Dave Brubeck, Who Helped Put Jazz Back in Vogue, Dies at 91
nytimes.com
nytimes.com
We lost a musical genius and a good human being.
That shows a substantial number of votes have expressed disapproval of the post.
Does his insinuation really deserve the treatment?
Couldn't the disapproving parties have elaborated on their castigation?
If the disagreement is about the facts, then why not state so and corroborate with those facts?
Cavalier down-voting is the cheapest form of expression and belongs on lesser forums. Not on HN. Use it sparingly.
Present your case, instead.
Once upon a time to get somewhere you had to tour, you had to get the attention of someone at a label to recognise you who was willing to take you on. Hard work used to be the basis of popular music, then it all started going downhill in the 80's with the likes of MTV slowly corrupting modern music.
An excellent case in point is an Australian band called Capture The Crown. They have never released an EP, never toured Australia, all they did was come out of nowhere with an attention grabbing music clip and well-produced song with swearing and generic breakdowns, they released a couple of more singles and now they're signed to Sumerian Records and about to release their debut album all without ever touring their own country and to this day, still haven't. They got on a plane and toured the US instead of touring their own country first unlike other well-known Australian bands like Parkway Drive or Hands Like Houses.
I think that says more about you than the state of modern musicians. There will always be 'real musicians', motivated by their love of the art. Whether or not we can find them depends on how willing we are to dig past the shallow acts that top the charts.
There will always be real musicians around, but I purely meant those who have made it not those who do the 9-5 hustle and bustle in the Subway's playing for change or smaller venues for $50 and a bar tab.
I'm not saying Brubeck didn't do it, but he certainly wasn't the first.
Occasionally interesting to think that I'm the first generation where it was normal for a jazz band to have both white and black musicians. Very recent that the racists were beaten back.
[1] http://cordjefferson.tumblr.com/post/37269121387/all-these-r...
In April 2011 my wife and I took a train from South Carolina to Washington D.C. to catch one of Dave's four sold out shows at Blues Alley. I paid more money than I had ever paid to see a concert, knowing this would likely be my only chance to ever see him live. He played an amazing set, with minimal onstage banter, giving his players plenty of room to shine during their solos.
He ended the set with a few of his more well-known standards, and then—just before leaving the stage—simply said, “They’ve got me on oxygen. But I made it through the whole set without needing the damn thing.”
Class act.
Don't stop there. There were/are many good musicians performing excellent work from the 1950s and 60s on. Please keep looking.
I'll mention just a few I consider deserving of attention (and this is by no means comprehensive): Yusef Lateef, John Coltrane, Eddie Palmieri, Sun Ra, Oliver Nelson, John Hicks, Joe Henderson, Duke Pearson, Cal Tjader, Cannonball Adderley, …, MJQ, …).
If you would like to hear an(other) excellent tune in 5/4 besides /Take Five/ circa nine years later, check out Yusef Lateef's rendition of /Get Over, Get Off and Get On/ on the album "The Blue Yusef Lateef".
There are wonderful contemporary musicians, long-standing and novel, worth seeing at the most intimate of venues, the nightclub, as you have found.
My first nightclub experience, long ago, was Cannonball Adderley at the London House in Chicago, circa 1968, and I've enjoyed such a venue ever since. Nothing is better.
Non jazz-heads wanting a similar experience could do worse than listen to Money, by Pink Floyd: 7/4 for the verses, then 4/4 for the solo.
If you're in a jazzy mood tonite, I can strongly recommend the recent Shinichiro Watanbe anime "Kids on the Slope" (坂道のアポロン Sakamichi no Apollon).
It's like cryptic crosswords, god and football matches - I must be missing a part of the brain.
Japan (or to some degrees, Korea, Vietnam, China, Taiwan, Hong Kong) has been influenced by Confucianism. How to deal with shame is a central part in social life. This includes dealing with feelings of alienation to one's social counterparts. And "being wimpy" is kind of shame experiences for teenagers in those countries.
You need to understand "shame" and "guilt" are two different concepts. "Guilt" is based on actions and morality. "Shame" is based on attributes that one possess. That's why you can see a lot of murders in East Asian's dramas having no feelings for guilt, but having feelings of shame.
One way to appreciate this approach is to contrast the storytelling techniques of western comics vs Japanese manga in the 90s (as they have since borrowed a lot from each other). The book "Understanding Comics" explains how in a western comic book each frame, while containing art, typically contains a lot of text. The story in western comics at the time was very textually driven, with the art as an accompaniment to help illustrate (ha!) what occurred in the text.
