but you dodged the question i asked - why can't a piece stand on the contents, rather than its pedigree?
Would you care if a writer used a pen name? Does that in any way diminish their works? What about the unknown editors that contributed?
Due to LLMs making the cost of publishing “thoughts” extremely low, there’s now an over-supply of content that looks decent on the surface, but in reality the author has probably spent less time on than the reader.
I’m just talking about the general topic about the usefulness of an “this is AI generated” classifier.
exactly what i'm trying to get at too. And my thesis is that this classification method is pointless - it's just as pointless as saying things like "this author went to harvard", or "he/she came from a poor background".
Of course these systems may eventually break down, but for now they seem to work.
we have pop musicians who produce massive hits under their names and the song writers are still given credit in liner notes and in the tracks details on spotify or wherever.
if it’s created by a bot, id take it even further and say which version of which model actually generated it should be declared. why would anyone be against giving proper attribution?
When you interact with art, you do so to interact with the author and the point they want to make. Writing is something where a skilled writer will be able to make a point tersely and have it stick, knowing where to embellish and where to keep it simple. Every decision in art tells you about the artist. Generative AI may be able to fake the composition process, but the point of composition is it reveals something about the human. All of those are artistic decisions that a machine apparently now "can do", but not with any coherency.
The holder of the reigns of slop is not an artist, this is plain to see because they do not interact or engage with their work on the same level as an artist. The produced slop is not art, because it cannot be engaged with on the same level.