My wife brought them to my attention recently because she heard about them from Scott Galloway, who was speaking highly of Bending Spoons on one of his podcasts. As she was explaining this to me, I said "It's just PE."
They must be doing some good PR/marketing, because, for some reason, "PE" isn't the first thing entering a lot of minds about Bending Spoons right now.
When BendingSpoon or IAC acquired an asset, it's meant to be held by them in order to augment their existing portfolio.
M&A isn't the hallmark of PE - restructuring an asset in order to exit out of it at a profit is.
The classic PE monetization strategy is to acquire an underperforming asset, restructure said asset, and then exit the asset at around 20% IRR.
BendingSpoons on the other hand is a holding company that is acquiring and consolidating stagnant but large SaaS platforms into a single mega-platform.
The economics are different as are the operational and organizational structures.
Which isn't exactly what they seem to be doing but also isn't that far off.
In your example "very strongly loyal subscription base" is the asset.
Fabulous article (I think evergreen through regular edits/updates): https://www.worseonpurpose.com/p/the-mechanisms-of-enshittif...
Long on business keywords; a more soulless perspective than the above article: https://ahapartners.co/thinking/goodwill-isnt-a-rounding-err...
I actually think the model is interesting.
It’s executing a private equity (and conglomerate) strategy out of permanent capital. That makes it more similar to Berkshire Hathaway than a private equity fund. (It is also less levered than most private-equity funds, though more levered than most companies.)
Keep one SRE to keep the servers running, one guy to do security updates to the app, and the team that acquires rights to music.
I'd pay 2x my subscription price to be able to use a third party client again.
Labels literally negotiated their own royalty rates down in exchange for shares in Spotify. It’s the perfect way to push artists out of receiving earnings.
I think record labels would be first in line to buy Spotify if it was ever for sale.
You don't sell a company if you don't believe its future can be better with you in command (most of the time)