country when traveling.
If you would like to talk more about this my email is in my HN profile. I am always looking for new idea and use cases to expand my Aphorio dashboard app.
My weird hobby as I mentioned is that I am designing cheap "art" lenses for my cameras (basically an equivalent of things like Lensbaby or the Lomography lenses) by adapting surplus optics (basic meniscus lenses and achromatic doublets) or DIY telescope eyepiece lenses, to focussing helicoids using 3D printed barrels; I have then used them for pictorialist-influenced shoots. It has sent me down all sorts of rabbit holes.
I am fitfully working on my own focussing mechanisms; I have had some success with multi-start helicoid threads but they are are a challenge in plastic, so I am currently working on a modestly-precise hybrid plastic and metal mechanism, and daydreaming about CNC-driven solutions in the future when I have the working space.
I am also contemplating a slightly more complex, faster aplanat/rapid rectilinear design but my knowledge of optics is just not good enough to select the right lenses, yet, so it may end up being bodged and only very roughly empirical; a "nice" result rather than an excellent one.
But then any precision of the result is not really the aim; cheap plastic meniscus lenses are as interesting in black and white as anything else.
I'm not blogging at the moment. I should though as a personal record at least
Yeah — I still haven't tried this but it is on the cards, and I have a rather lower-stakes (simpler) idea to try it out with.
I'm not sure if I should have gone all in with that full house or if I'd have scared the calling station with my reputation of check raising people into a walk to the ATM.
I only won a hundred and twenty five dollars -- I don't track the tips on drinks and winning hands. (You tip even for a water, coffee, or refreshing tomato juice. You can get alcohol, but I recommend if you sit down with me for a Texas Hold 'Em, you do it with a clear head.)
I was there... about four hours?
Learned a lot, and this week anytime I want, I can have a succulent Chinese meal.
(I don't think it qualifies as an "eccentric hobby", but I like Sichuan food, and it's a shame that in many cities across America, you gotta drive a bit to get a nice cumin lamb or some mapo tofu.)
1. www.baghchal.net
Edit: (Cozy ish. A bit too much water coming in so far)
Buying a boat that size is definitely something I want to do some day.
I (the user who prompted the creation of this thread, apparently) play a weissenborn (copy). Gigged it once but it is quite fussy about temperature changes, which can make it a bit tricky in a British music venue because (as I am sure you know about weissenborns) they kind of exist at the boundary of common sense, structure-wise. It's a really cheap laminate thing that sounds quite nice, and I am amazed it has not pulled itself apart, but it hates to go from cold to hot in a hurry.
Currently teaching myself some electric lap steel after years of acoustic only, with a gorgeous little Revelation RLS DLX, but I'd be tempted now by a Gretsch Bobtail and that Fishman Aura. (Nearly bought a Boxcar when they came out; played one for about an hour in a shop. Lovely.)
The weissenborn copy is mostly in open D or low-bass open G; with Newtone Alohas, which come up to pitch at lower tension, I've pushed it to FACFAC, though I have contemplated getting another to leave in David Lindley's favourite CGCGCE, which is a fabulously gutsy tuning on a weissenborn. The electric obviously can cope with anything from open D to GBDGBD.
For me, music started out as a practice of getting better and developing my abilities as a songwriter. As I’ve gotten older though it’s shifted more towards sharing the joy of playing with others. Jamming with people and making them happy by sharing songs is a reward in and of itself.
Always been a bit of an admirer of Jerry Douglas (and Al Perkins, who I saw in 1992 with Emmylou Harris at the Crystal Palace Bowl in London — AFAIR he also dropped in on Mark O'Connor's set).