32-bit float has become popular in filmmaking/field recording equipment lately because, with a microphone preamp that supports it, you can capture the entire dynamic range of the microphone--there's no accidental clipping if you drive the gain stage too hard.

It's a bit redundant for a skilled technician, they're already used to setting the gain staging, inbound compression, and feathering the mics to avoid this in 24-bit, but if you're handing a boom mic to a novice and have a scene where e.g. someone's whispering and another person's screaming, it can be nice to not have to worry about it.

That use case is literally addressed in the first sentence.