The Harvard Library Passport

On the one hand, I agree that LLMs wherever perceptibly used do nothing to aid legibility, and much to hamper it. That is legitimately irritating.

On the other, it isn't at all new, is it? How LLMs write best, or at least how they write most, is just an outgrowth of the same methylphenidate style that's characterized online writing broadly construed since the days of the original Buzzfeed, which might as well have been called "Slopchute" if we were using those words that way then. Certainly it more than any other one source is responsible for the decay of cultural discourse that made the current troubles first possible and then inevitable - especially thanks to the huge volume of such useless crap (and its worse imitators) in these models' training sets.

I would certainly like less of the slop, as much as anyone. On the other hand, it's surprising to me at this late date to encounter people who read a lot online, and have not become accustomed to dealing with wordy junk written by Adderall casualties - that is, accustomed to dispassionately filleting a longform article on sight, skimming and glancing back and forth to identify what thesis may be present if any, and only actually settling in to read sequentially in the uncommon case where something initially mistaken for "content" has proven to be worth that level of effort.

It's surprising to me because I expect people to respect the value of their own interested attention, and not permit it be idly wasted. Sometimes someone has something worthwhile to say, but not the skill to do a competent job of actually saying it, and so the reader is required to meet the writer considerably more than halfway. I described above what that process looks like in practice. It isn't really something I tried to learn, just something I began doing out of frustration with having my time wasted. (Is that unusual? A little while back someone here had to explain to me, with obviously strained patience, that most people experience pleasure as a direct effect of opiates, and not only as a side effect of the sudden surcease of pain. That clarified for me why so many people get hooked so easily, but it also suggests I may not be the best judge of what's "normal" in these matters, I suppose.)

In terms of difference in practice, LLM output is a little wordier, a little more of a slurry, sure - but on the other hand, precisely because the results tend to exhibit such a strong or "pattern language" form of stereotypy, I find it's actually often simpler to dissect a large quantity of LLM output for the sentence or two of actual thought underlying it, than to do the same with something of similar length which was written by a human, whose paragraphs will almost never be instantly dismissible en bloc, the way most LLM-output paragraphs are.

I suppose that last may sound distasteful, but consider: the paragraphs we're discussing, wherever originating, are filler and that's why we don't like their presence. These paragraphs have been filler since this was The Atlantic's unique house style back when that was still a real magazine, and these paragraphs were never not going to be anything but filler, so whether they were excreted by a human or a robot has nothing to say about the artistic quality of what we've already agreed, indeed taken as axiomatic, is not art. It's styrofoam! It's packing material, which we were never going to care more about than the minimal effort required to throw it away. So why care all that much whether it's hand-blown or machine-extruded?