Mostly I agree with overall perspective and tenor of the piece, but there's a profound absence of (historical) awareness, paired with a weird, presumptuous, sophomoric sanctimoniousness -- clearest in the strange insistence on using the word "we." If you've ever listened to recordings of sermons from Jamestown, you'll hear something similar: the breathless outrage and stupefaction at what "we" have become and what "we" do and "the world today." It's millenarianism and apocalypticism, and it's just goofy. It's the tone of a kid in his mid-teens who is worked up by his latest epiphany: he finally gets it and is wildly excited to make it clear, and he's performing it and acting it out for his parents, showing how serious he is -- and all the adults in the room know that he's on his way to figuring something out but doesn't grasp that he's trying on an idea and a personality to see how it feels. I hear the same cluelessness in this piece.