To your point, none of those things are important if you're just a regular consumer and taking stills, but they're all really nice to have/important if you're working on a film.
The article says they’re adapting to mirrorless cameras
> As reported by CineD, the new Air series of lenses is designed to cater to the growing number of filmmakers who are using compact, lightweight mirrorless bodies for high-end professional work.
> The IronGlass Air lenses move away from IronGlass’ standard PL-mount cinema design toward compact, mirrorless-friendly designs
For instance, Rokinon released a fantastic cinema lens line for consumer/prosumer cameras in the 2010’s, they were rehoused versions of their photo primes. They’re built entirely different.
The "Cinema" industry is notorious for gouging its customers, and this just yet another particularly egregious example of that gouging.