Connie Converse was a folk-music genius. Then she vanished
bbc.com
bbc.com
What is rare is that there is a good enough story to some company think re-releasing a record might get some interest.
For about 15 years, I stage managed the New Folk competition at the Kerrville folk festival. It was pretty impressive to see 24 singer songwriters (selected from a poool of 600-1000 or so) all play over the course of 2 concerts, bringing whatever they thought was their best material.
Even weirder was going to Folk Alliance this year and running into all these folks who are slightly familiar... "oh, yeah, I remember you- I put a mic in from of you for 3 songs, 8 years ago".
Of the 800 or so songs I have heard there over the years most were as good as anything I hear outside these little folk music spots.
I know a solid 100 or so folks who put out an album of good work and then went on to live their lives. It's such a hard thing to make money off it that our time gets spent up doing all of the many, many other things in life that are compelling but pay better.
Still, if you look, you'll find folks who are out there writing songs to play. Even better, they are still alive and get really happy when you give them some cash for a tip.
I guess it underlines that we all live in filter bubbles - I had assumed she was more well-known than she really is based on news stories like this. Every other artist mentioned on this page? I've never heard of them. Off to youtube...
For instance, I learned "Big Cheesburgers" by Blaze Foley picking bass on stage during a performance at a winery long before I ever heard a recording of him playing it. Same with, say Chick Pyle's "Jaded Lover" or Nancy Griffth's "I Wish it Would Rain" or, for that matter, Rodney Crowell's "I Wish It Would Rain". Those are all folks I either met in passing or knew folks who knew them well.
So while I have a pretty deep familiarity with music from folks with Texas connections, I don't know a whole lot of stuff outside of that area unless there is a connection to my proximately local folk festivals... David Amram or Stan Rodgers or Trout Fishing in America for instance.
I don't think I am unique in that approach to folk music. A lot the lineage of that stuff is mostly people playing in song circles or in small performances picking up a song from someone else, who in turn picked it up from someone, going back to Leadbelly or whoever.
I like recordings- it's super frustrating to hear a song and then not be able to find it anywhere. Especially if I want to learn it and add it to the other 400 or so songs I have memorized at any time, or go back and re-learn something.
Bubbles are real, but I am okay with them because in a certain sense that's what it means to be in a community. But communities aren't usually fragile like bubbles, and folks can come and go without gatekeeping, so that seems closer to how I think about these systems for knowing about folks.
I saw Dave Matthews play a very small show (like 30 people were there maybe) when I was younger while we waited for change to make a phone call. I didn't really pay attention, but remember thinking that this guy was really weird and really different and really really good. I wish I had stayed for the entire thing and maybe talked to him. But, at least the memory is there.
https://www.youtube.com/watch?v=mAfUXna0N-4
This cover is pretty spectacular:
Gosh, "Talkin' Like You (Two Tall Mountains)" is heartbreaking:
That's why record companies traditionally did so well.
There are countless incredible works of art out there that almost nobody will ever see or hear. Most of it probably hasn't even been publicly shared.
I just watched a yt video of a guy who goes and looks for YouTube videos with zero views that are old. I thought that would make a great art project. I'm sure someone will eventually do it
“I don’t stand in the need of company / with everything I see talkin’ like you”
https://pitchfork.com/reviews/albums/connie-converse-how-sad...
https://www.spinmagazine.com/2013/07/collie-ryan-its-gonna-r...