Is the camera exposure taking a few seconds of break between takes that get stacked later with some "missing" moments in between?
Is the camera exposure taking a few seconds of break between takes that get stacked later with some "missing" moments in between?
Here is a link to the original photo and it's description (German) by Uli Fehr: https://www.facebook.com/groups/Nachtfotografie/posts/264063...
Last time I did astrophotography was a few years ago, before Starlink made the problem considerably worse, but satellite trails were relatively easy to remove with stacking. I'm sure it's harder now but definitely still possible, so I'm assuming in this case leaving them in was done on purpose to highlight the problem.
EDIT: Looking better at the picture, I belive this was taken with a star tracker and then composited with a shorter exposure of the foreground. Notice how the foreground, even far away, looks considerably blurrier than the stars, and how the tower in the background has some light streaks. This is exactly what you'll see if you use a star tracker. Rather than star trails, you'll have "foreground trails". This would explain why there are relatively few gaps in the satellite trails, since the exposures can be much longer.
I've taken multi-hour continuous exposures on my iPhone + iPad (both "normal" and "light trail" variants.)
By the looks of [0], you can do at least 90 seconds on the Olympus E-M5 MK II - which is what I have and I'll see if it can do 10 minutes tonight.
[0] https://www.olympuspassion.com/2019/08/26/long-exposures-wit...
As for actually holding down the button, you can either use an external wired shutter button that has a mechanical lock to hold it down, or you use a wired controller that has an electronic timer, or you use a software feature in the camera to set the bulb timer.
There's an equilibrium between exposure duration, aperture, and ISO that gives the best results for the conditions with a minimum amount of sensor noise, and getting close to the equilibrium and stacking the images typically gives better results than one massive exposure.
0) Photon shot noise from the object that you want to photograph. This is an inherent and unchangeable quantum-mechanical fact.
1) Sensor read noise per photo taken. This increases with the number of subexposures.
2) Dark current noise per time and per temperature.
#0 and #2 only depend on the total exposure time, not the number of subexposures. #1 actually gets worse with more subexposures, but what you gain are the ability to reject satellite trails, bad mount tracking, cosmic rays, wind gusts, rolling clouds, and other transient artifacts. Whereas if you took a single hour-long exposure, it's essentially guaranteed to be ruined by something.
The trade-off in how many / how long subexposures to take has been analyzed and discussed to death by astro imagers. To cite a few videos I enjoyed: https://www.youtube.com/results?search_query=astrophotograph... , https://www.youtube.com/watch?v=T_k9B01AeFM , https://www.youtube.com/playlist?list=PLaDi49CzWbrYhWEKxWiwB... , https://www.youtube.com/watch?v=mj5zn_Jz3dE , https://www.youtube.com/watch?v=n1RbyswFUqs
As for ISO, it is very commonly misunderstood. ISO amplifies photon noise and dark current noise, and changing the ISO doesn't make your images better or worse in these aspects. ISO in the form of analog gain can help boost the signal above the analog-to-digital converter noise, and that's what it's useful for. The MinutePhysics video explains excellently: https://www.youtube.com/watch?v=ZWSvHBG7X0w . More and more sensors these days approach "ISO invariance", where analog amplifier gain has about the same effect as digital gain (i.e. multiplying the measured numbers on a computer).
Exactly what I'm refuting:
> exposure duration
In astronomy, more is better. Get as much total exposure time as you can afford (e.g. time being at a suitable location, time spent monitoring the equipment, time under clear skies).
> aperture
In astronomy, more is better. Buy the biggest aperture you can afford - obviously, subject to constraints such as cost, weight, mountability, focal length. Also, telescopes don't have adjustable aperture blades, unlike general photographic lenses. You could put a disc cut-out in front of the telescope to close down the aperture, but that's just a waste of light.
> minimum amount of sensor noise
You get the least amount of sensor noise by reducing the exposure time and reducing the temperature (dedicated astro cameras have Peltier cooling). Note that although noise increases with time, signal increases with time faster, so the signal-to-noise ratio is proportional to the square root of time. So 100× more exposure time gives you a 10× better SNR.
> stacking the images typically gives better results than one massive exposure
This is the main falsehood that I wanted to address. Taking multiple images actually gives more noise overall, even if it's a tiny bit. But multiple images gives you much more processing flexibility and the ability to selectively reject things.
It does not mater how much water you pour into a full bucket.
For extra long exposre its recommended to use also a stable powersource.