In contrast, manga could spend pages on images where the only "text" would be textual sound effects, devoting much space to creating an ambiance or mood. Furthermore, dialog might be more sparse and short, with greater reliance upon illustrating emotion. In fact, one of the reasons that the stereotypical anime style of big heads / large eyes developed was because of the realization that it was an effective technique to wordlessly convey emotions in characters (although this style actually originated in a western comic, Betty Boop).
Sorry, my memory is a bit fuzzy as to how Understanding Comics explained this all, but if you consider this difference in approach to storytelling, you might better understand what "slice of life" anime are doing. The intent isn't necessarily to pull you into a series of events and "go somewhere" immediately.
That being said, I heartily recommend this series. I had always found jazz interesting, although it was a bit too esoteric for me to know where to start. This series introduces jazz through some songs that are very easy to get into, even though they have a lot of depth. The end result of this, for me, was that I ended up taking up the sax and loving it. :)
A while ago, I randomly bought a Dave Brubeck CD. I'd heard of him and knew he was a jazz pianist, but was not familiar with his work at all, so I thought I'd give it a try.
It happened to be this one: http://www.amazon.com/Jazz-Impressions-York-Dave-Brubeck/dp/...
For the next couple of weeks, it didn't leave my CD player - I had it on constant repeat. It's just really good.
Funnily, I was into text adventures / IF at that time as well, so now in my brain the "Jazz Impressions of New York" are forever entangled with "A Mind Forever Voyaging".
Wish I'd been able to see him live. What a great man.
I recommend the boxed set http://www.amazon.com/For-All-Time-Dave-Brubeck/dp/B0001FGB9...
It may sound crass, but I may as well ask: how's Brubeck (the framework) coming along?
(trailer https://www.youtube.com/watch?v=heAAOVJTLwQ )
I have a theory that people die not long after their birthday, and never before -- meaning that the time from their last birthday < the time before their next birthday (the theory being that they fight to live until their birthday, and then they let go).
Anecdotal evidence gathered among people I knew confirms this, but I would like to test it on a scale that would be statistically significant -- but I don't know where to find the data...
- - -
This specific event would appear to be a counter example, except one can consider that dying "almost" the day of one's birthday doesn't really falsify the theory. He tried to live up to the day of his birthday and almost succeeded.
I'm still alive, and I plan to outlive my birthday quite a few more times, thank you.
Result: chance to die on your birthday is about 14% higher than any other day of the year; based on investigating time and causes of death of 2 milion people over a period of 40 years. On your birthday, sadly apparent there is a higher chance for a stroke, accidents and suicide. People suffering from a long-time illness like cancer also have a higher chance to die on their birthday.
UPDATE: the show starting at 5PM pacific time today will also be devoted to Dave
So grateful they're streaming online. I still donate.
If you live in the Bay Area and don't see a show at Yoshi's, you definitely owe it to yourself...
(i listen to a fair bit of jazz; respect to the guy - he made one of the famous jazz records - but if he was the first jazz musician on time's cover that, in honesty, says a lot more about time, american culture, and his skin colour (no criticism of brubeck implied - see the article for his impeccable credentials there) than his status as a jazz musician).
That's a mistake in the obituary: he was the second jazz musician to make the cover of Time. Louis Armstrong was first, five years earlier in 1949 (http://www.time.com/time/covers/0,16641,19490221,00.html)
"In a long and successful career, Mr. Brubeck helped repopularize jazz at a time when younger listeners had been trained to the sonic dimensions of the three-minute pop single. His quartet’s 1959 recording of “Take Five” was the first jazz single to sell a million copies."
He got a jazz record up the pop charts at a time when that was not really something that was happening.
Have you got a steady boyfriend
'Cause honey I've been watching you
I hear you're mad about Brubeck
I like your eyes, I like him too
He's an artist, a pioneer
We've got to have some music on the new frontier.Bebop didn't really take over until the post war years.
Bebop didn't get commercial play until soldiers came home and heard the new sounds put down by Bird, Diz, and Monk.
In many ways, bebop and jump blues filled the gap between the two "music for dancing": swing and rock and roll.
Basically, he created jazz music that a wide spectrum of people were able to appreciate and enjoy, while at the same time advancing the state of the art.
Rest in peace, Mr Brubeck.
http://minnesota.publicradio.org/collections/special/columns...
We'll dearly miss you Dave, rest in peace.
(And not to take anything away from Mr Brubeck).