Interesting. I was really impressed by the art at first, taking joy in exploring that as much as the scenes themselves. But it soon faded out of focus as I was engrossed in the story and gameplay.

Same thing for me, I love the technical aspect in the same way I love the demoscene. The visuals are original and very well done, so much that it is now almost impossible to talk about dithering without mentioning the Obra Dinn at some point.

I am also a fan of puzzle/detective games, and this is an excellent one.

Truly a masterpiece in both visual and gameplay, but together... not so much. For a game where understanding every detail of the scenes is critical, it felt I was fighting the game engine. Many times I wished I could turn off the dithering effect and see the underlying models with more standard shading. At no point it felt unfair, they really did a good job making it functional, but it was a distraction.

Not enough of a distraction to stop me from completing and enjoying the game and art. But hadn't the art style been unique, I would have enjoyed it much less.

Yeah, I also loved the idea, but found that playing it require me to strain my eyes too much and abandoned it. One of those games that is more fun to read about than to actually play.

Yeah. I’ve wondered if the game could be a total hit on some possibly-not-yet-real eink display that can reproduce the intended effect at 60fps without such eye strain.

As a kid I imagined playing Cosmic Osmo on actual magical paper at my desk at school.

Some of the examples in the post are really bad, but even the last one has "flickering" not of the dithering pattern but of the edges, which feel "off".

Mostly enjoyed it but the art style gave me motion sickness during and after each session where I had to stop (playing on a TV).