On the other hand, with the internet inevitably becoming swamped by AI generated content, I can definitely see a de-digitalization of art moving into offline spaces. At least for independent work, you don’t necessarily need mass appeal or exposure, but rather access to individuals and small groups with an actual willingness to pay for art.
have already largely vanished
Why not? Would you also argue that most of the works by painters like Rembrandt, such as The Night Watch aren't art - just because they were contracted to make it? Does book cover art stop being art the second a book's title gets placed on it?
And sure, plenty of corporate work is boring and soulless. But the worst of that switched to spending 10 minutes with clipart and PowerPoint decades ago: if you were still hiring an artist, you cared at least a little about what the result looked like, which means there was at least some space for artistic vision.
> People shouldn't need to degrade themselves for money, we can have a system where people are generally taken care of
We should, but we don't. What's your proposal for letting artists grow and mature while paying their bills in the meantime? AI is currently killing their "degrading" jobs, do you think forcing them to take a shift at McDonald's is going to help their artistic career advance?
Alas, only when taking a shirt at MacDonald's becomes equaly obsolete, and it has been made apparent that any task or job humans do could also be done by technology, only then will it help the artist in your example with their artistic career.
It is remarkable, when you think about it, that artists seem to be the first people that are made to feel obsolete. There are plenty of jobs that could have been fully automated, steampunk-style, from the moment the industrial revolution took hold.
Maybe it becomes slightly less remarkable if you take into consideration that collecting/investing in art has always been an integral part of people of considerable wealth. Even if they did not care much for it, didn't understand any of it, or were only motivated for the money,... regardless of your field, being very wealthy forced you into developing at least some connection with art. The billionaires in tech all seem to be an exception to this rule, and their lack of any connection with art, may have made them feel that art is easiest of all to replace using generative software. And for them, this was probably true - and they lack the connection to have developed any taste or eye for quality in art, so they're easily pleased with something a computer makes for them.
If only the artists are actively excluded though, people in other jobs will never fully appreciate that given the effort, their job is just as easily automated. Once people in every possible job have been made to feel just as obsolete, the world may be ready to order itself based on individual preference and mutual appreciation of whatever it is you choose to do 'for a living'.
So instead of being paid a small amount of money for something that they spend hours on, they create 10 artworks in that same number of hours and earn 10x what they did previously.
And how they create demand for this? AI "enthusiasts" are enthusiastic about it exactly because they feel they don't need to outsource things to meatbags.
Expedition 33 nailed music, aesthetics, and narrative, and I am glad that they took a diffusion model for what it is, not for what marketing wants you to believe. although the game itself would benefit from one or two months dedicated exclusively to optimization, it is THE reference of how generative technology can be used - purely internally, to ideate and iterate at the pace of your taste and a bunch of H200s. we are aware of that process detail purely because they slipped in one place and got briefly "owned" by Twitter.
1: https://www.ign.com/articles/larian-ceo-responds-to-divinity...
2: https://www.dexerto.com/gaming/clair-obscur-expedition-33-ai...
So when an artist looks at AI, it's unlikely to be as a tool that will build a whole piece: Insufficient control, and currently nowhere near good enough to do more than occupy space, like a little painting in a hallway or in a hotel room. But it is something that can be used to better spend the budget in places where it'll be more impactful for the quality of the piece. Not unlike how CGI is often used today in places where it wouldn't have been 20 years ago, and it's aiming to be invisible. Not because the shot was impossible, but because it's cheaper.
Treating AI in art as a moral thing will end up being like the people being against synthesizers in the 80s: It's a viable creative choice for some things, but ultimately not a good expectation for industry direction. Ultimately the vast majority of art is commercial, and we'll see shortcuts being taken for budgetary reasons. Nobody is manually animating every detail of every mesh in a game like this was Toy Story. And even though doing that would produce more work for artists, it wouldn't make better games, really. And we'd sure have far fewer of them.
Good art requires good patronage and institutional support in turn. No one will have time to produce the next Mona Lisa if they're barely able to make end's meet working a slavish factory job. That's doubly true when the vocations that supported artists—either antiquated, modern, or contemporary (painter, typesetter, graphic designer, etc.)—vanish because AI can do "just about as well."
Art isn't just a divine presence gracing the souls of those deemed most worthy, it's a collection of skills and knowledge that must be built by community over decades of struggle.
On top of the generation of slop, AI is removing some of the final protections that hold these pillars up. That is what should keep us up at night.
This does feel like a setup for a no true scotsman argument. What would your definition of 'actually enjoying art' be that would not exclude someone enjoying art that uses generative AI by definition?
Sure, but how are you going to find it?
I've got a print of some digital work by Simon Stålenhag on my wall. I discovered his work because I was was mesmerized by an image of his on some wallpaper sharing website, ages ago.
These days that kind of website is 99% AI slop. AI has made it impossible to stumble across art: either you consume what the big corporations are feeding the masses, or you have to already be part of a strongly-curated niche art community.